A POEM A DAY

I'm just happy to be here.

3/30: Handkerchief of the Lord

Twenty feet away,
I make an impromptu grave
for the red wasp
whose body I tossed from the air
with very little care as to the lost
swing in its wings, now sending
up to 32,500 non-conducting
electric volts through its
revolting revolving body

The fall is swift
its body dripping
with poison,
its body crucified,
barely hanging on a blade of grass,
what Whitman called handkerchief of the lord,
as to say, this will wash you clean,
and I hope it does,
at least for this dead predator
surrounded by pink flowers as big
as my thumb, the beauty of it,
a different type of sting.
No one is around to see
the moment of silencing,
where its body vibrated
hummed against the green,
then turned numb,
with nothing left to say,
not even an hiss, or a buzz,
and although,
I can’t imagine its pain,
I still know it by name.

2/30: YOU CAN’T STEAL MY VICTORIES

Looking into the mirror,
saying to myself:

I’m here, I’m here, I’m here
and inside me are many.
I’m alive, I’m alive, I’m alive
and my love is plenty.

I hear hope is the a good thing,
maybe the best thing
in low volume on the television,
but I forget to believe.
Let me tell you
how I remember.

When I go to hide,
all I see are eyes
closed above the noses
of all the noses
I know and love.
We rub
our fists against
our eyelids,
rid
the blur out
our slurred visions,
the ones we try to outcast,
rearrange,
switch the shadow
with the past’s scarecrows,
even though we leave
the body
uncured in its
stupid uncertainty.

We tell ourselves,
No one owns our wild,
and it’s true,
your survival is
the only truce you
cannot break.

The best thing about today
is that
our closed eyes
open
to a better place
to a place better
than where we came.
I don’t want to feel the same.
Where have we taken each other?

Every one of my students sing
Happy Birthday to You,
the breath in their laughter
undoing all of my disasters,
a perfect chorus of wind
to carry me back like sand
moving towards the sea.
I run my hands through
the wind, then through my hair,
then do it all over again, meanwhile
my smile is a guess
you shouldn’t underestimate.
I have left
the only arms and legs
I have left
to chase the sun
before it leaves.
I have left my hands
behind for you to hold onto.

Catch me if you can

I want to yell
I want to groan
to the well of feelings I feel right about now,
this moment
where the stars, the moon, and me
are lingering along the bayou,
alone in our darkness,
harnessed in a light
that surrounds the sky
I celebrate beneath on
the anniversary of my birth.

I’ve learned
you can turn
sadness into a memory,
then you can forget it.
In my twenty-fourth year,
I’m here, I’m here, I’m here
and inside me are many.
I’m alive, I’m alive, I’m alive
and my love is plenty.
You can’t steal my victories.

 

 

 

 

 

 

LOST BODY OF A LOST BOY LOST BY

Lemon tart to start,
brass manifesto for lunch,
sunlight whispering
touch me, touch me, touch me,
though glass windows.
This life is enough, this lie is enough, is,
i.e., no, no, no
who is there to trust?
i.e., no, no, no, not who, but what,
what is there to trust?
Lost body of lost boy lost by the majesty of it all.
I know my heart, your heart
may be long winded, but
the war within has ended
all of us have won
you now have permission to
lift your heads
The war within is won.
Do you see what I see?
The gold spun sun spins
while we sit on our hands
to relearn our stillness,
even our sins sit in silence,
marveling,
silenced by the lineless pink brushed sky
speaking in another language, and this is
no good time to talk, so I am listening,
no longer lifeless, but a lightweight, as in,
I curve around the dark without so much as a sound.
Just your friendly neighborhood noiseless witness
shucking the dusk, trying to steal the miracle
of any moment slow enough to reveal itself.
Do you hear what I hear?
The voice of my dreams is a soft stream of hushed light.
I break out into a peal of commotion, like I’m in concert
with the cathedral bells downtown, performing in free-fall.
Lost body of lost boy lost by the majesty of it all.
When I think translation, I hear misunderstood.
I think misunderstood,  I see the invisible cost of loss
lure me back into conversations
where all I do is crawl beneath the
Lost body of a lost boy lost by the majesty of it all.
Is it so bad to be half-made of worry and honey?
Do not talk to me about half-truths when your mouth is full.
My mother texts me to say, mijo, you are blessed—
don’t ever question it, referring to the ways in which
I keep arriving, the path in front of me, paved by
the sleep I do not get, labored by the hands that
do not quiet, cannot quit, only furiously stick to the
changing script, shuffling papers like the spirit
of the hero following my fingertips, realigning lines
until my finger print is fine print, wishing for someone,
anyone brave enough to read the sentences I’ve written,
to bear witness to the way I have reshaped the invisible
back into instruments, until the first thing I hear is
the story of your bravest moment, when fear stopped
being so mysterious, when you yourself learned the
definition of ephemeral, how eternal things are unchanged facts,
how you are not ephemeral, not a disappearing act, not a
Lost body of a lost boy lost by the majesty of it all.
Don’t ever question that the first of you is the last
of something extravagant [synonym for generous]
opposite of meager, [your survival is never an understatement]
You can stop hiding from yourself
is the last prayer I whisper when I pass a mirror.
This is how I define radiate.
This may come as a surprise to some, but
you don’t have to hear your heart beat
to know you are alive. No, no, no—
I’m not trying to prove the truth to you.
I’m simply trying to say,
you don’t have to be afraid
of what the truth will do to you.

