A POEM A DAY

I'm just happy to be here.

Tag: a poem a day

16/30: I’M AT THE CONTINENTAL CLUB AND

I’ve been dancing all night.
Mighty body, light feet.
No part of me is discreet,
only well-kept, only secret.
Meaning is a recipe I keep to myself.
But tonight, I am emptying the shelves.
Forget rationing, give me irresponsibility.
Forgive the past, someone sip hard liquor.
Fear is a balloon too big for your wrist.
Your body was meant to last,
even if you crash, the crash is sweet.
Look at me, Patron Saint of Self-Pity.
I wrote a new prayer for despair.
Pray with me? Say it with me.
My hips are a spoonful of sugar
pouring moonlight into the sky.
I’m writing my own impact theory.

Strangers howl at me with their sweet teeth,
mistake me for the incandescent croon of la luna,
la luna, white balloon, silver truth, lonely ghost,
who roams above the sky it once lived beneath,
never once haunting, only reflecting its cratered longing,
wanting to return, la luna, who once belonged
to the same earth, as both you and me,
your friends, your family, all of us together
belonging to the same dirt I’ve been kicking up all night.
Everyone has their own path to follow, but tonight it is easy.
My hips are a spoonful of sugar
pouring moonlight into the sky.
The people I love who are afraid of the dark
do not have to hide, instead, watch how
My knees hurl commands to my heels,
My heels speak for my feet,
My feet reach back and forth, traveling so fast,
I’m floating above the ground, flirting with friction,
Looking at the future like a dance floor I already kissed.

11/30: HOW TO MOW THE LAWN, A RECIPE

The line is everything.
If you want to make
the perfect lawn,
it must be perfectly long.
You’ll need:
a sharp blade,
a worthy roar of an engine,
a gallon of gasoline,
not to be confused
with your heart,
different sparkplug,
your blood, red skinned spud,
the glue, running river of salsa,
otherwise known,
as fuel.

In making the line,
ask, what am I trying to say?
Take your blade,
have your way,
Little chef.
Erase each little blade,
unmake this made place,
break the grass into glass,
thyme, mint, rosemary.
Rip the handkerchiefs
of the lord, like a form of grace.
Sacrament bent to the will
of your blade, elegant dish,
the front lawn should sing
the same way a wish
leaves the mouth
forming a kiss.
Plot twist.
You’re actually writing
a poem into the earth.
Making the ground
less than, together
both your hands
pushing onward,
creation by erasure.
Me, always too busy
escaping into the landscape,
chasing
echoes of my legacy,
the soundscape of the past
brushes pass my nose,
fresh cut grass, red salsa,
tortillas sewn and rolled in velvet
language so spicy, we actually
speak in fire.
 

 

 

8/30: Fourth Grade on a Friday

It’s Fourth grade on a Friday.
Walking to my class, I stop
at the sight before me:
two birds chase each other
like a soft rhyme, their wings
seizing the same air running
through my thick black as new moon hair,
the same April air that kissed my face
when I finally decided to misplace
the sour flowers planted in the
deep soil of my unnamed hurt.
Walking to my class, I stop
at the sight before me:
Two boys chase a squirrel
The squirrel chases the world
Both move with no thought,
no belief in exhaustion,
no need to falter.
What you want will always run
Against what you have.

Can this moment last?

The other day, a black butterfly
cuts across the backdrop of green
in my backyard, the pink flowers,
the white crane, the bluest jay,
the wild worthwhile smile of the sun
is the sum of all I’ve lost and gained.

It’s Fourth Grade on a Friday.
I tell Jack in class,
If you turn anywhere in the dictionary,
you can find a new word with old meaning,
meaning,
you story is unfinished,
meaning,
your story is yours,
meaning,
life is alive in the light of a word.
He calls out to me, shows me
the word he chose out of the rows
of definitions, the possibility of
knowing something new,
redoing the unknown,
until known,
and
I know nothing
other than nothing is more
important than the moment
where, he says,
Look, look what I found.

