A POEM A DAY

I'm just happy to be here.

Category: NaPoWriMo17

7/30: PEOPLE MAKE THE WORLD GO ROUND

“Now the oft parade
has soon began.
Cool pools
from a tired land
sink now
in the peace of evening”

-Jim Morrison, Venice Beach Poet’s Monument

I learn more about myself on the days I do not speak than the days I do. Catching the unspoken flow of life is a boat I often miss. Though, this goes against the first principle of paying attention: nothing truly ends. Even the cycle of waves running to the shore still crash against the sand like an angel in the snow during sunset. What I want to last has not even begun. People Make The World Go Round by the Stylistics is a song I never sang before but the point is I’m listening to the car stereo as my uber driver performs the song of his youth, breath by breath, like he wrote he lyrics himself, like the words were born in his mouth. All I do is smile. My tongue is a crowded beachside boardwalk breeze rising like a blue phoenix. I tell my tongue, go underground, young man. But the pink beast barely leaves his station. If it feels good lost, then I still do not want to find myself. How can I return to who I am when the world is an open invitation? I cast a wide net when I should cast a line with a tiny hook: look, without being sad, I want to walk away from my shadow. I yield my yearning like a tired land I never want to escape into. People always want explanations and never want to listen pass the question. But that’s what makes the world go round. And surely, this is true. Grandkids are eating blue coconut snow cones with their grandparents and when their mouths open up, what I see is a stained sky. A man on the pier shares his spare bread. A homeless man hugs a dog he hasn’t seen in days. One moment after the next. Lifetimes linger on the tips of my fingers—is it any wonder I’m hesitant to pick up the pen?

5/30: ON SLOWING DOWN

i.

On test days, mom’s hands
woke up early enough
to build a meal

for me, three chorizo & egg tacos
tucked in foil,
please.
the foil kept the heat
alive long enough inside
our backpacks to eat on the bus.
Mom cooks in her robe,
spoon in hand,
pan on stove,
scrambled yolk.

The spoon yearns for movement,
but speed kills the scramble so mom
goes slow, her wrist
works like visible wind
moving so slow, the moment
is almost a secret. But
I see it.

ii.

it’s been said, I sprint through sentences
with a vicious lack of precision
like my speech is a track meet
except the audience
is the one out of breath
and somehow, I have no feet

it’s been said my voice is a vacuum
where syllables go missing,
where meaning is missed
mostly due to my quicksand
quips, the quivering lips I get
when the words I find are too
heavy to lift

it’s been said, I talk too fast
like my voice is reckless behind the wheel
like my thought-to-talk process
is a banana peel slip!
Witness every listener
hurt their hip against
the cautionary wind behind
each sentence I tea-cup spin.
I remember,
a woman who judged
my poem when I was 18
told me
that if I slowed down,
articulated my words
with the worth
they deserve, then
I’d be heard.
It hurt my
feelings
so I did not listen.

iii.

when I choose to read the poem in Spanish
my voice does not know how to move.
I freeze in the aisles between the letters
Just as I did as a kid, when my cousins
spoke Spanish as fast as light vanished
All I could hear was the dark shadow
Of sound I could not summon.

when I choose to read the poem in Spanish
I sit on the floor of my room with the windows open.
I call for my voice,
the slow breath rises,
not so much pronouncing
the word, but searching
for the light switch
the one my mom turns on
when she’s cooking
eggs in the morning.

4/30: THE ANSWER

Will my niece ever love a man like me?

If I think about
the answer
If I hope
the answer
is no—then I want her to know why.

Jessi, mija, I am your uncle but before I am a man
I am a boy I am a mistake I am untrue I am a lie
I am a forgery I am a horror story I am a sorry
sorry man, a forged boy, a museum of memories
spoiling in the corner like stories stuck in time-out

I am a mistake
I keep making.

In the sixth grade, puberty arrived. So did desire.
So, so, so
many fires forged this foolish faith,
and mija, I cannot apologize
for the stubborn smoke of my secrets. But I will
explain myself
to you.

I did not
want to be a Mexican boy with the Spanish name
but Mexican girls,
like you, wanted me the way I was.
Knowing this, I hid
this new affection for soft cajeta eyes.
I lied about my longing. I did not give
it a name. I grew secrets in silence.
Intimacy did not speak unless spoken to.
Eleven years old, under the wooden desks
of my world geography class,
I sit next to a girl with eyes like yours
She speaks Spanish to me like a secret
She knows I cannot keep
When no one is looking,
my right hand storms
the unfamiliar shores of her new world skin,
and this new land does not feel new,
Because our blood flows from the same running river of remembering
Because our grandmothers speak Spanish in their kitchens when cooking
Because our mothers threw chanclas in the backseat to beat us
Because our skin jumped at the sun like the gritos of our tios
Because my name told them I was a lit saint candle in their hallway—

Weeks later, when confronted by my peers
All I can do is lie
about the first time
a Mexican girl
held me wordlessly
in the dark, pretending
our
hands never melted
like honey
across hot sopapillas.

As a rule, I learned,
to be a cruel boy,
you must deny what you feel.
I trapped the truth in me like a dead tree.
Years later, when other men ask me
if I would ever date a Latina,
I’d say, I don’t date Mexican women.
I’d say, have you met my mother?
I’d say, I only stay for the food.
I’d say, does it look like I want to wake up with a knife in my back?
I thought, is this not what Mexican men do?
Disguising vulnerability
is a disgusting disease
I am trying to transfuse
out of my blood by talking
to you,

Jessi—
don’t let
any man hide his hands
when he holds you.

