A POEM A DAY

I'm just happy to be here.

24/30: ODE TO SUBRIDENT, SORT OF

I can’t leave my street/ without turning into an Ode/ I want to write beauty disembodied/ then proceed to explain/proceed to blush/ at my deconstruction/ devastated by the simplicity of my lust/ but before me/ A form I recognize/ Breathlessness is what the afternoon brings/ Praise my lungs/ unafraid to bloom/ Praise the colors of spring/ beauty embodied/ unafraid of gloom/ Wouldn’t that be something/ But I have left my street/ The name of my neighborhood is the Shenandoah Valley/ I do fear evil/ I do fear death/ The road before me is callous with wind/ Among this vast expanse/ Darkness goes unrestricted/ among the Storm Systems/ siphoning faith like the wounding of color/ The sweeping exhilaration of thunder/ unloosens the stitch/ in my side/ My toughness collapsed/ My collection of light/ cracked open/ for all to see/ the nucleus of marbles/ each particle pinballs to create a stronger thing/ Have I spoiled the mystery/ Has anyone seen me before the warm heat rises/ before the cool air quiets/ before the sun riots/ before the masquerade of the storm/ has made you forget your own flesh/ but this too shall pass/ but not before the spell is cast/ Look/ up ahead/ the horizon is unhaunted/ Look/ before you/ my heart/ Unhunted

23/30: PART ONE

At first,
You don’t cook out of love.

You cook out of necessity.
If the body is a temple,
The gospel is grocery shopping.
You cook what you can
depending on what you have
but mostly you cook
for hunger
because you are hungry
because none of your brothers are home
you are six and alone
the apartment is dark
like the false concept of manhood
Your mom is working late
Your mom has a date
with a man
and your brothers fight
like men
but you are six with nothing in your stomach.

The expression
“Close mouths don’t get fed”
assumes food is on the table
Ready to eat
You want to cook, to take
something fresh and
turn it anew with purpose.
Or maybe it’s more simple.
The free lunch at school was too predictable
but at least it’s breakfast, at least it’s lunch.

You cook
because your hands have the tendency
to create, the repeated history of
obnoxious disobedience runs
through your bones but
have you ever trusted
a cast-iron skillet
with all your might,
ever felt the quiet organization
of what you want turn soft like
onions sautéed in slow sugar
like the moon moments before total darkness
ever felt the pang of craving
turn you into a creature caught
in the ritual of rising steam,
ever put a plate
in front of a room full of people
feel the silence boil over brilliant
ever see the meal disappear
along with the legacy of growling,
which chooses
to crawl through bodies without apology
as if the mouth is no place for forgiveness.

22/30: EXPORTING EMPORTMENT

Please tell me how to never fall apart.

I think the birds coo
in their bird language
along with me
in mine
to the post-storm sky
that grounded the
both of us for days.
Truthfully, I am alone
and the air is sweeter this way.
The best part of my day is
being unsurprised
at the number of new flowers
now belonging to me.
I tell myself,
don’t forget
renewal
is all
about remembering
If timing is everything,
the exception is love.
Ugh.
Right?
Love is human like me
because like me, love is both
precocious and stuck in traffic.
If I check the record, no one’s
ever been on time with
a haunted heart.
Embrace the meantime, then.
Meanwhile, the mass of what
I miss can corrupt
anyone’s favorite color.
The point of life is to
spite disappointment.
Believe in the spectrum of disruption.
The precision of loss
is a fallacy.
The second serving
means you thought
you needed more
and you did.
Falling apart is stupid but
inevitable.

If you believe in anything
wholeheartedly
then fractions don’t apply,
being less than
is the epitome of fiction
Because you said so
Because self-assurance
manifests, nonetheless.

The gorgeous yawp of the soul
goes right pass the lips.
Say,
you know what an
osculary is?

21/30: PEABODY PEABODY JOE

Legend has it
Peabody Peabody Joe
sprung up
from the dirt
on a Sunday
and survived
on peanut butter
sandwiches
for years.

