A POEM A DAY

I'm just happy to be here.

Category: Uncategorized

10/30: THE LONG GOODBYE

we don’t want to leave, even when
we’re actually leaving, even when
returning home is the last thing
left to do, it’s not our style.
we choose to linger, stick around,
embrace again, embrace again,
our soft brown hands wrapped
around our soft brown bodies,
my grandma whispering blessings
across the back of my neck,
red lipstick stuck to my cheeks,
my aunt’s kisses,
my grandfather’s wisdom,
a bowl of tortillas
sitting in the center of the island,
an invitation to stay,
a warn place to put
your hands.
The swing set
getting closer to the sky
each time we sit next
to each other, our bodies,
old memories fitting against new stories,
I think the hardest thing to do
is leave when you don’t want to,
not always knowing
what you wish you knew.
Is it so bad to be late,
then? When the door
is such a chore to open,
let us rest in the love
we give, on the couch,
sitting outside in the backyard,
grandma’s flowers changing
colors and shape, their petals
holding onto the stem,
not wanting to leave, even when
the season has come to end.
My family,
we choose
the long goodbye
to close the distance
between us,
hug, and hug, and hug,
kiss, and kiss, and kiss,
yes, I will miss, miss, miss
all the parts about this, this, this.
My loves, my dears, the sweet names
I need to hear, that I need to see—
My family,
we all choose
the long goodbye
to make our beginnings
shorter, I’m sure of it.

9/30: LOVE SONG

No one is awake
except the orchestral
male crickets, flexing
their wings, sound springing,
surrounding me, my mother’s home,
and for all I know,
the earth.
Over, and over,
a learned clockwork
of wings lingering
under the pinched-purple
suburban sky
where I too used to linger,
in the earliest days of
my heartbreak, before
I became used to it,
where I would walk, and walk, and walk,
until
the empty spaces inside me then
would consume whatever
I put inside, and now,
again, the empty spaces
inside me are still
filling up with song,
entirely
the cup of my heart
spilling over, all my wrongs,
chirping,

working to be held,

with such precision,
it must be a performance
of some sort,
a love song in
the pre-dawn
exposing
a creature of both dawn
longing.
Am I any different?
A cricket’s temptation is a man’s determination.
But oh, how I wish I could stop listening to
the music I have pretended to
make when I thought a woman
was listening,
when I thought
rubbing my hands
against each other,
would teach me the words
of songs I never wanted to sing.

8/30: Fourth Grade on a Friday

It’s Fourth grade on a Friday.
Walking to my class, I stop
at the sight before me:
two birds chase each other
like a soft rhyme, their wings
seizing the same air running
through my thick black as new moon hair,
the same April air that kissed my face
when I finally decided to misplace
the sour flowers planted in the
deep soil of my unnamed hurt.
Walking to my class, I stop
at the sight before me:
Two boys chase a squirrel
The squirrel chases the world
Both move with no thought,
no belief in exhaustion,
no need to falter.
What you want will always run
Against what you have.

Can this moment last?

The other day, a black butterfly
cuts across the backdrop of green
in my backyard, the pink flowers,
the white crane, the bluest jay,
the wild worthwhile smile of the sun
is the sum of all I’ve lost and gained.

It’s Fourth Grade on a Friday.
I tell Jack in class,
If you turn anywhere in the dictionary,
you can find a new word with old meaning,
meaning,
you story is unfinished,
meaning,
your story is yours,
meaning,
life is alive in the light of a word.
He calls out to me, shows me
the word he chose out of the rows
of definitions, the possibility of
knowing something new,
redoing the unknown,
until known,
and
I know nothing
other than nothing is more
important than the moment
where, he says,
Look, look what I found.

7/30: QUE PASO / QUE PASÓ 

Depending on the flick of flint
in your cheeks, you could either
mean,
what’s up or what’s wrong?

I. What’s up?

Mirrors on the ceiling,

shiny thieves of my body
my mother grabbing my hand,
what do you want?

II. What’s wrong?

That unanswerable question,
is always the worst,
as well as,
dry skin, peeling,
more layers
more lairs of dark
hair and skin
to climb through

my mother’s perfume
leaving the room
before I do,

the sore spots
of my baby brother,
the knots in his perfect
shoulders, the problem is
our freckles betray us
Too easy to pick apart

II. What’s up?

a microphone
amplified reminder: no,
you’re not alone.
my friends, walking in,
beside me,
the path I’ve cleared
leads them back
inside me,
I’m counting the
faces I’ve misplaced
when I disappear

beneath, beneath, beneath

my peeled onion
steel heart—it takes time
to discover the whole,
please,
begin with a part,
it’s really quite easy.
How far will you
go just to start?
Ready? Set? Show.
Your lips are a finish line
run your mouth,
win the race,
win a trophy,
take a pen, rewrite
everlasting
across your lips,
then kiss me
like gold and first place.