Do not love a man
who believes
he is blameless
for failing to name
the monsters he created.

Do not love a man
who preserves the past
into a personal legend
but acts like the lessons
are lost on him.

Mija, I did not mean
to be so mean.
Please,
do not love
a man like me.

3/30: SHOUT OUT

shout out to the businessmen buying broken gold
shout out to the folks who kept gold after it broke
shout out to the men who hug me in public
shout out to my pops who texts me recipes
shout out to the cast iron feeding the cast of my life
shout out of your driver side window at the top of your lungs
shout out to the crescent moons marooned under my eyes
shout out to voicemails
shout out to wanting to talk to someone so much,
you call to hear their voice, only to leave your voice behind
shout out to green lights and Monday morning traffic
shout out to black tea, honey steam, and hand heat
shout out to the voice in my head and the voice in my throat
shout out to buttermilk pie breath
shout out to my lonely homies
shout out to the play station four encouraging my solitude
shout out to the service industry
shout out to the industrious servers who laugh at my jokes
shout out to my niece, Jessi Diane Caballero, J3, JD, valentine’s day baby
shout out to the bridges I did not brave
shout out to the turtles picking up shifts for Atlas
shout out to the bargain shopping hustle I inherited
shout out to the out of reach future
shout out to Sufjan Stevens curing my sorrow
shout out to the lady bugs who trust the touch of my hands
shout out to stick in the mud that is my tongue
shout out to the generous ticket stubs of love
shout out to the depressed, us champions of effortless sadness
shout out to the sunsets stunting like Shakespearean sonnets
shout out to man behind the manuscript
shout out to the mighty pens of my friends
shout out to my left palm dividing the wind like a pretend god
shout out to my students who fish their voices from the river
shout out to the promises I will die to deliver
shout out to the verdicts I reach about myself in silence
shout out to the endless shouting of shame
shout out to the dark passenger shouting to get out
shout out to the dark side of the wiry moon
shout out to the dark bark of peppered brisket
shout out to unrequited love’s lesson on risk
shout out to my happy flintstone feet, flat as a flag
shout out to the poems put on plates
shout out to complete feasts
shout out to inescapable refuge of regret
shout out to the mouth, the pink soundboard of speech
shouting out loud what I refuse to whisper.

2/30: LESSONS FROM THE SAGA OF LIGHT

God bless my bluebonnet heart opening Sunday morning
Like the last laugh of wildflowers in my grandmother’s garden—
God bless the by-lines of beauty multiplying in the dark, growing
overnight, springing from everlasting ash like a blunt wrapped
in phoenix feathers. I found I do not fear what I cannot learn
and I cannot learn what I do not witness. The lesson is this:
We’re still learning to love the lessons, no matter the teacher.
I once wrote, if you lose hope, try forgiveness. But I did not
Trust the teacher, so I chose neither. In the interest of justice,
I ask that the universe reverse the grid-lock of my grief.
Though, I know this is not possible. My brother taught
me how to box-out. This was the first time I learned
to put a perimeter around the pain. As a creature who craves
the hunt of the heart, I ask for hands to hold the slippery
silver fish of suffering. Remember the rebound. In the interests of joy,
I ask the voice of vulnerability to self-govern. In every poem,
a crossing collapses and another bridge begins. Please,
despite the dark doom of destruction, accept this invitation.
Wander into the wilderness. Witness what work it is to stay.
Though, I know this is not possible. In the interest of Self-
Preservation, I ask the secretkeeper to switch to bees.
Why does what I keep never feel like honey?
The lesson is this: I cannot define what is unfinished.
“If I lead you through the fury, will you call to me?”
I sing fleet foxes in red boxers when no one is watching.
Last spring, I spent all my love making time, just like
The Eagles taught me. But what happens when I run out?
Imagine the eye of the storm. Now imagine your eyes.
Whose eyes are lying? If I want the answer to my question,
I’d give it. The lesson is this: the wood in me is not for building.
I used to borrow the best parts of my boyhood to understand
the misunderstandings, wishing, I did not know what I know now.
I used to ask for forgiveness instead of permission. Though, I know,
This was not possible. After offering my body into the wrong church’s
collection plates, my lover tells me, I am no longer a safe-space.
The teacher taught me: whatever I gave, I took away. Like a carousel
of untold truths, I spun my tongue away from the end. In the interests
of time, I ask that the clock restart. I ask for one hand to join my hand
and hold whatever part of my heart is most bruised. Though, I know,
this was not possible. The lesson is this: even pain has limits.
For years, all I wanted as a boy was to be loved. The world gave
me many things, but I still wanted more. First, desire, then lust,
Then greed. At twenty-five, I ask each dark seed to leave. Though,
this is not possible. The earth is strong and I am not ready yet.
For a while, I forget most terrible things I’ve done or did.
Then I remember the wild foe of my woe, guilty as green grass.
I try to mow the misery growing into a sanctuary city.
Do not pity the fool forever failing to find the spark in the dark.
Though, I know this is not possible, I still bless my bluebonnet
heart opening up, like a faucet I fixed in the dark. God bless
The lessons I am still alive to live through. At twenty-five,
I have lived through one-hundred seasons. Through every season,
I have left what I cannot forgive in the fury of the past. Is anyone
Left to call to me? Though, I may not always answer.