.

 

The Last Thing I Have To Say

I wrote this on the way to New Orleans on New Year’s Eve, driving down IH-10, with two of my best friends. These are the last words I wrote in 2015. 

I lost poems but not love. Some people broke in, others broke out. I lifted my body even when my thoughts grew heavy. I lost time, but kept moments. Happiness by the handful. I cannot count all the tortillas I put over an open flame. A greeting at the mouth. That’s what this smile is all about. I count the syllables I say, silently to myself, because I like to know how many pieces it takes to make a thing whole. Childhood dreams assume I never woke up. I no longer assume without deciding.

I have opened my eyes to all that presented itself.

I danced with my grandmother on a dance floor I remember from my childhood. I ate cake late into the night, and did not always see the moon. but when I did, I kept the bright bird that she is, flying tree to tree. Which is to say, I know how to glow and not always show it. How many times did I stop and listen to the bells bounce between buildings? All these sounds. A lot of them familiar, but many so new. I cannot say unknown; it would be too strange. The soundscape of a stranger’s skin, finally, an echo in the distance of the past.

Listening is not a series of acts. Paying attention is not exactly a play. What choice do you have in what moves through you? Sounds, like light, reach for you not at once, but come at once, crest of waves on their way to impact. Some days, I had very little sleep. The moon is blameless, forever. Each solstice of the season, I remember. Part of me, unafraid to show what is behind the whole curtain. What woman wants a man who is always half-certain? The other half, a serendipitous sap. How many trees stopped me? I wish I could tell you the root of all my hurt. The days grew easier the lighter they became. Weightless, with a promise to be bright. I perform for the sun. Even when it is gone, set, the night is a ghost with a message in a bottle. I toss it down stream. The sadness in me is an old and lost river. Upstream, I swim. Every day, I move to a beat. You should see the rhythm. Shall I begin with the wind? To myself, I mutter, that’s a nice piece of sky. When really, I speak of the whole damn thing. Every inch of its blue. The surface area of what I see is such a treat.

One early autumn Sunday, for hours, I felt my heart murmur under water. Submerged in the sea of myself, I am most safe. I stand up, dripping. All the trees, alive longer than me, longing a lot longer too, (I’m sure)— are still and unmoved. Turning to my best friend, we question God, then a gust grips the entire basin. I don’t see the stone, but I remember the ripples. I being the one thrown out and into myself. I follow what I see until not a question remains. Deeper than I’ve ever been, I dig in. Why is so much of what I want undercover? I think secretly, I can make any place a refuge. The times I open my mouth, words are the birds that come out. Together, a flock, a burst of loose feathers. I speak until the words sing. People who listen to me, then my words, they grow wings. Out of the air, a descent, a landing, a nest to rest. This talking I do, it isn’t so bad. Not sure where the urge comes from, but I spot it with ease. Much like the bluebird in my backyard, the cardinal this last spring, the albatross sleeping on the sea, the raven’s song told by the orchestral pink sky, you get to choose what leaves you.

 

Not every moment knows the miracle of stay.

 

I know that by now. Know enough to know most the things I love are up in the air. I have to say, finally, I feel less alone. As I write, and write, and write, I am not looking for love. But I cannot help but notice its unexplainable absence. I am my heart’s only detective. I think of this line in line buying a book at the Charlotte Airport. Stuck with a story. I thank the delay for departure, as the sky is too grey, I thought. I agreed with the weather pattern as if I were the subject of the prognosis. The book I bought, in which I curled around each sentence, I read, Yesterday’s poets are today’s detectives. Suddenly, I am no longer afraid of the mystery of misery. This same mystery before me. As my heart’s only detective, I inspect and collect. With a fixed eye, I learn the lesson that everything is relevant. I try not to forget. Maybe this feeling I get when I cross the bridge into the past is the piano dropping inside my chest.

Behind my house, a bayou sings for the dead. I walk the bridge onto a path. All crossings are a way of knowing, I read in a poem last night by Robert Hass. The piano drops, now. The sound of  the wood splinters out I forgive, I forgive, I forgive. So I did. Unbothered, I spent so many afternoons holding hands with the breeze. Outside, I sat down to write. Sometimes, silence is half the process.

