A POEM A DAY

I'm just happy to be here.

Tag: 30for30

8/30: POEM BEGINNING WITH A LINE MY MOTHER WROTE WHEN SHE WAS FOURTEEN ON THE BACK OF HER HIGH SCHOOL PICTURE IN 1979

Please help me
understand
the things
I need to know

I am not always
who I should be

How do you know
what you know?

How do you know
when to keep going?

How do you
name your pain?

How do you
word the secrets
you keep?

I am in the middle of a story
I do not remember telling

Please help me
understand

Nobody tells you the truth
unless it’s easy

I don’t know how to say what I think
without sinking into the ground
like a seed out of a season

In my head, all the heroes are dead
But I want to re-write the ending

I keep holding on to every little thing
that has happened to me it still feels like
it is happening to me

Please help me
I wrote a list of questions with no
answer and all I want
is your voice
to be a whispering map in the madness

6/30: YOUR HAND ON A COUNTRY ROAD IN A LIGHTNING SHOW

On the darkest country road, I touch your hand in the dark
to remind my wandering mind
of what it feels like to be held while lightning
surrounds the sky the same way my arms do
around you when we sleep together and my breathing
slows down the same way storm clouds move in the sky
Something inside of me is forming
The sky’s bright siren is a warning signal
And where we are going, I have nothing left to fear
It is April and all the flowers laugh in the distance
as my car speeds past rolling hills of bluebonnets
I’m reaching through every reason I have to stay
And your hand anchors me to the Earth like a law
I will always follow. I only know
it took years to see
the possibility of not being alone

Whenever the clouds swallow the lightning,
I know you are my waiting horizon
I know you are the light that stays
I know you are the hand that reaches back

On the darkest country road, I interrogate the fate of my heart
Is this the place we start anew?

I look over to you in awe as lightning circles your face
Songs fill the space between us, music rolls in the clouds

And we listen
as the car carries us forward
together

5/30: ODE TO THE OLDEST I’VE EVER BEEN

I left the bar after one drink to roast squash and sweet potatoes. On the drive home, I talk to my girlfriend on the phone and hold the story of her day in my head. My bed is proud to announce I’m sleeping through the night. The calendar on my phone reminds me to look ahead. Oh the beauty of a budget. Student loans make me feel less alone. Meeting deadlines make me feel alive. Oh, to organize my socks and not find a single one missing. The joy of being together. Oh, electricity of cancelled plans. Right now, I am building a sanctuary of borrowed time. My plans for the future include fresh bread and compassion. Every day another lesson. Every day another guess. Every day another mess. Another year passes, and the mirror holds who I am with who I was. Tracing the lines on my face I arrive at different places. Oh, how the love I have to give covers the ground like pollen. If anger ever enters my bloodstream, I catch and release like a trapped bee. Calling my mother, I ask about my brothers. I watch from afar. The joy of being together. Oh, to be a witness to my own troubles. Life unravels and I turn my heart into a shovel. If I have a question, I ask it. If I know the truth, I tell it. I don’t know when all my pants will fit again. I’m learning the principle of infinite consequences. I was told a poem is a seed. So I praise what is still growing.

4/30: JESSI OPENS HER MOUTH

Jessi opens her mouth and language becomes a kite she is learning to fly
Language is in the wind and she holds a string in the sky
but all her words are untethered, sound orbits meaning
while meaning meanders along without a voice to
call out its name. She is still learning to speak, and I am still learning
to listen.

It is impossible to translate a sound with no name
But every day, her mouth is a chorus,
full of refrains
stains
growing tooth-pains.

Jessi opens her mouth all the time and when she does,
She speaks the language of refried beans
She speaks the same language a tortilla does
A voice hand-made by the recipe in our blood
She Speaks the same language as caldo
A calming flood of flavor that holds our hearts in its hands
Jessi belongs to a legacy of language only she can claim

The women in my family all have voices that command,
voices that understand, voices that float in the sky, water
the soil, light the fire, and carry the prayer, voices that exist
to say I am here, I am here, I am here.

