A POEM A DAY

I'm just happy to be here.

Tag: poems

5/30: ON SLOWING DOWN

i.

On test days, mom’s hands
woke up early enough
to build a meal

for me, three chorizo & egg tacos
tucked in foil,
please.
the foil kept the heat
alive long enough inside
our backpacks to eat on the bus.
Mom cooks in her robe,
spoon in hand,
pan on stove,
scrambled yolk.

The spoon yearns for movement,
but speed kills the scramble so mom
goes slow, her wrist
works like visible wind
moving so slow, the moment
is almost a secret. But
I see it.

ii.

it’s been said, I sprint through sentences
with a vicious lack of precision
like my speech is a track meet
except the audience
is the one out of breath
and somehow, I have no feet

it’s been said my voice is a vacuum
where syllables go missing,
where meaning is missed
mostly due to my quicksand
quips, the quivering lips I get
when the words I find are too
heavy to lift

it’s been said, I talk too fast
like my voice is reckless behind the wheel
like my thought-to-talk process
is a banana peel slip!
Witness every listener
hurt their hip against
the cautionary wind behind
each sentence I tea-cup spin.
I remember,
a woman who judged
my poem when I was 18
told me
that if I slowed down,
articulated my words
with the worth
they deserve, then
I’d be heard.
It hurt my
feelings
so I did not listen.

iii.

when I choose to read the poem in Spanish
my voice does not know how to move.
I freeze in the aisles between the letters
Just as I did as a kid, when my cousins
spoke Spanish as fast as light vanished
All I could hear was the dark shadow
Of sound I could not summon.

when I choose to read the poem in Spanish
I sit on the floor of my room with the windows open.
I call for my voice,
the slow breath rises,
not so much pronouncing
the word, but searching
for the light switch
the one my mom turns on
when she’s cooking
eggs in the morning.

3/30: SHOUT OUT

shout out to the businessmen buying broken gold
shout out to the folks who kept gold after it broke
shout out to the men who hug me in public
shout out to my pops who texts me recipes
shout out to the cast iron feeding the cast of my life
shout out of your driver side window at the top of your lungs
shout out to the crescent moons marooned under my eyes
shout out to voicemails
shout out to wanting to talk to someone so much,
you call to hear their voice, only to leave your voice behind
shout out to green lights and Monday morning traffic
shout out to black tea, honey steam, and hand heat
shout out to the voice in my head and the voice in my throat
shout out to buttermilk pie breath
shout out to my lonely homies
shout out to the play station four encouraging my solitude
shout out to the service industry
shout out to the industrious servers who laugh at my jokes
shout out to my niece, Jessi Diane Caballero, J3, JD, valentine’s day baby
shout out to the bridges I did not brave
shout out to the turtles picking up shifts for Atlas
shout out to the bargain shopping hustle I inherited
shout out to the out of reach future
shout out to Sufjan Stevens curing my sorrow
shout out to the lady bugs who trust the touch of my hands
shout out to stick in the mud that is my tongue
shout out to the generous ticket stubs of love
shout out to the depressed, us champions of effortless sadness
shout out to the sunsets stunting like Shakespearean sonnets
shout out to man behind the manuscript
shout out to the mighty pens of my friends
shout out to my left palm dividing the wind like a pretend god
shout out to my students who fish their voices from the river
shout out to the promises I will die to deliver
shout out to the verdicts I reach about myself in silence
shout out to the endless shouting of shame
shout out to the dark passenger shouting to get out
shout out to the dark side of the wiry moon
shout out to the dark bark of peppered brisket
shout out to unrequited love’s lesson on risk
shout out to my happy flintstone feet, flat as a flag
shout out to the poems put on plates
shout out to complete feasts
shout out to inescapable refuge of regret
shout out to the mouth, the pink soundboard of speech
shouting out loud what I refuse to whisper.

