A POEM A DAY

I'm just happy to be here.

4/30: MOONMIST

Show me all the possibilities
on how not to be alone.
I am telling you I need you.
The rain won’t quit looking
for a body to swallow
It is telling everyone to need
each other, but people do not
have appetites for people.
People just have appetites.
I don’t long for the company
of another because I am hungry.
Every day I perform for love
but the audience is stuck in traffic
The show does not go on
even when my mouth does,
even when I say what I mean,
and who knows what I mean.
I am under the moon with a woman
who does not know my history with rain
who looks at me like the first days in spring
and suddenly the sensation of sinking is gone.
How do I explain the absence of love
without looking for it?
I am my heart’s only detective.
The mystery of meaning
is knowing without saying
but I cannot do both.
Show me, show me, show me.
All the possibilities.
How does anyone stop being alone?
Does the sadness pile and pile or
does it serve some other purpose?
Say my name in the middle of a sentence
where sadness cannot reach.
If my day is truly good, I will tell you all about it.
Don’t let me slip away with simple answers.
If ever I make-pretend, take away my hands.
Both my hands are open and only you can fill them.
When I trap myself inside the house lonely built,
tell me to open my curtains.
Outside my street, live oaks longer than longing.
Behind my house, a whole street called Moonmist
Early one morning, a grandmother teaches her grandson
how to rake, shows him where to place his hands,
and how to build a mountain of fallen things,
and he is trying so hard to gather, to put his hands
where his hands should go, and even then,
his body is not big enough, he cannot do
what he has to do, but what difference does
that make?

3/30: I WISH YOU COULD SMELL THIS FLOWER

3/30

I wish you could smell this flower.
I don’t know the name of it, but
the pavement is blushing lavender
or a color in the lavender family, maybe
a first cousin to lavender, only more lovely
because it is in front of me and nameless,
but petals and petals and petals of beautiful anonymity,
how terribly difficult it must be to love
something you cannot say, ask to stay.

With me is Billy and we just ate ice cream and sorbet
after leaving San Dolores Park by riding a slide down
to the playground where just moments earlier,
a Mexican man earned his living by selling slices of pizza to smiling people
who still had room for want and and despite my distaste for fractions
it is nine-tenths a perfect day when
a little girl kneels down on the sidewalk outside the ice cream shop
and picks up this flower whose name could not possibly
achieve its purpose of explanation
or offer meaning without leaving too much room for
interpretation, but of course it has a name,
of course it belongs to something we can all say,
but what I want to say is,
a little girl knees down and picks up this flower
and puts her mouth up against it
like she’s part of the family, maybe a first cousin
or a sister, or a mother, or a daughter
and she pulls whatever sweetness there is
with her mouth, with her nose, with her whole body,
and I wish you could smell this flower.

2/30: AGATHIST

I am twenty-three and my heart feels the breeze
even in my sleep. I squeeze a blood-orange and
smell the perfume of citrus on my hands. Even my touch
grows braver the sweeter the songs I sing.
Like last Sunday, I set my body before the sun
lowered my mouth and saw the spring moonlight
pour out, like a melody, parody or parable.
My mouth is a house of blue solitude, wide-open sky,
you should see the trees that give me shade
and the guests who never stay.
I am twenty-three and my heart feels the breeze always.
When someone asks about the potholes in your heart
do not mention the bad days, the flat tire, the reckless speeding.
There are only good days and on good days
survival is the only the answer. I have so many questions
I do not want to ask. The weight of what I don’t know
lets me know plenty room is left to grow.
I don’t always want to finish what’s next.
Whatever happened to breakfast?
I slept through mornings because the cost of living
was not convincing.
I could not remember what waited for me.
I know lonesome does not deserve my love
but that conversation is such a hard thing to do.
I hear my gift with words is such a blessing.
I hear it’s not fair because you’re better with words
I say it isn’t so simple.
When you’re afraid of what the dark can do,
Language is the only room to run to.
Being good with what scares me most
is not a badge, but a casket of truths. Yes,
speech is a gift, but I never asked for a mouth,
for this matrimony of what I feel always coming back out,
never asked to love the significance that
always invites itself over and under my sheets,
but it belongs to me, is mine to sift through.
The pulchritude of an April afternoon tells me
it is too soon for anger.
I am twenty-three and my heart is caught in a breeze,
this poem is an invitation for you sway with me.
I am an architect of kindness and I require your spiritual congruity.
Take Agathist, derived from Greek, is a person who
believes all things reach toward an ultimate good.
Let that be me.
I have a history of inconsolability I do not want to repeat.
Rinse my mouth out with all the color I want to keep.
My mother leaves a voicemail I listen to while
I stir a pot of beans I made using my grandmother’s recipe.
Outside, the birds and the bees sing and sting,
I watch, stir and smell the steam, the weight of what
I do know can feed a family, can find meaning
even when my belly or heart is empty,
damaged by the translation of want and need,
even then, love is instructive,
even then, love is this scene, the one where I leave my house
and everyone is happy to see me.