5/30: LALOOSELALOSELALUZ, OR ELEGY TO THE DARK

Lighter lighter lighter,
I want to light the dark
with a lighter, light
my two hands, look
at the light between
my two hands, a dark
history is on fire, light
my palms with prayer,
toss light words
up in the air,
light balloon of truth,
lost light of my youth,
the dark is far and near,
I peel the light from my skin,
like a bruised banana peeling
itself to look for
light at both ends, I
whisper in silence,
follow
the light
,
make it
wake up the world
with the fast break of
light, lighting the unseen
Light for the lightheaded,
Light for the dread
Light for the white lies
Light for the night readers
Lighter, Lighter, Lighter
Make my head lighter too
We eat light foods to confuse
the heavy bodies
of darkness we feed, but what
if we lost the mood to be hollow?
instead,
what if we
swallow light? lighten, feel
lighter than light, flick the light
off, on, walk out the dark,
march like a match strikes
sudden light forged into flame,
struck in a straight line, like
the quick light surge
at the end of super verb,
a pervasive verse, a light tongue
persuasive as heat
held inside
the light.

Will someone
light my black hair
in this blacker than
light night?
All the moon and stars
are gone, and so who
is left to
catch the light,
but me
with
my light bright
hands,
palms alight like
the first
light bulbs, light
hovering above
our lighter heads,
shedding light,
the darker the better,
when I say
look at my
new skin
made of light
my light head
lit with radiance
light as patience
it is
another way to
say,
the light
does not lose
a spark begins
a flame spread
behold,
the light is loose,
the dark is dead.

4/30: HOW YOU THINK ABOUT YOURSELF

At a party where no one is listening,
a woman I’ve never wanted
whispers in my ear, leans over to say,
I know how you are,
And she is a liar as soon
as she says it, as soon as she says
know and you,
the air in the room sours.
She, a fruit fly, a gnat, a small
bothersome thing, hovering
beneath her false certainty,
and I cannot kill what I cannot see:
truth dimmed in half-light
a lie dug in the dark,
invisible, dangerous sparks,
catching fires
more troublesome than the storm
forming inside my throat.

On the phone, a woman I do not want
to want me back anymore says,
I think, I think
You have trust issues,
And as soon as she says it,
am I supposed to be less true?
Is my skin the soil she needs
her words to take root in?
People misconstrue
bloom and blame as the same,
but who gave both my name?

I read a text message from a woman
who does not want me to want her back,
who wanted me, then stopped wanting me,
who kissed me, then stopped kissing me,
who, at once, remains both
blameless and blooming.

She, typing,
me waiting,

three dots bounce like a wave
transmitting
the blue crash a new rash
now sending
slowly bending towards me,
the words move up, delivered
like the river leaving the ocean,
the words touch the earth of my skin,
leap off the touch screen, unleashed,
touching me without sound,
I think, I think
you felt more for me than I felt for you,
And as soon as she writes it,
I read it, each single syllable of
her words jump into my body,
barrage of silent cadavers
pierce the paper on my skin&
all I can do is weep in my garage,
inaudibly alone, sitting,
neither beside or outside,
but as my disgusted self,
listening to Azalea
croon out the wicked moon
of Louis Armstrong’s cratered
throat, a songbirds words
blooming off my tongue,
the garden of my blues
recoiling, repeating
the melody
of m’lady melancholy.
I confuse so many
sounds for hope.
Is my heart wrong?
In the dark field of my longing,
all the flowers are dead.
I know who you are,
the pain says
the pain says,
now and always,
your hurt
belongs to me,
while

the pain of your name
your long history of blame
now and always,
only
belongs to you,

and all I can do is murmur
alongside the sideways summer storm,
yearning to unlearn,
still not knowing what to do
other than follow
the soft curve of my palms
form around the jawline,
like a poorly written sentence
I don’t want to write.
I know who you are, and
I know who I want you to be
the pain says, but you’ll
never know the difference.
I say,
Pain,
How do you
think about yourself
when no one is there to witness?
when your grief stays, unanswerable,
never beginning, yet always
unfinished?