2/30: LESSONS FROM THE SAGA OF LIGHT

God bless my bluebonnet heart opening Sunday morning
Like the last laugh of wildflowers in my grandmother’s garden—
God bless the by-lines of beauty multiplying in the dark, growing
overnight, springing from everlasting ash like a blunt wrapped
in phoenix feathers. I found I do not fear what I cannot learn
and I cannot learn what I do not witness. The lesson is this:
We’re still learning to love the lessons, no matter the teacher.
I once wrote, if you lose hope, try forgiveness. But I did not
Trust the teacher, so I chose neither. In the interest of justice,
I ask that the universe reverse the grid-lock of my grief.
Though, I know this is not possible. My brother taught
me how to box-out. This was the first time I learned
to put a perimeter around the pain. As a creature who craves
the hunt of the heart, I ask for hands to hold the slippery
silver fish of suffering. Remember the rebound. In the interests of joy,
I ask the voice of vulnerability to self-govern. In every poem,
a crossing collapses and another bridge begins. Please,
despite the dark doom of destruction, accept this invitation.
Wander into the wilderness. Witness what work it is to stay.
Though, I know this is not possible. In the interest of Self-
Preservation, I ask the secretkeeper to switch to bees.
Why does what I keep never feel like honey?
The lesson is this: I cannot define what is unfinished.
“If I lead you through the fury, will you call to me?”
I sing fleet foxes in red boxers when no one is watching.
Last spring, I spent all my love making time, just like
The Eagles taught me. But what happens when I run out?
Imagine the eye of the storm. Now imagine your eyes.
Whose eyes are lying? If I want the answer to my question,
I’d give it. The lesson is this: the wood in me is not for building.
I used to borrow the best parts of my boyhood to understand
the misunderstandings, wishing, I did not know what I know now.
I used to ask for forgiveness instead of permission. Though, I know,
This was not possible. After offering my body into the wrong church’s
collection plates, my lover tells me, I am no longer a safe-space.
The teacher taught me: whatever I gave, I took away. Like a carousel
of untold truths, I spun my tongue away from the end. In the interests
of time, I ask that the clock restart. I ask for one hand to join my hand
and hold whatever part of my heart is most bruised. Though, I know,
this was not possible. The lesson is this: even pain has limits.
For years, all I wanted as a boy was to be loved. The world gave
me many things, but I still wanted more. First, desire, then lust,
Then greed. At twenty-five, I ask each dark seed to leave. Though,
this is not possible. The earth is strong and I am not ready yet.
For a while, I forget most terrible things I’ve done or did.
Then I remember the wild foe of my woe, guilty as green grass.
I try to mow the misery growing into a sanctuary city.
Do not pity the fool forever failing to find the spark in the dark.
Though, I know this is not possible, I still bless my bluebonnet
heart opening up, like a faucet I fixed in the dark. God bless
The lessons I am still alive to live through. At twenty-five,
I have lived through one-hundred seasons. Through every season,
I have left what I cannot forgive in the fury of the past. Is anyone
Left to call to me? Though, I may not always answer.

1/30: IT IS WHAT IT IS

This line is late. Weeks overdue. None of my thoughts are new. It is what it is.
The laws of loneliness are fixed stars in my constitutional constellation.
I am most free in a dream where I outdo death. Sleeping, the dreamy version of me drags his feet across the tops of the peculiar pine trees pissing off the power lines. When I say I am most free, I hope you hear how little I hold. I was told to put a pot on the past, Wait, then laugh at the steam. Levitate, levitate, levitate. This earthbound body comes dressed in stubborn smoke. In this song of hope, every lyric is moonbound. Name a scar the sky cannot solve. Spring has sprung on schedule but no one is here to smell the jasmine breeze with me. The moral of this moment missed its deadline.
Whether or not my faith blossoms, the season to show up has arrived. April can be the cruelest of dance floors, but today I abandon the rules of gravity-disguised-grief. For the sake of my ankles, do not ask me about anchors. Give me balloon bravery. Can I be a kite the sky keeps? I wish I had more to give than just my body. To date, Ask any woman I loved if I’m down to earth. They’ll tell you how I write poems for, to, or about the sky, but never for, to, or about them. I wish I had more than hurt to hem for them, but to tailor the terror of my affection is a lesson I left behind in the grinds of midnight. Reading Robert Bly aloud, I say, is there enough left of me to be honest now?
I’m afraid the answer lies, inside my body, scraping the paint off my walls.
Nobody but me can fix the hollow frames of the rooms I groom my shame in.
Hesitate. Hesitate. Hesitate. I place the sky back inside myself. Like a Magritte brush stroke, I am most free when I break all the rules of my body. In a dream, I raise my arms like wings though I do not move them. What happens if I never wake? The word I’m looking for is transcend. Yes, watch me transcend into some moonbound mystic meant to illuminate the intricate energy of the universe with every poem I visit. If love asked me to say her name, I’d say I am not ready. No, I haven’t failed at love. I haven’t succeeded either. If love asked me to let go, I’d hesitate. Inside my head, Ghosts of lovers leave their names in my throat like an anchor I didn’t ask for.
It is what it is.

27/30: spoliation, then resurrection

I’m standing on the balcony of a high rise, 21 stories, high. The sun licks my face like bright smoke I try to chase, but when I begin, my brain spins in typical fashion, and I become a boy in my head, again, remembering my dad’s childhood home, one story, high, ceilings low, eventually, bulldozed to the ground years after my grandpa passed. Gas had snuck through the walls like a ghost wearing perfume, and it destroyed every room.