Peabody Peabody Joe
could catch
a catfish fastest
His secret bait:
Extra Crispy
Bacon.

Peabody Peabody Joe
rode a bicycle
for fifty miles
with two flat tires
but
Peabody
don’t stop
when stop
makes sense.
Peabody
was in love
maybe.
They say
Peabody Peabody Joe
never missed
a birthday,
Peabody Peabody Joe baked
a cake a day.
Peabody Joe
kept candles
in his pockets
but always
went swimming
anyway
especially
on the fourth of July
Peabody Peabody Joe isn’t American
but he is the every man
the way he
ate a steak
the way he
watched the
sunset
Peabody Joe
didn’t know any
better
Peabody Joe
had a wild mouth
but spoke slow
cause his tongue
pretty much was
peanut butter
but what are
you going to do
language is
sticky

20/30: THE FRAGRANCE INSIDE MY CHEST

I hear you say things before you say it

Translation:

I can make voices in my head.

Translation:

There are voices inside my head.

Translation:

Get out.

Translation:

You left me, why do
you refuse to give
back the key, which
doesn’t actually fit
to my heart, but that’s
not the point, the point
is what you break each
time you enter without
telling without asking
without every lasting
why don’t you ever last
why do I ask questions
I know the answer to
why am I writing a poem
with you as the only character
why have I broken the
fourth wall if there is a fourth wall

Translation:

Yesterday I broke
the wall in my head
when I walked past
a wall of flowers
all called Jasmine
and Jasmine is mine
and Jasmine is a
house-guest who
smells like forgiveness

Translation:

So that’s what the
fragrance inside
my chest is called

Translation:

I have to lie down
if I think about
the weight of what
goes unsaid in my head

Translation:

Doubt endangers salvation.

Translation:

Self-Renewal
is the second name
of Spring.

19/30: THIS IS A POEM

This is a poem about the heart.

Alight
Aflutter

This is a poem about the lover.

Tender
Together

This poem about the mouth.

Effervescent
Exit

This is a poem about laughter

Grasping
Glory

This is a poem about the truth.

Unconditional
Unforgotten

This is a poem about the poet.

Searching
Surreptitious

This is a poem about forgiveness.

Cautious
Calamitous

This is a poem about anger.

Work-brittle
Workable.

This is a poem about failure

Required
Rejectamenta

This is a poem about sex.

Hello
Honesty

This is a poem about debt.

Silently
Swallowing

This is a poem about death.

Vulnerable
Violent

This is a poem about loss.

Quickly
Quivering

This is a poem about brutality.

Institutional
Indifference

This is a poem about solitude.

Mysteriously
Mine

This is a poem about belief.

Yelling
Yearn

This is a poem about touch.

Narrating
Nearness

This is a poem about doubt.

Persistently
Present

This is a poem about strength.

Baffling
Benevolence

This is a poem about listening.

Orgasmic
Osculation

This is a poem about joy.

Furthering
Formidability

This is a poem about commitment.

Joined
Joy

This is a poem about accountability.

Divest
Dejection

This is a poem about loneliness.

La Luz
Longing

This is a poem about patience.

Zodiac
Zinging

18/30: COMO SIEMPRE

When
did I stop
paying attention to gravity

Who
untethered
my heart

Did anyone see
the sugar
in my chest melt

Early this morning
when a parade of little humans
read poems in the post-storm air

Who noticed
my body collapse, releasing joy like
a small door

Does anyone
know if love
ever has an accurate weather report

is it the opposite of humidity?

is it this scene in front of me?

17/30: A BRIEF ANNOTED LIST OF THE QUESTIONS MY STUDENTS ASK

Question: Mr. Zachary, is this poem good?

Translation: Last week, we learned what rejection meant.
I do not like the definition of that word. Is there anything
wrong with what I feel? Am I good enough? Nobody ever
listens to what I have to say. Last week, we learned what
worthy meant. I want to mean worthy.