 

 

 

LOST BODY OF A LOST BOY LOST BY

Lemon tart to start,
brass manifesto for lunch,
sunlight whispering
touch me, touch me, touch me,
though glass windows.
This life is enough, this lie is enough, is,
i.e., no, no, no
who is there to trust?
i.e., no, no, no, not who, but what,
what is there to trust?
Lost body of lost boy lost by the majesty of it all.
I know my heart, your heart
may be long winded, but
the war within has ended
all of us have won
you now have permission to
lift your heads
The war within is won.
Do you see what I see?
The gold spun sun spins
while we sit on our hands
to relearn our stillness,
even our sins sit in silence,
marveling,
silenced by the lineless pink brushed sky
speaking in another language, and this is
no good time to talk, so I am listening,
no longer lifeless, but a lightweight, as in,
I curve around the dark without so much as a sound.
Just your friendly neighborhood noiseless witness
shucking the dusk, trying to steal the miracle
of any moment slow enough to reveal itself.
Do you hear what I hear?
The voice of my dreams is a soft stream of hushed light.
I break out into a peal of commotion, like I’m in concert
with the cathedral bells downtown, performing in free-fall.
Lost body of lost boy lost by the majesty of it all.
When I think translation, I hear misunderstood.
I think misunderstood,  I see the invisible cost of loss
lure me back into conversations
where all I do is crawl beneath the
Lost body of a lost boy lost by the majesty of it all.
Is it so bad to be half-made of worry and honey?
Do not talk to me about half-truths when your mouth is full.
My mother texts me to say, mijo, you are blessed—
don’t ever question it, referring to the ways in which
I keep arriving, the path in front of me, paved by
the sleep I do not get, labored by the hands that
do not quiet, cannot quit, only furiously stick to the
changing script, shuffling papers like the spirit
of the hero following my fingertips, realigning lines
until my finger print is fine print, wishing for someone,
anyone brave enough to read the sentences I’ve written,
to bear witness to the way I have reshaped the invisible
back into instruments, until the first thing I hear is
the story of your bravest moment, when fear stopped
being so mysterious, when you yourself learned the
definition of ephemeral, how eternal things are unchanged facts,
how you are not ephemeral, not a disappearing act, not a
Lost body of a lost boy lost by the majesty of it all.
Don’t ever question that the first of you is the last
of something extravagant [synonym for generous]
opposite of meager, [your survival is never an understatement]
You can stop hiding from yourself
is the last prayer I whisper when I pass a mirror.
This is how I define radiate.
This may come as a surprise to some, but
you don’t have to hear your heart beat
to know you are alive. No, no, no—
I’m not trying to prove the truth to you.
I’m simply trying to say,
you don’t have to be afraid
of what the truth will do to you.

.

 

19/30: THIS IS A POEM

This is a poem about the heart.

Alight
Aflutter

This is a poem about the lover.

Tender
Together

This poem about the mouth.

Effervescent
Exit

This is a poem about laughter

Grasping
Glory

This is a poem about the truth.

Unconditional
Unforgotten

This is a poem about the poet.

Searching
Surreptitious

This is a poem about forgiveness.

Cautious
Calamitous

This is a poem about anger.

Work-brittle
Workable.

This is a poem about failure

Required
Rejectamenta

This is a poem about sex.

Hello
Honesty

This is a poem about debt.

Silently
Swallowing

This is a poem about death.

Vulnerable
Violent

This is a poem about loss.

Quickly
Quivering

This is a poem about brutality.

Institutional
Indifference

This is a poem about solitude.

Mysteriously
Mine

This is a poem about belief.