Picture this: a ghost house with a screen door, porch swing, and one million pair of saintly eyes not watching, but staring, at you like you’re trying to get into heaven, but you’re only seven. The Virgin hangs above the door, her eyes pour out like a river,

But walk through the door. Ignore the gods. It is the first door on the left.
Inside, a bald man with big hands holds a guitar and a cigarette. His essence was cinematic. He’s like a Mexican BFG, his love big, friendly, and giant.

When his memory went dark, his mind became an exploding star, erratic but catastrophically hilarious. Fact: He laughed at his own jokes. Fact: I do too! The ritual of our greeting went exactly like this: “Hey Grandpa!”, and he’d ask, “How’s ya ugly daddy?” And I never ever had a come back. His laughter billowed out the room like a ballad built with smoke, then he’d flick his guitar with his right wrist, ash his smoke, his unforgetful finger tips moving quick, much like my hands when I wrote this, and

The funny thing is, all my life, my mother looked at me and remarked, “Oh lord—you look just like your father.” And it is remarkable, how she sees the same face of the same boy who gave her her first-French kiss on the dance floor when no one was looking, the same face that faced my grandfather in the front room, with my grandma in the kitchen, stacking tortillas higher than the skyscrapers in front of me.

I remember watching her dig her hands into a bucket of flour, which I always mistook for a bucket of paint. I remember the tortilla beginning from nothing, a blank canvas becoming nourishment, and if I really think about it, she really was an artist, pounding tortillas with her fists until they looked like different phases of the moon painted against the comal sky, and I imagine, in this ghost house, my ghost grandfather, the two of us in this phantom room and me—finally ready with my comeback: “How’s my daddy’s ugly daddy?” HA! And he would erupt again, his laughter howling out the house, back into the universe.

Yes, this poem is about returning, about the indestructible ghosts inside of us, the tortillas I confused for the moon, how faces are places we return to, my grandfather’s spirit, rising high inside of me. I am learning my breath is the last thing this earth will ever inherit. I am learning how to rebuild from the blueprint in my blood. Oh, did I mention, his name was Jesús?

26/30: WHILE SHOPPING AT H-E-B

A little boy walks by the orange juice,
proceeds to shout “Dad! We NEED Orange Juice.”
A little boy walks up to me while
I confirm the integrity of the eggs,
his small voice grows beanstalk raises to my ears,
his face at my knees asking,
Are you a stranger?
I look at him, grab my eggs,
whispering back without a crack,
Yes.

Let me enjoy the mystery
I’m disappearing into the bread aisle
where everything rises, turning sharply
to look for candles, I nearly hit an older man
and I apologize, say,

Sorry Sir, I was coming in hot.

He apologizes back, adds in,
I was like that when I was your age,
I lose my breath at his sincerity,
the ever fond reminisce happening
in aisle six. But before I leave,
I say to him,

Well then, I’m in good company.

Then I abscond onto the olive oil,
soil of my growing appetite,
my absolute delight, the effortless
sweep of the wrist when I’m
cooking with rhythm,
and what are you
but another instrument?
look at all I can do with
a bottle of you?
Parts of you needing me,
me needing you, yes,
this constant need
to invite others in
has become such a gift.

When preparing to examine the apples,
an employee grabs each spoiled, rotten
apple and tosses it away, and I think
how hard of a job that can be.
Who is to say what is unworthy?
But he moves with confidence,
rubbing his hands across the
jazz apples, honey crisp, pink lady,
gala, granny smith, and he is making
my life so easy, it’s lovely. I’m so tired
of picking over the dead, of losing before
I even begin, and I am more thankful
for him than I’ve been of myself.
What’s with this strange history of mystery?
After I’m done marveling, I ask of him,
Are you tossing out all the bad apples?
He doesn’t say a word, just keeps tossing apples
and I think this has something to say about
the invisible work most people do,
the kind of effortless
that took so much effort
to perfect. I mean, to me—
this is a miracle, and honestly,
Who am I to deny the gospel
of gathering all the bad apples
which just happens to be
happening in a grocery store?

25/30: WHAT YOU NEED TO KNOW

A word is a soundless bird with no wings
escaping
the tree of your throat, back into the forest’ soundscape,
a pummeled plumage merging
into the natural traffic of the air, invisibly
weaving,
sound into thought. Feathered letters
teaching
Yours truly how to flock symbols into sentences,
acapella fella
Banging his lips like cymbals, & like most instruments,
ignoring the tremble that follows. Listen,
Even a wind chime swoons gentle, until
a crooning feast reaching.
I am learning your favorite sounds
never actually touch the skin,
only whisper against it,
almost a missed kiss,
a bird landing on your chest the same way
words absorb breath.