Question: Mr. Zachary, does this poem have to rhyme?

Translation: If there are rules, I don’t want to break them.
I just hate when language has expectation. I don’t want
to be expected.

Question: Mr. Zachary, do I have to read this poem out loud?

Translation: I’ve never trusted my mouth. Inside is a voice I am
afraid to let out. Who is going to listen to me? What do you mean
the stage is mine? What do you mean I can command an audience
just by speaking?

Question: Mr. Zachary, what if we don’t know what to write?

Translation: How does anyone ever say what they mean? Self-
Expression is confusing. How can I matter just by saying so?
If I have a story, you mean I have to write it? I don’t want to say
what I have to say. You mean someone is listening?  I don’t think
so. No one wants to know what’s inside my head. Not even me.

 

16/30: IF YOU DON’T KNOW THE ANSWER, PLEASE DON’T GUESS.

Outside,
Lightning is all the sky talks about
Houston has a clapping chatter mouth,
bayou tongue, thundering teeth.
I drive by a series of buildings all dark
except the dance studio second-story window
where I see an elderly couple
waltzing
alone
together—
so this
is the face of love’s
rhythm after it has grown?
I am almost crash the car
in a flash of grace.
I’ll never be the same.
The rain makes it so easy to fall apart.
Stay inside of yourself.
The trees flurry with reason
Weather is all about rhythm
Nothing trembles for trembling’s sake
I can sleep through thunder
I can dream through thrashing
Why is nobody impressed?
What’s left of my body besides
the crumbs of love?
If you don’t know the answer,
please,
Don’t guess.

15/30: THE AUTHOR IS A LAW STUDENT IS A POET IS NOT AFRAID

After Angel Nafis’ “Gravity”

Are you going to get a job How much debt are you in How do you ever have
time Won’t you lose your soul What type of law will you pursue Isn’t the Justice
System Broke Are you going to get a job Aren’t you lonely Doesn’t the work
seem impossible What if you fail What if you fail What if you fail What if
What if you hate your job How will you make a difference You know lawyers
are really good at killing themselves Are you going to kill yourself Why
aren’t you raising your voice Why are you so calm How can you be so happy
You mean you’re not worried at all How do you have any time to write poems
Why don’t you just be a poet But how will you get a job Isn’t poetry dead
Isn’t poetry dying Why do you keep writing How do you ever have time
Aren’t you lonely with all those words Isn’t language big Why are you smiling
Why so grateful How is it you get out of bed every morning How do you care
about people so much How is it you are okay with being wrong How is it
you are lost and calm How How How

How do you have
more energy
than
god

II.

And behind this door, lies the energy of god. The door is my mouth.
Odd isn’t it. I crack a smile, and shadows turn gold. Darkness
knocked-out. I jab with joy. I run the religion of It’s All Good. Nobody
should be this bright. But I ain’t nobody. See my thighs? Christmas trees.
See this face? A night-light. My heart is a furnace full of faith. Watch.
I make the stars Yo-Yo just by picking my nose. Watch. I create without waste.
Out of the frying pan, I’m ambitious like fried chicken. I taste better than
fried chicken. The secret to both fried chicken and love is tenderness.
I’m professionally tender. Lonely only overcooks. I don’t overcook.
If afraid is a kitchen, gimme a cast-iron skillet. Watch. Attention pays me.
I’m rich in moments. From henceforth, the new policy of my sex life will be
caring is cool. Not all poems you love will love you back. Each time
a person says poetry is dead, I open my mouth. Resurrection for breakfast.
Every season is on my reading list. The river is a clock. Watch. I got softer
hands than time. I don’t do Brunch, but I’ll eat your How Does He Do That
For Brunch.Language is the only umbrella that won’t quit on you. Failure’s
got bad breath and success tastes like strawberries. I fucking love strawberries.
I can bury you with sincerity. Batman swears to me. If I fall, I get back up.
I’m not worried. Grateful is my toothpaste. I brush my teeth every day.
If you want to kiss me, you gotta say please.