III. What’s wrong?

Oh, I would be remiss
if I didn’t tell you about
the bells I miss,
Their brave kiss, loud lips,
All of it, a treat,
and none of it, a trick,
the songs I fail to catch
do not miss me back
do not care if I am late,
their sound still
rings, sings, strings
me the way a pearl
curls off the tongue
off an oyster, or
the way
oranges and grapefruits
my neighbor grew
were pulled off the
limbs of her trees,
taken delicately into her palm,
pretty little sun with its wrinkled skin,

the gift is so simple
I could not comprehend
the significance.

after she gave them to me.

I peeled one after
the other, all day,
my hands
smelled like a citrus kiss,
curious, but
I did not preserve these
homegrown things
Instead, I left them outside
for weeks, mistook their
sugar for strength,
until
a swarm of gnats
grabbed
the last inch of orange
peel,
their hunger,
more than familiar,
but acceptable, real.
their hunger
holds me accountable
for the rot I’ve got
brewing up my sleeve.

IV. What’s up?

The sunroof of my
mouth, the floor
of my tongue,
Words stacked like ladders
each step a letter
whose shape I imitate
with the secret messages
my hands translate.

When I lift my head with
no hesitation, with
no ancient echo of ache,
just the image of a
wrinkled notebook paper folded
in half, held in Anna belle’s hand,
the same small hand
passing me a poem
she wrote at home
I read four words:

Love is a path—

then look in her eyes
the color of hope,
holding its breath,
she says,
It just came to me

6/30: IF YOU CHANGE ONE LETTER

If you change one letter,
lonely becomes lovely.
When I say cast a spell,
I want you to misspell
the ugliest word
you have called yourself.
Misremember its parts,
take power by the syllable
Grab a letter by its throat.
Every word ever spoken
stays invisible unless written.
Name the shadows in the dark.
Pick your tongue up like an ax.
No, your tongue is an ax.
No, your tongue is a tongue.
Sling the word you have reshaped.
If you change one letter,
wanting becomes waiting.
If you add one letter,
heart becomes hearth.
If you add one letter,
star becomes start.

The beginning is always like this,
metamorphosis through addition,

Listen, each word nothing more
than invention, invocation, invitation.

Again, again, again, my tongue spins
a sentence, a spool of creation,

Silkworm imitation.

Yes, your tongue is silk with blood
Alive with the words you’ve drug
through the mud of love, erasure
is a patient process.

A word, like any earthly body,
must erode, if only to grow again,

Must end in flames, if only to begin.

5/30: LALOOSELALOSELALUZ, OR ELEGY TO THE DARK

Lighter lighter lighter,
I want to light the dark
with a lighter, light
my two hands, look
at the light between
my two hands, a dark
history is on fire, light
my palms with prayer,
toss light words
up in the air,
light balloon of truth,
lost light of my youth,
the dark is far and near,
I peel the light from my skin,
like a bruised banana peeling
itself to look for
light at both ends, I
whisper in silence,
follow
the light
,
make it
wake up the world
with the fast break of
light, lighting the unseen
Light for the lightheaded,
Light for the dread
Light for the white lies
Light for the night readers
Lighter, Lighter, Lighter
Make my head lighter too
We eat light foods to confuse
the heavy bodies
of darkness we feed, but what
if we lost the mood to be hollow?
instead,
what if we
swallow light? lighten, feel
lighter than light, flick the light
off, on, walk out the dark,
march like a match strikes
sudden light forged into flame,
struck in a straight line, like
the quick light surge
at the end of super verb,
a pervasive verse, a light tongue
persuasive as heat
held inside
the light.

Will someone
light my black hair
in this blacker than
light night?
All the moon and stars
are gone, and so who
is left to
catch the light,
but me
with
my light bright
hands,
palms alight like
the first
light bulbs, light
hovering above
our lighter heads,
shedding light,
the darker the better,
when I say
look at my
new skin
made of light
my light head
lit with radiance
light as patience
it is
another way to
say,
the light
does not lose
a spark begins
a flame spread
behold,
the light is loose,
the dark is dead.

