A POEM A DAY

I'm just happy to be here.

Tag: napowrimo

2/30: AGATHIST

I am twenty-three and my heart feels the breeze
even in my sleep. I squeeze a blood-orange and
smell the perfume of citrus on my hands. Even my touch
grows braver the sweeter the songs I sing.
Like last Sunday, I set my body before the sun
lowered my mouth and saw the spring moonlight
pour out, like a melody, parody or parable.
My mouth is a house of blue solitude, wide-open sky,
you should see the trees that give me shade
and the guests who never stay.
I am twenty-three and my heart feels the breeze always.
When someone asks about the potholes in your heart
do not mention the bad days, the flat tire, the reckless speeding.
There are only good days and on good days
survival is the only the answer. I have so many questions
I do not want to ask. The weight of what I don’t know
lets me know plenty room is left to grow.
I don’t always want to finish what’s next.
Whatever happened to breakfast?
I slept through mornings because the cost of living
was not convincing.
I could not remember what waited for me.
I know lonesome does not deserve my love
but that conversation is such a hard thing to do.
I hear my gift with words is such a blessing.
I hear it’s not fair because you’re better with words
I say it isn’t so simple.
When you’re afraid of what the dark can do,
Language is the only room to run to.
Being good with what scares me most
is not a badge, but a casket of truths. Yes,
speech is a gift, but I never asked for a mouth,
for this matrimony of what I feel always coming back out,
never asked to love the significance that
always invites itself over and under my sheets,
but it belongs to me, is mine to sift through.
The pulchritude of an April afternoon tells me
it is too soon for anger.
I am twenty-three and my heart is caught in a breeze,
this poem is an invitation for you sway with me.
I am an architect of kindness and I require your spiritual congruity.
Take Agathist, derived from Greek, is a person who
believes all things reach toward an ultimate good.
Let that be me.
I have a history of inconsolability I do not want to repeat.
Rinse my mouth out with all the color I want to keep.
My mother leaves a voicemail I listen to while
I stir a pot of beans I made using my grandmother’s recipe.
Outside, the birds and the bees sing and sting,
I watch, stir and smell the steam, the weight of what
I do know can feed a family, can find meaning
even when my belly or heart is empty,
damaged by the translation of want and need,
even then, love is instructive,
even then, love is this scene, the one where I leave my house
and everyone is happy to see me.

15/30

ARGUMENTS AGAINST MYSELF II.

Again, with this?

You go to bed gnarled by how long it has taken to see what is not there.
You sleep quiet, ignore the other half of the bed, and this pretending is
now a lullaby. The brim reach of solitude has spilled, flooded and
and now everything you own, occupied by lonely, a piece of driftwood
refusing to go to anywhere and what do you do?

Why we all know you sink, precious. By morning you surface possessed
by love, more porous and less afraid of blisters, more aware of bursting
than ever and oh this means you are a shipwreck, or a ghost, or simply
a remainder of what the world forgets the most. But the sea is yours to
suffer with or against, and sleep drifts like a quiet anchor, afraid to choose
whose heart to sink its teeth into.

Oh, alluva sudden you undid your faults. Just done, like that.
You make yourself joy
sink your teeth into displeasure
drag your mouth in the mud
And this makes a meal?
How many words have you made a meal with
before you washed your hands?
You want to be the river but know nothing of clean water.
Is this why you boil so gently?

 

5/30

When the dance floor found out most of me
makes its living by breaking
and not busting
(or was it bursting?)
moves, the linoleum licked
the grease from my ankles
(or was it grief?)
gathered all its teeth to say,
Take this sad boy away. 

I want to say this
happened years ago
but we all know I am repeating history
for no reason but to pass the time.
I am twenty-two and tired all the time,
but preserve the pity, please? ‘Cause
My favorite part of the day is
every. The gorgeous every
that eats things first, time
second and then, of course
men. How many men have
had their hearts for dinner
and not known it ’til the 
exit? I expect morning breath
but morning beauty is a gospel
I still have a hard time drinking
along with my coffee, along with the
cravings, along with the music
I cannot help make sad, oh
the sad music I make my own
is just too gravestone to stop
playing. If I pretend I do not need
solitude or sorrow, I am not saying
love will save me. I am not saying
the rain makes me weak, 
I am simply lying all my bones
across the dance floor like
fresh linen and there is a spring
in my step and suddenly,
I am bursting a move
that makes me
think I do not always have to
lose myself
in order to
love myself. So
will somebody please
take this sad boy away?