What I remember is a storm. What I remember is a flood. What I remember is broken glass. What I remember is defeat. What I remember is lost keys. What I remember? Mostly Words.

This crevice of a moment, cracked on accident. Then, meaning becomes a mountain. Plum roses in the valley. Rain from the sea. The sky with its score. I use my hands to open a letter that asks me impossible questions about love. I say what I can. The truth is a shape-shifter. Liberty is a fire whose light travels through you.

Oh, what a word can do. This Year, Survival. This Year, Resilience. This Year, Surrender. This Year, Accountability. This Year, Acceptance. This Year, Determined. This Year, Open. This Year, clue after clue, a ball of thread, rolling ahead. I remember sitting in the park on a Monday, watching the leaves rustle. Quiet hustle of my heartbeat quickened. The gratitude grew thick, a brick in the wall, the hug of fog disappearing the longer my smile stretched. Friends were there for me, when I stopped being there for myself. No one can ever tell the spells we cast against ourselves. All this unheard unworthiness we all fail to mention. If you don’t know this by now, you can overlook love’s presence by needing intention. Not all light creates a shadow.

In my kitchen, I lit a fire and went to work. I think of the tables I filled with food, and trace back the recipe of the evening, which has nothing to do with the meal. But the idea alone. The need to create. I close my eyes. A page is a plate. What I want and what I think, always a product of misalignment. Product of Fate. I kissed women, the heat of my body, an undisguised invitation, our mouths, embrace. Hardly ever, do I leave space for regret. My cravings are your cravings. Temptation is nothing more than a museum I cannot but help wander through. I look at the walls and every color calls out to me. I have confused my love before. Between ideas and people. Between the past and present.

I announce this now: I do not hesitate with language, only love. This skin I give is impossible to revise. The very idea of revision being change. This Year, my body has witnessed the Miracle of Stay, has given a place for words, has no longer gave in to the great need to leave. Looking back, joy joins my thoughts. Who is ever sure? Above a closed shop, I remember a sign I read while scouring across New York City for the first time. Outside on the sidewalk, I am nineteen and see, Everything is Subject to Change. Who am I to disagree?

In the summer, I stood in the hot salt water and felt the grains of sand trickle, smooth tickle of the shore. The waves foamed at the front, only to fall over into themselves, stumbling almost, immediately crashing forth. This is when. Nothing lasts, but goodness. This life never stopped being worthwhile. Just wait. Yesterday, two days before the New Year is at its newest, I sit at my desk. Quiet cold, outside my window. Grey light between the naked trees. The bumps on my skin multiply, strewn across—you could say star spangled, but of course, I need not lean on man-made constellations. I look out into the night sky, and all this distant light is hidden, then revealed. Without my shirt on, I write this. A few words arise: vulnerable exposed, cold, open— Yes, open. Not closed. Enter, no exit. The things we recognize inside another. Not always able to be held. Maybe I’m a stranger, unknown but searching.

The New Year awaits beneath the cliff of my dreams, recreated from places my feet have taken me. A sundial waits for a new shadow from the same body. Time is always mismatched with what I expect. The misalignment of now, always happening. Notice the tenses when I speak. I signal to you a need to go back, the steam to move forward. Under my hot breath, I ask, Am I him yet? An off-putting question, I put on my shirt. What? Don’t you know, I am familiar with definition. Meaning as a shape. Words give form. When we say give, we really mean let go. This is neither new or different. A creature of ritual. Talking to myself in the late afternoon, sleeping alone, unafraid to leave. Hearth that I am, who will see the smoke? I can’t tell you any secret you haven’t discovered on your own. Wait. See. In our knowing, we cross into each other. In our yearning, we become less alone.

What other miracle do you need?

 

30/30: FAITH IS A DARING EXPERIENCE

We had a catholic service
for my Uncle Jesse’s funeral.
And I was a pall bearer,
which means I carried his body
which means I carried his casket
which means he really did kill himself
which means he really did want to leave
and I felt weak in my strength.
But the priest who spoke at the ceremony,
did so about the soul, about its longings,
how death perplexes, but faith persists.
Actually, I believe his exact words were,
“Faith is a daring experience.”

