A POEM A DAY

I'm just happy to be here.

Category: Uncategorized

6/30: REJECTAMENTA

6/30: REJECTAMENTA

“The poem that is merely painful revelations:
my impulse to tell you everything –
which may destroy everything”
– Theodore Roetheke

I know how it feels
when you trick your heart
into being someone else’s treat.
But smiling alone
with you
is how the blood
in my body
refused to rot,
rejected deceit,
rose like a wave &
now the mystery is
who wants to swim
in the mud of love?
who wants to break
the cycle of breaking?
No, I do not know all
my hauntings by name,
but a history of hurt is here,
constant presence, always relevant
but this
is not a poem about defeat.
This is merely pain revealing itself.
This is a monsoon of magnolias
against the grey blanket of morning.
This tired legacy of failed reciprocity
does not bewilder me, the promise of new joy
is a gentle riddle lust cannot solve,
if my heart is knotted, don’t let love resolve,
untie or cut the twist, I just need you to
show up and mean it.
I’ll forget the history of hurt
if you just keep showing up,
turn this historic loneliness
into something we can both fix
the both of us,
your arrival,
the beginning,
apotheosis—
finally, all my fear
furnace bound &
lovemaking
is the quiet smoldering,
which may destroy
everything.

5/30: THAT VIOLENT BUSINESS

“…woe is translatable to joy if light
becomes darkness and darkness light,
as it will—“
-William Carlos Williams

On the day of the spring equinox,
I fed myself strawberries, ate black plums,
someone called me handsome and I hummed
to myself in the kitchen.

A quick note on the black plums:
the first time, I grabbed one was an accident
had to be the summer before last
the one I spent alone in my apartment
baffled by want, a linguist lost in love’s speeches,
studying for four months to take a test
so I could go to school for three more years
then take another test at the end of it. Anyways.
That next season, I read a poem out loud
to three other English majors in my Modernism class
about stolen plums, the deceptive sweetness
of language, the immediate contact with the present,
the need to reach through with what is wholly you,
and in that moment, the poet comes to know
the image is more useful
than what it represents & that’s what I’m saying!
I bite into a black plum not by my lonesome
but swirling with significance, a cloud of moments,
the long day stretched out like a highway
I cannot help but get stuck in the traffic
of my own imagination, impavid and impatient
& imagine me humming a number
equal parts lovely and somber, with plum breath
and the confidence of a compliment.
I think of all the mouths I let on my flesh,
eyes closed and touch filled with expiration,
like they expect the sweetest thing in season,
hoping for a brief revival just by holding my body, and
how this explains their reason for leaving, because who doesn’t understand
pleasure, who doesn’t eat a plum on the first day of spring
and throw the pit in the garbage, forgetting forgiveness,
you know, that violent business.

4/30: MOONMIST

Show me all the possibilities
on how not to be alone.
I am telling you I need you.
The rain won’t quit looking
for a body to swallow
It is telling everyone to need
each other, but people do not
have appetites for people.
People just have appetites.
I don’t long for the company
of another because I am hungry.
Every day I perform for love
but the audience is stuck in traffic
The show does not go on
even when my mouth does,
even when I say what I mean,
and who knows what I mean.
I am under the moon with a woman
who does not know my history with rain
who looks at me like the first days in spring
and suddenly the sensation of sinking is gone.
How do I explain the absence of love
without looking for it?
I am my heart’s only detective.
The mystery of meaning
is knowing without saying
but I cannot do both.
Show me, show me, show me.
All the possibilities.
How does anyone stop being alone?
Does the sadness pile and pile or
does it serve some other purpose?
Say my name in the middle of a sentence
where sadness cannot reach.
If my day is truly good, I will tell you all about it.
Don’t let me slip away with simple answers.
If ever I make-pretend, take away my hands.
Both my hands are open and only you can fill them.
When I trap myself inside the house lonely built,
tell me to open my curtains.
Outside my street, live oaks longer than longing.
Behind my house, a whole street called Moonmist
Early one morning, a grandmother teaches her grandson
how to rake, shows him where to place his hands,
and how to build a mountain of fallen things,
and he is trying so hard to gather, to put his hands
where his hands should go, and even then,
his body is not big enough, he cannot do
what he has to do, but what difference does
that make?

3/30: I WISH YOU COULD SMELL THIS FLOWER

3/30

I wish you could smell this flower.
I don’t know the name of it, but
the pavement is blushing lavender
or a color in the lavender family, maybe
a first cousin to lavender, only more lovely
because it is in front of me and nameless,
but petals and petals and petals of beautiful anonymity,
how terribly difficult it must be to love
something you cannot say, ask to stay.