Yelling
Yearn

This is a poem about touch.

Narrating
Nearness

This is a poem about doubt.

Persistently
Present

This is a poem about strength.

Baffling
Benevolence

This is a poem about listening.

Orgasmic
Osculation

This is a poem about joy.

Furthering
Formidability

This is a poem about commitment.

Joined
Joy

This is a poem about accountability.

Divest
Dejection

This is a poem about loneliness.

La Luz
Longing

This is a poem about patience.

Zodiac
Zinging

3/30: I WISH YOU COULD SMELL THIS FLOWER

3/30

I wish you could smell this flower.
I don’t know the name of it, but
the pavement is blushing lavender
or a color in the lavender family, maybe
a first cousin to lavender, only more lovely
because it is in front of me and nameless,
but petals and petals and petals of beautiful anonymity,
how terribly difficult it must be to love
something you cannot say, ask to stay.

With me is Billy and we just ate ice cream and sorbet
after leaving San Dolores Park by riding a slide down
to the playground where just moments earlier,
a Mexican man earned his living by selling slices of pizza to smiling people
who still had room for want and and despite my distaste for fractions
it is nine-tenths a perfect day when
a little girl kneels down on the sidewalk outside the ice cream shop
and picks up this flower whose name could not possibly
achieve its purpose of explanation
or offer meaning without leaving too much room for
interpretation, but of course it has a name,
of course it belongs to something we can all say,
but what I want to say is,
a little girl knees down and picks up this flower
and puts her mouth up against it
like she’s part of the family, maybe a first cousin
or a sister, or a mother, or a daughter
and she pulls whatever sweetness there is
with her mouth, with her nose, with her whole body,
and I wish you could smell this flower.

29/30

I am singing Usher’s U Got it Bad
under my breath
past midnight
at a coffee shop
when the table I sit at
suddenly becomes the cafeteria
at my middle school which
on some Friday nights
became the dance floors
I would find myself wearing
a Ralph Lauren polo
and shoes that are not built for dancing,
but my sixth grade body don’t know that.

I am looking at a picture of my eleven year old brother
before his first middle school dance alone in my room
when suddenly my heart forgets its
hard promise, pours clean from my chest
like a punch bowl drunk with fresh fruit,
bodies ripe with sugar and the want to spill
everywhere.
I imagine the celebration that becomes of the cafeteria
as soon as he enters.
Wearing a striped Ralph Lauren Polo
with dark denim jeans, his hairstyle so slick
He smiles like he’s trying to earn his first kiss.
I imagine his ankles turning to air before all his friends
find their hips, and the girl he loves to tell me about
laughs at how he knows every lyric
to every Bruno Mars song that comes on
and I have already lost myself
thinking about how he tries to shake
the linoleum off the floor. In fact
I have already wept twice while writing this
but that’s okay cause my boy Kyler,
oh he is a King of loving things
even at eleven,
a boy believes in his body enough
to watch it burn down one night
only to have it back by morning—
That is my favorite part .

 

27/30

27/30

Sorry, meet your mouth.
Your mouth is my mouth.
Sorry, our mouths have met
a thousand and one times today,
at least. Let’s skip the pleasantries.
We both know what we’re doing
isn’t love making.

It’s a scuffle of skin, I give, you take
I bleed and you make the red disappear
until I no longer crumble crimson. Fuck
I want so bad to be fixed
but your mouth made me forget my own
and now I don’t know whose teeth to trust.

Now biting my tongue is the same as feeling sorry
for myself, and silence is an apology I never meant
to grow into but the roots have already adapted.
I confuse truth for what refuses to leave, self-included.
What’s included with most of my self is a stairwell
of sorry’s, all leading out my mouth and back into it.
It’s a stupid kind of stuck, having a sorry mouth
It’s a stubborn kind of love, having a mouth
that is never enough and always sorry
for talkin’ too much.