1/30: VILLA CONTENTO

Did I tell you about the cardinal
in my backyard?
I saw a bright red body leap from the ground
and didn’t think it looked so tough.
Thought of my heart, thought of how hard
it is just to pick up the pieces, but
did I tell you about class last week?
I ask my students to read their poems
out loud to one another.
A student asks me what it means
to be vulnerable and I am not afraid
to tell her the truth.
She tells me she’s only
nervous in front of one person,
whispers his name because it
is still soft and simple, and I can’t remember
the last time I whispered a name like good news.
Did I tell you about the good news?
Cindy Phan is going back to Vietnam.
Cindy Phan is my barber and she calls me handsome.
Cindy Phan hasn’t seen her family in six years
Cindy Phan crossed the ocean because
she was sick, and now she is better.
Did I tell you about the time I got better?
Oh, it wasn’t very extravagant.
Everyone just said they loved me
and meant it.

Why I’m Not Where You Are

Because I spoke soft to you in the morning /but your mouth hit mine like snooze /leave, leaves loosely left behind like /lips split open/turning my body/ into a fountain of come and find me/ because you never came and found me/ because wind currents spoke to my feet/ until they fell asleep and I could not feel/ where they were taking me/ because when I reached for you/ and your glass-blown, smooth and hot skin to kiss my hand/ you let your body turn to sand/ because people are not pivot points/ not the front of buildings with doors revolving with the sun/ because even if I rose with you/ my heart is still sleep-talking/ I reverberate but nothing translates/ language is not so absolute/when every letter is filled with loose change/ pennies that slipped away/ careful copper-talker, when you don’t shine/ no-one takes the time to ask why/ because house-guests don’t always get breakfast /because hunger is hardly enough reason to stay/ because ache is a place between your face and my face/ and there are miles of highway pretending to be asphalt/ but nothing that smooth is true/ because you are beautiful and true /and that is so new to me/because all my grief grew into a pomegranate/and you didn’t want to pick me apart /because if you asked me to stay/ I must have missed the transmission /because when love was said/ your mouth turned vacuum/ nothing was safe / not my name/not all this tenderness/ I saved for you/ because you can’t be angry over something you aren’t willing to ask for/ and I’m not willing to ask for you to choose/ because the sky doesn’t ask to be blue/ the sun doesn’t choose to come up/ because love is true regardless of choice/ and that is the triumph that puts lumps in our throats/ I’m not where you are because when/ I pressed my head against your chest/ there was no thump, no wild rumpus/ no chorus that played, no slow song/ that made us sway/ and what am I supposed to say that?