Jessi opens her mouth and all the birds draw near
Every flower in my grandmother’s green house sneaks out
and the garden shouts out a song only Jessi can sing
My brother, Jessi’s father, watches his baby girl sleep
in silence. Her body rises like a slow tide, waiting
to crash against the shore of any world brave enough
to silence her.

1/30: SO SOME VULTURES HOLD A WAKE IN THE SKY OF MY MIND BUT I DO NOT GET EATEN ALIVE (THIS TIME)

“I wish I could tell you this story without being in it.”
– Michael Rosen, from Gaslighting in Several Parts

In the spirit of honesty, I think I’m finally ready to talk about it. Driving down I-10, the Texas sun writes the constitution of the sky. In my mind, another sky awaits my fate. On the side of the road, the colorless carnival or carcasses steal the bluebonnet joy of Spring as if grief ever had a season where it did not bloom. The song I’m singing is not exactly a prayer. In the air, a Committee of Vultures rise bright above the montage of Oak trees. As for me, I’m trying to raise my voice in this dungeon where I am. I spy a reason for living where death is a sanctuary. Death is a kettle. Death is the horizon above our eyes, where vultures circle the dead like a black Ferris Wheel alight in the sky. Whoever killed the monsters in my head left the meat on my memories. I’m waiting for the Committee to decide my fate. I’m curious if, each time I revisit the past, a vulture takes flight? My friend Michael reminds me there are stories I wish I could tell without being part of them. That I can’t just drown the past in a lavender bath. When the vultures of my mind finally swoop down to the ground, their bodies are furious and free. I’m not so sure I can say the same for myself. What I’m trying to say is, I’ve never buried the memories that kept me suffering and alive. What I’m trying to say is, there are vultures in the sky of my mind. Aren’t my memories a carcass by another name? I have a million stories where I am not the hero nor worth saving. Trauma tells but does not teach. Please don’t tell the vultures I’m here—all alone in my head, rotten and writhing—like I’m waiting for some bird in the sky to eat the idea of me like an elegy waits on the other side of my wake. Every day, I hold a wake for who I was and who I could have been. When the boy inside me lost his innocence, it was a life sentence. Sometimes I thank God I am not him. Why must I be a witness to my horrible history? The Bluebonnets come alive every Spring because it is a ritual. When someone dies, the family displays the body like a shadow everyone can all touch. A goodbye ritual. A wake. Have you ever seen group of vultures feed on a carcass together? A goodbye ritual. A wake. Ever confuse mythology for biology? It is a mistake to think every god-forsaken trauma entrenched memory is something we cannot help but inherit. What I mean is, driving down I-10 and seeing the vultures patrol the sky, I realized it is a blessing to know there is another creature who only survives on suffering alone. But in the spirit of honesty, I only have time for joy. Spring brings so many things back to life, I can’t help but smile at the power of wildflowers. I’m too sensitive not to smile at the sunshine. Even if there are shadows in the sky, I still choose to try. In the spirit of honesty, this song I’m singing is a prayer. I say, raise your voice in this dungeon where I am and a laugh blooms on cue from the woman I love. And I cannot allow myself to be destroyed.

20/30: BIG MAC

I meet a guy at the Walmart Neighborhood Market on Belfort and Gessner who says his name is Mac, but people call him Big Mac, so Big Mac asks what I’m about and what I do while we both stood in the parking lot after discussing the cooking failures caused by empty propane tanks, laughing off backyard disasters when I finally tell him I’m about to finish law school, and how I’m almost a lawyer, and that’s when he stops me, that’s when interrupts my sentence like a cloud passing over the sun, and he says no you are a lawyer, you have to say it, for it to be true. Put it out there. Big Mac pulls the doubt out my mouth like a spare thread on the sleeve of my dreams, and I unravel into my grocery bags and both my hands are carrying my gratitude for this afternoon’s agent of kindness reminding me to let the good word be heard, and we shake hands and part ways like old friends, and once I return to my car, I rejoice in who I’ve become, how the world is run by none of us but we all choose to participate in fate, even when I’m late to the learning, life delivers me from my mistakes, and this is a lesson I take home with me Thursday afternoon like a ticket stub I keep on the wall in my room