3/30: Handkerchief of the Lord

Twenty feet away,
I make an impromptu grave
for the red wasp
whose body I tossed from the air
with very little care as to the lost
swing in its wings, now sending
up to 32,500 non-conducting
electric volts through its
revolting revolving body

The fall is swift
its body dripping
with poison,
its body crucified,
barely hanging on a blade of grass,
what Whitman called handkerchief of the lord,
as to say, this will wash you clean,
and I hope it does,
at least for this dead predator
surrounded by pink flowers as big
as my thumb, the beauty of it,
a different type of sting.
No one is around to see
the moment of silencing,
where its body vibrated
hummed against the green,
then turned numb,
with nothing left to say,
not even an hiss, or a buzz,
and although,
I can’t imagine its pain,
I still know it by name.

2/30: YOU CAN’T STEAL MY VICTORIES

Looking into the mirror,
saying to myself:

I’m here, I’m here, I’m here
and inside me are many.
I’m alive, I’m alive, I’m alive
and my love is plenty.

I hear hope is the a good thing,
maybe the best thing
in low volume on the television,
but I forget to believe.
Let me tell you
how I remember.

When I go to hide,
all I see are eyes
closed above the noses
of all the noses
I know and love.
We rub
our fists against
our eyelids,
rid
the blur out
our slurred visions,
the ones we try to outcast,
rearrange,
switch the shadow
with the past’s scarecrows,
even though we leave
the body
uncured in its
stupid uncertainty.

We tell ourselves,
No one owns our wild,
and it’s true,
your survival is
the only truce you
cannot break.

The best thing about today
is that
our closed eyes
open
to a better place
to a place better
than where we came.
I don’t want to feel the same.
Where have we taken each other?

Every one of my students sing
Happy Birthday to You,
the breath in their laughter
undoing all of my disasters,
a perfect chorus of wind
to carry me back like sand
moving towards the sea.
I run my hands through
the wind, then through my hair,
then do it all over again, meanwhile
my smile is a guess
you shouldn’t underestimate.
I have left
the only arms and legs
I have left
to chase the sun
before it leaves.
I have left my hands
behind for you to hold onto.

Catch me if you can

I want to yell
I want to groan
to the well of feelings I feel right about now,
this moment
where the stars, the moon, and me
are lingering along the bayou,
alone in our darkness,
harnessed in a light
that surrounds the sky
I celebrate beneath on
the anniversary of my birth.

I’ve learned
you can turn
sadness into a memory,
then you can forget it.
In my twenty-fourth year,
I’m here, I’m here, I’m here
and inside me are many.
I’m alive, I’m alive, I’m alive
and my love is plenty.
You can’t steal my victories.

 

 

 

 

 

 

LOST BODY OF A LOST BOY LOST BY

Lemon tart to start,
brass manifesto for lunch,
sunlight whispering
touch me, touch me, touch me,
though glass windows.
This life is enough, this lie is enough, is,
i.e., no, no, no
who is there to trust?
i.e., no, no, no, not who, but what,
what is there to trust?
Lost body of lost boy lost by the majesty of it all.
I know my heart, your heart
may be long winded, but
the war within has ended
all of us have won
you now have permission to
lift your heads
The war within is won.
Do you see what I see?
The gold spun sun spins
while we sit on our hands
to relearn our stillness,
even our sins sit in silence,
marveling,
silenced by the lineless pink brushed sky
speaking in another language, and this is
no good time to talk, so I am listening,
no longer lifeless, but a lightweight, as in,
I curve around the dark without so much as a sound.
Just your friendly neighborhood noiseless witness
shucking the dusk, trying to steal the miracle
of any moment slow enough to reveal itself.
Do you hear what I hear?
The voice of my dreams is a soft stream of hushed light.
I break out into a peal of commotion, like I’m in concert
with the cathedral bells downtown, performing in free-fall.
Lost body of lost boy lost by the majesty of it all.
When I think translation, I hear misunderstood.
I think misunderstood,  I see the invisible cost of loss
lure me back into conversations
where all I do is crawl beneath the
Lost body of a lost boy lost by the majesty of it all.
Is it so bad to be half-made of worry and honey?
Do not talk to me about half-truths when your mouth is full.
My mother texts me to say, mijo, you are blessed—
don’t ever question it, referring to the ways in which
I keep arriving, the path in front of me, paved by
the sleep I do not get, labored by the hands that
do not quiet, cannot quit, only furiously stick to the
changing script, shuffling papers like the spirit
of the hero following my fingertips, realigning lines
until my finger print is fine print, wishing for someone,
anyone brave enough to read the sentences I’ve written,
to bear witness to the way I have reshaped the invisible
back into instruments, until the first thing I hear is
the story of your bravest moment, when fear stopped
being so mysterious, when you yourself learned the
definition of ephemeral, how eternal things are unchanged facts,
how you are not ephemeral, not a disappearing act, not a
Lost body of a lost boy lost by the majesty of it all.
Don’t ever question that the first of you is the last
of something extravagant [synonym for generous]
opposite of meager, [your survival is never an understatement]
You can stop hiding from yourself
is the last prayer I whisper when I pass a mirror.
This is how I define radiate.
This may come as a surprise to some, but
you don’t have to hear your heart beat
to know you are alive. No, no, no—
I’m not trying to prove the truth to you.
I’m simply trying to say,
you don’t have to be afraid
of what the truth will do to you.