29/30: ASK THE WIND, CLOSED FISTS DON’T GET HELD

If you uncurl your fist against
Sixty miles per hour wind, outside
the driver-side window, you change
the weather pattern of your whole life. This afternoon,
half of my arm extended into the April air,
like the last good idea I will ever have. I open my hand,
like a valley, and gratitude arrives early, gathers, into a river.
All of it, earned. All of it, mine.
Today, I think of what the wind picks up,
and include myself within this strange history of elemental hustling.
I open my hand and become an expert at temporary emptiness.
I open my hand and the possibility of touch travels
back to me like music, for once.
This time, I open my hand and the wind
picks me up, carries away the rocks stealing me from the surface,
from sunlight, all these stones stacked into a sturdy sadness,
but I can feel my hardness eroding into a whisper,
disrupting silence softly like a hum yet to happen. Alas,
this soft skin of my hand, finally a sail, an open invitation. Alas,
the wind whittles my heart into an instrument. Alas,
I open my hand into the pouring wind and my heart lifts
out of the dust, is recast into the sky, is light like the April air. All of it—

Mine.

28/30: AND ONE FINE MORNING—

In front of me is a poster of Gatsby’s silhouette,
reaching for love’s green light lost across the bay,
and this image is made with every word
from his most famous novel,
and I can feel the
length of my own famous longing curl with my spine
each morning I rise, tomorrow is already
showing in the way my ribs do after I
turn to the other side of myself, after I
breathe deeply, the way April does with the rain.
It’s funny how every motion forward takes me
both further and closer to what I am.
Listen,
love’s green light across my own stormy bay,
the moment you see my outstretched arms,
know,
it will not last.

27/30: SUNLIGHT IS MY FILTER

Here is my body.
The heart inside my chest
is not a hypothetical, but non-fiction
like when walk into Half-Price Books
and buy a book at-half price.
From the window next to me,
the horizon is under-construction
each morning, the downtown sky begins anew,
another crane creates a new sky
line to look above, while beneath,
so much is going on. Look, to your left,
a man sleeps beneath Texas 527-Spur.
In front of you, your law school,
a building of privilege set in stone,
you walk out the doors and your head
is heavier with something new, what’s with reason
all of a sudden? Has this always been the standard?
I say law student
When I mean trial by fire
The amount of smoke lost in my chest
makes me want to replace my lungs like engines.
Intellectual curiosity
has ten syllables between the two bodies, and I find
comfort in the pieces needed to make a thing whole.
This day is a mouthful until I know I am not alone. Look, to your right,
Another man lays his body out on the sidewalk as if
he were only a shadow dozing off into the cement,
His eyes finally closed beneath the weight of all he has
lost in the slumber of improvement, in the name of
new buildings growing up just tall enough to block out the sun,
as if their bodies were meant to absorb negative space—the lightest form
of darkness.

26/30: CANDLE LIGHT VIGIL FOR NAPAL, ROOT MEMORIAL SQUARE, WITH A TRUMPET

The breath entering the trumpet
is not the same as the breath
that leaves the trumpet.

The brass body of a trumpet
has the physiology of grief.
Both are an instrument,

Enduring the fractured sickness of breathlessness
until this miraculous sound leaps out, the falling sky
dismembered no more and finally, something broken goes unforgotten.

A black man beneath the green screen paneled gazebo
fills Root Memorial Square Park
with his own-echoed-lung composition.

His breath swam into the trumpet the same way
sadness always enters unexplained, and always, upon exit,
glides through the swamp of ache, finding a way to

Avoid the eulogy of what’s always at stake,
but this week alone, too many of us are losing,
this week together, too many of us have a history of loss.

I speak to a man from Nepal
who gathers with his Nepalese community
to remember too many who have been lost.

He tries to explain the catastrophe
Asks if I know what happened
I want to comfort him with something

More than sympathy, assure him I’ve listened
to NPR, have read the reports but what does
this failed attempt at understanding have to do

With knowledge, with his knowing desecration
of his most beloved, the homeland his heart
occupies outside its own quaking body

The earth dismembered in its
fractured sickness, the toll
of the dead rise but the bodies that remain

Are still trying to sleep
Are not yet done weeping
Are lighting candles for the shadowless.

Here I am, caught in a nation’s weeping
The Spirit of the Hero wants to fill my fingers
but if etymology has taught me anything, it’s this:

All around, flowers, plants, the scene
smiles in green, attests to
the effectiveness of spiting death.

If you listen to the colors of spring speak, they’ll tell you:
Through the history of evolution,
Photosynthesis is the earth asking for forgiveness.

25/30: RIGHT SIDE OF THE DIRT

What’s really unbelievable is that
Chinese alchemists, who in all historical likeliness,
were men,  had to draw a brainstorming map once,
write a to-do list, had breakfast meetings,
together, in a room, and ultimately,
Gave themselves directions
on how find and brew and intermingle
all the elements necessary to create
the elixir for immortality, which they
probably intended to drink, obviously.
Had a plan to outmaneuver death!
To stay on the right side of the dirt!
They say it was supposed to be the great last trick of the alchemist!
Then, the sparks began to flower.
They discovered gunpowder.