Listen.

When a word is a soundless bird,
your voice begins to float next to your body,
Sound leaves the ground, letters spin ‘round,
your mouth like a carousel of consequence,
each time you speak, a soundless bird leaves,
shaking the branches
Stuck in the tree of your throat.

I’m learning the root of what I have to say
stayed inside for so long,
it forgot how to sing.
This is me remembering
tracing the root of my pain,

Listen for
the little linguistic caress,
little kiss of my breath.

Didn’t you notice
the bird on your chest?

24/30: HAIBUN FOR SUNDAY

Sunday morning, light pours through the open blinds. Birds with no names play their song for me. The ball of my body unraveling. Still small, but growing. the soft white sheets my mother bought me hold my warm morning skin. Soft feet. Soft light. soft blades spinning above my head, cool air moving. 8am stillness. No sound interrupts the silence. Alarm goes off, but no need to hurry. Changing positions, I pick up my body. The first thing I do is walk through a door, a hallway, another hallway, another door. Outside. The first big breath I take happens slow. Slow enough, I am only focusing on my breath. Invisible movements. From where I stand, green pine trees overshadow the magnolia next to my house. A spider spins a web from a tree to a roof. The web is a line designed with other lines in mind. The alive lines holding onto dead things. Green journal, black pen. I grab both with my hands. A poet spins a poem from his mind. The poem is a web of lines. I write, I write, I write. The language of the living praising the dead. Walking around making sounds in my head. Wind moving the leaves. My blood moving through me. Bells designed to ring at once. Yes, I am a vessel. The depth of what I carry, less scary than before.

The world is a con-
founding web of lines I try
but never avoid. 

23/30:THE SECRET TO SOFTNESS WITH AN APPEARENCE BY YOUR EX-LOVER

What is there to say?
Who here is to be trusted?
The other day,
I bought four avocados
Dinosaur skin,
I used to think to myself.
Before, while still in the store,
with great precision,
I massage my hands across the skin,
measure the mustered force
behind my pressed thumb.
Me, an ordinary produce priest
In the aisle, with my hands,
little blessings performed
for the crowd.
Upon the skin,
the armor of each
green peach told
me to wait before
breaking open
what is enclosed.
[tip: this is the secret to softness.]
Later,
I placed each
in my fridge
Waited. 
Went about the days, pledged patience.
Heard stories of sour brown insides
I wish to unlearn how to say decay.
Still, I thought of the cruel yew trees rooted in me,
all the flowers I forgot to touch.
Decomposition is a sentence
unwriting the end of the story.
When I cut into them,
each spoiled before me.
Dead green darlings—
not a one to call mine.
When my hands
touched the green mush,
the color rusted inside me,
cast a spell over,
reversed
the light’s forceless arrival,
as I feel silent waves
leave behind the color of darkness.
This day of decay
found my hands
like the end of spring,
where I watch the color cave in,
but like all things lost,
Fate had prepared me.
When the color caved in,
I knew then,
it had everything to do
with the eyes of my last lover,
who,
last winter,
who took the song of her eyes with her,
her love, also,
spoiling before me.
The rot,
believe it,
or not—
still caught
in my unwashed hands.

20/30: JOY SHUFFLES, PAIN REPEATS

Watch me create a moment.
Lonely vibrations jumping
out the bag of my bones.
Home alone as karaoke king,
my magic
stays unknown.
Rhythm is an invitation,
but
the breathing pattern of my lungs
stays undisclosed,
& all I know is
joy, like air, is unavoidable.
both carve their own space
both fill the space they make,
emptiness giving me shape,
Elation shaking my hips
French-kissing the chorus
I’m breaking all the rules.
Give me joy, give me pain.
Suffering is a slow song
everyone wants to shuffle gone.
Don’t make me the DJ.

Inside of me, a need for
suffering
repeats, repeats, repeats.
On my birthday, my shirt says
SAD SONGS, because
sad songs are my weakness,
because pain is a place too,
not unlike a dance floor, or
my forehead spinning,
skin vicious wood splitting
sweat leaps off me,
like light jumping
off disco balls,
the need to shine
craws through
the dark room of my past,
also a dance floor,
where each body
orbits like an heirloom,
beating hearts for tennis shoes,
walking through
unavoidable echoes
where hopeless is
the opposite of rhythm,
something that throws
you off by letting something
else in.
What if,
what if joy and pain
are both unavoidable
crescendos?
What if
emptiness is a shape-shifter?
Can I still kiss suffering
with a smile on my face?
I’m breaking all the rules.