.

 

The Last Thing I Have To Say

I wrote this on the way to New Orleans on New Year’s Eve, driving down IH-10, with two of my best friends. These are the last words I wrote in 2015. 

I lost poems but not love. Some people broke in, others broke out. I lifted my body even when my thoughts grew heavy. I lost time, but kept moments. Happiness by the handful. I cannot count all the tortillas I put over an open flame. A greeting at the mouth. That’s what this smile is all about. I count the syllables I say, silently to myself, because I like to know how many pieces it takes to make a thing whole. Childhood dreams assume I never woke up. I no longer assume without deciding.

I have opened my eyes to all that presented itself.

I danced with my grandmother on a dance floor I remember from my childhood. I ate cake late into the night, and did not always see the moon. but when I did, I kept the bright bird that she is, flying tree to tree. Which is to say, I know how to glow and not always show it. How many times did I stop and listen to the bells bounce between buildings? All these sounds. A lot of them familiar, but many so new. I cannot say unknown; it would be too strange. The soundscape of a stranger’s skin, finally, an echo in the distance of the past.

Listening is not a series of acts. Paying attention is not exactly a play. What choice do you have in what moves through you? Sounds, like light, reach for you not at once, but come at once, crest of waves on their way to impact. Some days, I had very little sleep. The moon is blameless, forever. Each solstice of the season, I remember. Part of me, unafraid to show what is behind the whole curtain. What woman wants a man who is always half-certain? The other half, a serendipitous sap. How many trees stopped me? I wish I could tell you the root of all my hurt. The days grew easier the lighter they became. Weightless, with a promise to be bright. I perform for the sun. Even when it is gone, set, the night is a ghost with a message in a bottle. I toss it down stream. The sadness in me is an old and lost river. Upstream, I swim. Every day, I move to a beat. You should see the rhythm. Shall I begin with the wind? To myself, I mutter, that’s a nice piece of sky. When really, I speak of the whole damn thing. Every inch of its blue. The surface area of what I see is such a treat.

One early autumn Sunday, for hours, I felt my heart murmur under water. Submerged in the sea of myself, I am most safe. I stand up, dripping. All the trees, alive longer than me, longing a lot longer too, (I’m sure)— are still and unmoved. Turning to my best friend, we question God, then a gust grips the entire basin. I don’t see the stone, but I remember the ripples. I being the one thrown out and into myself. I follow what I see until not a question remains. Deeper than I’ve ever been, I dig in. Why is so much of what I want undercover? I think secretly, I can make any place a refuge. The times I open my mouth, words are the birds that come out. Together, a flock, a burst of loose feathers. I speak until the words sing. People who listen to me, then my words, they grow wings. Out of the air, a descent, a landing, a nest to rest. This talking I do, it isn’t so bad. Not sure where the urge comes from, but I spot it with ease. Much like the bluebird in my backyard, the cardinal this last spring, the albatross sleeping on the sea, the raven’s song told by the orchestral pink sky, you get to choose what leaves you.

 

Not every moment knows the miracle of stay.

 

I know that by now. Know enough to know most the things I love are up in the air. I have to say, finally, I feel less alone. As I write, and write, and write, I am not looking for love. But I cannot help but notice its unexplainable absence. I am my heart’s only detective. I think of this line in line buying a book at the Charlotte Airport. Stuck with a story. I thank the delay for departure, as the sky is too grey, I thought. I agreed with the weather pattern as if I were the subject of the prognosis. The book I bought, in which I curled around each sentence, I read, Yesterday’s poets are today’s detectives. Suddenly, I am no longer afraid of the mystery of misery. This same mystery before me. As my heart’s only detective, I inspect and collect. With a fixed eye, I learn the lesson that everything is relevant. I try not to forget. Maybe this feeling I get when I cross the bridge into the past is the piano dropping inside my chest.