With me is Billy and we just ate ice cream and sorbet
after leaving San Dolores Park by riding a slide down
to the playground where just moments earlier,
a Mexican man earned his living by selling slices of pizza to smiling people
who still had room for want and and despite my distaste for fractions
it is nine-tenths a perfect day when
a little girl kneels down on the sidewalk outside the ice cream shop
and picks up this flower whose name could not possibly
achieve its purpose of explanation
or offer meaning without leaving too much room for
interpretation, but of course it has a name,
of course it belongs to something we can all say,
but what I want to say is,
a little girl knees down and picks up this flower
and puts her mouth up against it
like she’s part of the family, maybe a first cousin
or a sister, or a mother, or a daughter
and she pulls whatever sweetness there is
with her mouth, with her nose, with her whole body,
and I wish you could smell this flower.

2/30: AGATHIST

I am twenty-three and my heart feels the breeze
even in my sleep. I squeeze a blood-orange and
smell the perfume of citrus on my hands. Even my touch
grows braver the sweeter the songs I sing.
Like last Sunday, I set my body before the sun
lowered my mouth and saw the spring moonlight
pour out, like a melody, parody or parable.
My mouth is a house of blue solitude, wide-open sky,
you should see the trees that give me shade
and the guests who never stay.
I am twenty-three and my heart feels the breeze always.
When someone asks about the potholes in your heart
do not mention the bad days, the flat tire, the reckless speeding.
There are only good days and on good days
survival is the only the answer. I have so many questions
I do not want to ask. The weight of what I don’t know
lets me know plenty room is left to grow.
I don’t always want to finish what’s next.
Whatever happened to breakfast?
I slept through mornings because the cost of living
was not convincing.
I could not remember what waited for me.
I know lonesome does not deserve my love
but that conversation is such a hard thing to do.
I hear my gift with words is such a blessing.
I hear it’s not fair because you’re better with words
I say it isn’t so simple.
When you’re afraid of what the dark can do,
Language is the only room to run to.
Being good with what scares me most
is not a badge, but a casket of truths. Yes,
speech is a gift, but I never asked for a mouth,
for this matrimony of what I feel always coming back out,
never asked to love the significance that
always invites itself over and under my sheets,
but it belongs to me, is mine to sift through.
The pulchritude of an April afternoon tells me
it is too soon for anger.
I am twenty-three and my heart is caught in a breeze,
this poem is an invitation for you sway with me.
I am an architect of kindness and I require your spiritual congruity.
Take Agathist, derived from Greek, is a person who
believes all things reach toward an ultimate good.
Let that be me.
I have a history of inconsolability I do not want to repeat.
Rinse my mouth out with all the color I want to keep.
My mother leaves a voicemail I listen to while
I stir a pot of beans I made using my grandmother’s recipe.
Outside, the birds and the bees sing and sting,
I watch, stir and smell the steam, the weight of what
I do know can feed a family, can find meaning
even when my belly or heart is empty,
damaged by the translation of want and need,
even then, love is instructive,
even then, love is this scene, the one where I leave my house
and everyone is happy to see me.

1/30: VILLA CONTENTO

Did I tell you about the cardinal
in my backyard?
I saw a bright red body leap from the ground
and didn’t think it looked so tough.
Thought of my heart, thought of how hard
it is just to pick up the pieces, but
did I tell you about class last week?
I ask my students to read their poems
out loud to one another.
A student asks me what it means
to be vulnerable and I am not afraid
to tell her the truth.
She tells me she’s only
nervous in front of one person,
whispers his name because it
is still soft and simple, and I can’t remember
the last time I whispered a name like good news.
Did I tell you about the good news?
Cindy Phan is going back to Vietnam.
Cindy Phan is my barber and she calls me handsome.
Cindy Phan hasn’t seen her family in six years
Cindy Phan crossed the ocean because
she was sick, and now she is better.
Did I tell you about the time I got better?
Oh, it wasn’t very extravagant.
Everyone just said they loved me
and meant it.