How A Mango Makes A Man, Again

Friends! This is a poem of mine I performed at Write About Now, a poetry organization in Houston Texas who hosts weekly open mics and poetry slams at AvantGarden.

epilogue of morning

every morning I make a decision
to wake up
or not

sleep has always been my way of
keeping my body and its proud insides
from spilling out the front door
gone with the garbage man
but today is different

I bought books, made dinner,
gulped water, sipped coffee,

drove with the windows down

shook hands
like rain clouds meeting spring, eager
like a trombone refusing to hold its breath

the only thing I am guilty of is letting go



when it comes to leaving,

there is a field in my chest

where my lovers voices refuse to rest

their overgrowth stalks my future harvest

& under all of me, 
a mysterious blue
ensemble of lost mercy,
refusing to
 levitate


will someone come away with me

anyways?



there are sundials on my feet

showing me where the 
dark is going to be

we do not have to go there, there,
where there are no bodies swinging through other bodies
in the name of dance


and no one knows this but

deep in the heart of
all my exes is an empty swing
dancing all by its lonesome
lost in a park where all the honest trees
forget to reach back for me

my dear, I have to tell you
if I am ever a stone’s throw away
from being swallowed by sorrow’s river sheen,
remind me of the consequences,
what happened last time
when I went down under
to bargain the air and
kept forgetting to say please

my dear,
whisper trumpets if you must
boil the brass off my knuckles
down to pearl dust,
cover this solitude with shiny rustlove,

shucks, shut me up,

the world is a chargrilled oyster
and every day I order
the lackadaisy wonder
that leaves my muscles morsels
we used to cusp like folklore
growing on our grandmother’s kitchen floor
the tile, a Miles Davis kind of blue,

every story I have is a jazz dream
where nothing rhymes with love 

but you

trust me when I say
do not sing me like a song

hum me like morning fog
recovering from all the night’s wrongs

hum me like a secret longing, a saxophone churning,
bird-jazz jabbering out on my front lawn

all those trees
practically impossible
when it comes to harmony but
how the branches sway homily

I wonder if the birds know
I am under their wing’s spell

my dear,
I could not tell what forces
the dark to melt off morning’s sundress,
whether trombones
or my bones
is what stirs up light
but the history of what happens in my head
has felt and been so much
of what I cannot tell or dispel

some things never leave until they’re ready
but this morning I left my bed with my head

and the world wasn’t dead
only dying
to see me

It Rains When You Leave

it rains when you leave
the sky’s only way of offering farewell
I suppose, but did you know
my skin precipitates too?
I cannot pretend
I see you
and the sea-level
inside me sings skyward
I say your name
only to sink back through you
You smile, and I swim.
We kiss, and I am brought back
to surface. Say, I don’t know if you
know this but blood is said to be blue in the body
but it is simply a myth. Like Icarus craving sunlight
and falling asleep in the sea instead but
the body is still seventy-percent water,
three-fourths of me is a storm so calm
I crave a sky to share it with.
My blood may not be blue in the body
but my body belongs to the blues.
All of me, what little room for improvement there is,
I woulda saved for you.

See, you left a breath on my neck
and all water leapt out, my skin
became a smacktalk of steam singing
against yours.
I poured the last of what’s left
remnants of a flash flood
float into your bed,
a puddle of laughs,
one thousand blue threads.

I’m Drunk and Having A Conversation About God With My Mother

“The body, sluggish, aged, cold–the embers left from earlier fires,
The light in the eye grown dim, shall duly flame again;”

-Walt Whitman, “Continuities”

When I told my mother I did not believe in her Christian God,
that I wasn’t going to make it to Church on Sunday,
it was her birthday, and I didn’t see the question coming
but I coulda swore  I did see her smile tear off her lips like
communion bread ripping the body of Christ
crippled, the body of Christ compelling nothing but
stale silence.

I was already drunk, and what wasn’t angel
wings had already lifted my heavy head,
and what wasn’t singing sang to me anyways,
and what was tequila struck receptors
most unready for truths like these,
with my mother who built me,
questioning how God has left
her building, her neck,
creaking and heaven-bent.
My mother, she keeps a smile for situations
like this. Conversations like this. Confessions
like this. The one with her sons questioning
her God until she is at odds with her own maker,
her own making. Her brow, a wrinkled sunday blouse
ironed by a question I expect she is afraid to ask,
but asks anyways,

“Where do you think you go when you die?
What do you think happens?”