19/30: little things

When my dad would lose in backgammon, he grumbled
About luck, about both my brothers and my failure to adhere
to the updated rules of the game. I mean, the man justified defeat
Like a dying king in battle
And I believed in his brave wounds
Even when I did not see the foreshadow,
in how he salvaged small sorrow into a ship
like a sailor stuck in the sea of himself.
My father carves a life boat from each lesson
From each lesson, he rescues himself.

When I would cuss growing up, my mother would
admonish me, Zachary Fredrick! Do not cuss!
To which I reply, but my father is a sailor!
And she’d laugh where she stood, her eyes heavy with
the past,
and my tongue was a sail in the wind of an ocean I’ve
never been in

5/30: ON SLOWING DOWN

i.

On test days, mom’s hands
woke up early enough
to build a meal

for me, three chorizo & egg tacos
tucked in foil,
please.
the foil kept the heat
alive long enough inside
our backpacks to eat on the bus.
Mom cooks in her robe,
spoon in hand,
pan on stove,
scrambled yolk.

The spoon yearns for movement,
but speed kills the scramble so mom
goes slow, her wrist
works like visible wind
moving so slow, the moment
is almost a secret. But
I see it.

ii.

it’s been said, I sprint through sentences
with a vicious lack of precision
like my speech is a track meet
except the audience
is the one out of breath
and somehow, I have no feet

it’s been said my voice is a vacuum
where syllables go missing,
where meaning is missed
mostly due to my quicksand
quips, the quivering lips I get
when the words I find are too
heavy to lift

it’s been said, I talk too fast
like my voice is reckless behind the wheel
like my thought-to-talk process
is a banana peel slip!
Witness every listener
hurt their hip against
the cautionary wind behind
each sentence I tea-cup spin.
I remember,
a woman who judged
my poem when I was 18
told me
that if I slowed down,
articulated my words
with the worth
they deserve, then
I’d be heard.
It hurt my
feelings
so I did not listen.

iii.

when I choose to read the poem in Spanish
my voice does not know how to move.
I freeze in the aisles between the letters
Just as I did as a kid, when my cousins
spoke Spanish as fast as light vanished
All I could hear was the dark shadow
Of sound I could not summon.

when I choose to read the poem in Spanish
I sit on the floor of my room with the windows open.
I call for my voice,
the slow breath rises,
not so much pronouncing
the word, but searching
for the light switch
the one my mom turns on
when she’s cooking
eggs in the morning.

3/30: SHOUT OUT

shout out to the businessmen buying broken gold
shout out to the folks who kept gold after it broke
shout out to the men who hug me in public
shout out to my pops who texts me recipes
shout out to the cast iron feeding the cast of my life
shout out of your driver side window at the top of your lungs
shout out to the crescent moons marooned under my eyes
shout out to voicemails
shout out to wanting to talk to someone so much,
you call to hear their voice, only to leave your voice behind
shout out to green lights and Monday morning traffic
shout out to black tea, honey steam, and hand heat
shout out to the voice in my head and the voice in my throat
shout out to buttermilk pie breath
shout out to my lonely homies
shout out to the play station four encouraging my solitude
shout out to the service industry
shout out to the industrious servers who laugh at my jokes
shout out to my niece, Jessi Diane Caballero, J3, JD, valentine’s day baby
shout out to the bridges I did not brave
shout out to the turtles picking up shifts for Atlas
shout out to the bargain shopping hustle I inherited
shout out to the out of reach future
shout out to Sufjan Stevens curing my sorrow
shout out to the lady bugs who trust the touch of my hands
shout out to stick in the mud that is my tongue
shout out to the generous ticket stubs of love
shout out to the depressed, us champions of effortless sadness
shout out to the sunsets stunting like Shakespearean sonnets
shout out to man behind the manuscript
shout out to the mighty pens of my friends
shout out to my left palm dividing the wind like a pretend god
shout out to my students who fish their voices from the river
shout out to the promises I will die to deliver
shout out to the verdicts I reach about myself in silence
shout out to the endless shouting of shame
shout out to the dark passenger shouting to get out
shout out to the dark side of the wiry moon
shout out to the dark bark of peppered brisket
shout out to unrequited love’s lesson on risk
shout out to my happy flintstone feet, flat as a flag
shout out to the poems put on plates
shout out to complete feasts
shout out to inescapable refuge of regret
shout out to the mouth, the pink soundboard of speech
shouting out loud what I refuse to whisper.