Why I’m Not Where You Are

Because I spoke soft to you in the morning /but your mouth hit mine like snooze /leave, leaves loosely left behind like /lips split open/turning my body/ into a fountain of come and find me/ because you never came and found me/ because wind currents spoke to my feet/ until they fell asleep and I could not feel/ where they were taking me/ because when I reached for you/ and your glass-blown, smooth and hot skin to kiss my hand/ you let your body turn to sand/ because people are not pivot points/ not the front of buildings with doors revolving with the sun/ because even if I rose with you/ my heart is still sleep-talking/ I reverberate but nothing translates/ language is not so absolute/when every letter is filled with loose change/ pennies that slipped away/ careful copper-talker, when you don’t shine/ no-one takes the time to ask why/ because house-guests don’t always get breakfast /because hunger is hardly enough reason to stay/ because ache is a place between your face and my face/ and there are miles of highway pretending to be asphalt/ but nothing that smooth is true/ because you are beautiful and true /and that is so new to me/because all my grief grew into a pomegranate/and you didn’t want to pick me apart /because if you asked me to stay/ I must have missed the transmission /because when love was said/ your mouth turned vacuum/ nothing was safe / not my name/not all this tenderness/ I saved for you/ because you can’t be angry over something you aren’t willing to ask for/ and I’m not willing to ask for you to choose/ because the sky doesn’t ask to be blue/ the sun doesn’t choose to come up/ because love is true regardless of choice/ and that is the triumph that puts lumps in our throats/ I’m not where you are because when/ I pressed my head against your chest/ there was no thump, no wild rumpus/ no chorus that played, no slow song/ that made us sway/ and what am I supposed to say that?

How A Mango Makes A Man, Again

Friends! This is a poem of mine I performed at Write About Now, a poetry organization in Houston Texas who hosts weekly open mics and poetry slams at AvantGarden.

epilogue of morning

every morning I make a decision
to wake up
or not

sleep has always been my way of
keeping my body and its proud insides
from spilling out the front door
gone with the garbage man
but today is different

I bought books, made dinner,
gulped water, sipped coffee,

drove with the windows down

shook hands
like rain clouds meeting spring, eager
like a trombone refusing to hold its breath

the only thing I am guilty of is letting go



when it comes to leaving,

there is a field in my chest

where my lovers voices refuse to rest

their overgrowth stalks my future harvest

& under all of me, 
a mysterious blue
ensemble of lost mercy,
refusing to
 levitate


will someone come away with me

anyways?



there are sundials on my feet

showing me where the 
dark is going to be

we do not have to go there, there,
where there are no bodies swinging through other bodies
in the name of dance


and no one knows this but

deep in the heart of
all my exes is an empty swing
dancing all by its lonesome
lost in a park where all the honest trees
forget to reach back for me

my dear, I have to tell you
if I am ever a stone’s throw away
from being swallowed by sorrow’s river sheen,
remind me of the consequences,
what happened last time
when I went down under
to bargain the air and
kept forgetting to say please

my dear,
whisper trumpets if you must
boil the brass off my knuckles
down to pearl dust,
cover this solitude with shiny rustlove,

shucks, shut me up,

the world is a chargrilled oyster
and every day I order
the lackadaisy wonder
that leaves my muscles morsels
we used to cusp like folklore
growing on our grandmother’s kitchen floor
the tile, a Miles Davis kind of blue,

every story I have is a jazz dream
where nothing rhymes with love 

but you

trust me when I say
do not sing me like a song

hum me like morning fog
recovering from all the night’s wrongs

hum me like a secret longing, a saxophone churning,
bird-jazz jabbering out on my front lawn

all those trees
practically impossible
when it comes to harmony but
how the branches sway homily

I wonder if the birds know
I am under their wing’s spell

my dear,
I could not tell what forces
the dark to melt off morning’s sundress,
whether trombones
or my bones
is what stirs up light
but the history of what happens in my head
has felt and been so much
of what I cannot tell or dispel

some things never leave until they’re ready
but this morning I left my bed with my head

and the world wasn’t dead
only dying
to see me

It Rains When You Leave

it rains when you leave
the sky’s only way of offering farewell
I suppose, but did you know
my skin precipitates too?
I cannot pretend
I see you
and the sea-level
inside me sings skyward
I say your name
only to sink back through you
You smile, and I swim.
We kiss, and I am brought back
to surface. Say, I don’t know if you
know this but blood is said to be blue in the body
but it is simply a myth. Like Icarus craving sunlight
and falling asleep in the sea instead but
the body is still seventy-percent water,
three-fourths of me is a storm so calm
I crave a sky to share it with.
My blood may not be blue in the body
but my body belongs to the blues.
All of me, what little room for improvement there is,
I woulda saved for you.

See, you left a breath on my neck
and all water leapt out, my skin
became a smacktalk of steam singing
against yours.
I poured the last of what’s left
remnants of a flash flood
float into your bed,
a puddle of laughs,
one thousand blue threads.