Behind my house, a bayou sings for the dead. I walk the bridge onto a path. All crossings are a way of knowing, I read in a poem last night by Robert Hass. The piano drops, now. The sound of  the wood splinters out I forgive, I forgive, I forgive. So I did. Unbothered, I spent so many afternoons holding hands with the breeze. Outside, I sat down to write. Sometimes, silence is half the process.

What I remember is a storm. What I remember is a flood. What I remember is broken glass. What I remember is defeat. What I remember is lost keys. What I remember? Mostly Words.

This crevice of a moment, cracked on accident. Then, meaning becomes a mountain. Plum roses in the valley. Rain from the sea. The sky with its score. I use my hands to open a letter that asks me impossible questions about love. I say what I can. The truth is a shape-shifter. Liberty is a fire whose light travels through you.

Oh, what a word can do. This Year, Survival. This Year, Resilience. This Year, Surrender. This Year, Accountability. This Year, Acceptance. This Year, Determined. This Year, Open. This Year, clue after clue, a ball of thread, rolling ahead. I remember sitting in the park on a Monday, watching the leaves rustle. Quiet hustle of my heartbeat quickened. The gratitude grew thick, a brick in the wall, the hug of fog disappearing the longer my smile stretched. Friends were there for me, when I stopped being there for myself. No one can ever tell the spells we cast against ourselves. All this unheard unworthiness we all fail to mention. If you don’t know this by now, you can overlook love’s presence by needing intention. Not all light creates a shadow.

In my kitchen, I lit a fire and went to work. I think of the tables I filled with food, and trace back the recipe of the evening, which has nothing to do with the meal. But the idea alone. The need to create. I close my eyes. A page is a plate. What I want and what I think, always a product of misalignment. Product of Fate. I kissed women, the heat of my body, an undisguised invitation, our mouths, embrace. Hardly ever, do I leave space for regret. My cravings are your cravings. Temptation is nothing more than a museum I cannot but help wander through. I look at the walls and every color calls out to me. I have confused my love before. Between ideas and people. Between the past and present.

I announce this now: I do not hesitate with language, only love. This skin I give is impossible to revise. The very idea of revision being change. This Year, my body has witnessed the Miracle of Stay, has given a place for words, has no longer gave in to the great need to leave. Looking back, joy joins my thoughts. Who is ever sure? Above a closed shop, I remember a sign I read while scouring across New York City for the first time. Outside on the sidewalk, I am nineteen and see, Everything is Subject to Change. Who am I to disagree?

In the summer, I stood in the hot salt water and felt the grains of sand trickle, smooth tickle of the shore. The waves foamed at the front, only to fall over into themselves, stumbling almost, immediately crashing forth. This is when. Nothing lasts, but goodness. This life never stopped being worthwhile. Just wait. Yesterday, two days before the New Year is at its newest, I sit at my desk. Quiet cold, outside my window. Grey light between the naked trees. The bumps on my skin multiply, strewn across—you could say star spangled, but of course, I need not lean on man-made constellations. I look out into the night sky, and all this distant light is hidden, then revealed. Without my shirt on, I write this. A few words arise: vulnerable exposed, cold, open— Yes, open. Not closed. Enter, no exit. The things we recognize inside another. Not always able to be held. Maybe I’m a stranger, unknown but searching.

The New Year awaits beneath the cliff of my dreams, recreated from places my feet have taken me. A sundial waits for a new shadow from the same body. Time is always mismatched with what I expect. The misalignment of now, always happening. Notice the tenses when I speak. I signal to you a need to go back, the steam to move forward. Under my hot breath, I ask, Am I him yet? An off-putting question, I put on my shirt. What? Don’t you know, I am familiar with definition. Meaning as a shape. Words give form. When we say give, we really mean let go. This is neither new or different. A creature of ritual. Talking to myself in the late afternoon, sleeping alone, unafraid to leave. Hearth that I am, who will see the smoke? I can’t tell you any secret you haven’t discovered on your own. Wait. See. In our knowing, we cross into each other. In our yearning, we become less alone.

What other miracle do you need?