2/30: LESSONS FROM THE SAGA OF LIGHT

God bless my bluebonnet heart opening Sunday morning
Like the last laugh of wildflowers in my grandmother’s garden—
God bless the by-lines of beauty multiplying in the dark, growing
overnight, springing from everlasting ash like a blunt wrapped
in phoenix feathers. I found I do not fear what I cannot learn
and I cannot learn what I do not witness. The lesson is this:
We’re still learning to love the lessons, no matter the teacher.
I once wrote, if you lose hope, try forgiveness. But I did not
Trust the teacher, so I chose neither. In the interest of justice,
I ask that the universe reverse the grid-lock of my grief.
Though, I know this is not possible. My brother taught
me how to box-out. This was the first time I learned
to put a perimeter around the pain. As a creature who craves
the hunt of the heart, I ask for hands to hold the slippery
silver fish of suffering. Remember the rebound. In the interests of joy,
I ask the voice of vulnerability to self-govern. In every poem,
a crossing collapses and another bridge begins. Please,
despite the dark doom of destruction, accept this invitation.
Wander into the wilderness. Witness what work it is to stay.
Though, I know this is not possible. In the interest of Self-
Preservation, I ask the secretkeeper to switch to bees.
Why does what I keep never feel like honey?
The lesson is this: I cannot define what is unfinished.
“If I lead you through the fury, will you call to me?”
I sing fleet foxes in red boxers when no one is watching.
Last spring, I spent all my love making time, just like
The Eagles taught me. But what happens when I run out?
Imagine the eye of the storm. Now imagine your eyes.
Whose eyes are lying? If I want the answer to my question,
I’d give it. The lesson is this: the wood in me is not for building.
I used to borrow the best parts of my boyhood to understand
the misunderstandings, wishing, I did not know what I know now.
I used to ask for forgiveness instead of permission. Though, I know,
This was not possible. After offering my body into the wrong church’s
collection plates, my lover tells me, I am no longer a safe-space.
The teacher taught me: whatever I gave, I took away. Like a carousel
of untold truths, I spun my tongue away from the end. In the interests
of time, I ask that the clock restart. I ask for one hand to join my hand
and hold whatever part of my heart is most bruised. Though, I know,
this was not possible. The lesson is this: even pain has limits.
For years, all I wanted as a boy was to be loved. The world gave
me many things, but I still wanted more. First, desire, then lust,
Then greed. At twenty-five, I ask each dark seed to leave. Though,
this is not possible. The earth is strong and I am not ready yet.
For a while, I forget most terrible things I’ve done or did.
Then I remember the wild foe of my woe, guilty as green grass.
I try to mow the misery growing into a sanctuary city.
Do not pity the fool forever failing to find the spark in the dark.
Though, I know this is not possible, I still bless my bluebonnet
heart opening up, like a faucet I fixed in the dark. God bless
The lessons I am still alive to live through. At twenty-five,
I have lived through one-hundred seasons. Through every season,
I have left what I cannot forgive in the fury of the past. Is anyone
Left to call to me? Though, I may not always answer.