I look at my body, and realize now she is
concerned with the owner’s spiritual aftermath.
And I’m thinking she wants to talk about the soul,
refer to the manual,
heaven, hell or who knows so instead what I said was
“I don’t know where I go, but I hope it is beautiful”
and she didn’t say anything, the silence
stretched seconds longer than
Sunday sermons, but what was she supposed to say?
What was I supposed to say?
Sorry, dunno Mom. Guess I’ll just waste.
Perhaps my soul sketches itself into
some other waiting skeleton.
Suppose I’ll stay in the earth until something wakes me up.
You know when you’re exhausted beyond tired
your body lifts into a dozed off dove
repairing its wings by forgetting 
the ground, maybe it’s a bit like that.
I think I’d like the soil, with all its stories.
Don’t Mexican men always have the dirtiest hands,
anyways? How many Mexican men and women
have dug their fingers into the ground,
and made a harvest happen?
How am I different?

You know the Aztecs believed life did not end at death?
That’s why their deaths were so brutal,
because farewell doesn’t always have to mean
we are finished, it simply means
forever is the only thing a fire is fixed to
so we become stories told next to them,
regenerated in the retelling,
ritual promotes rebirth,
so why can’t I celebrate
myself until I am a Church?
If I cut my heart open
and ask for love to aggregate
isn’t that the same
as an offering plate?
I don’t always pray but
I write mostly every day.
Is that so wrong?

Yes, Christ was a good man
but I am too, Mom. 

What Ate Charlie Brown Ate Me Too

According to Charlie Brown,
“There’s nothing like unrequited love
to drain all the flavor out of a peanut butter sandwich”

What’s brilliant about this
has to be
how quick
Charlie learns of heartbreaks simple
taste.
How taste is nothing more than
the ease in which a peanut-swimming tongue
decomposes
watches love parachute
disappear
turns to brittle upon exit,
and the nuance of never
having what you want is
now a second language
you can never leave behind.
You chew it, only to feel familiar flavor
vanish with the saddest velocity
swallowed conjugation
changes the root of everything,
settles with meaning you cannot decipher
or dance with, for that matter.

What’s the point of being tender
if all you get is lost in translation?
What’s the point in saying love
if all you get is sad sandwiches?
You speak it, but your breath is left out
bad bread, bad heart weather brewing
the yeast into yesterday’s yearning,
your most precious longing
something you can no longer eat
long gone.

Why is it that we describe the missing
with length? As if losing someone
or something is a matter of rulers
as if losing someone is a matter of rules,
heart breaks break all rules,
despair does not care for the distance
between you and your beloved.
We all know the feeling
the feeling of star-gazing peanut butter
sleeping on the roof of your mouth
as if leaving was ever
an option, and we all know the
feeling of loving someone so much
we cling with every fiber of being
because holding is all we can remember when
we’re this close to being chewed up and swallowed
and we all know what the name
of our beloved does to the chemistry of our tongue,
the way it turns to peanut butter
hungry for roof, a chimney of umami
blooming like lunch time, 

I have counted each syllable of her name 
picked them up like peanuts
and no matter the sound, each fraction
of her still smothers me smooth
then lifts, coddles,
then composes, and I suppose
you expect the same pop rock sensation
to happen from the mouth that says your name too
but you think of her mouth, and what flavor
you bring to her teeth, if you are slush or much more,
so you become comestible, an easy conquest
until you are unrequired
until your love is nothing but quiet
until your love is no longer together
until your love is one unrequited meal

The peanut butter sandwich I made for
lunch has already started to stale, along
with her name still stuck to the roof of
my mouth, the palate being the only place in the mouth
that will tell you the truth. 

Charlie,
I make a peanut butter sandwich
and think of you, I think of how both love and heartbreak
are such easy recipes, and how this peanut butter sandwich
is simple like rain on a sunday
I always say simplicity is conditioned to be everlasting
but you don’t have to be a clock-maker to know
nothing lasts, and even if you love with no questions asked
what do you do when you make the person you love a peanut butter
sandwich, but both her heart and stomach
are fasting?