A POEM A DAY

I'm just happy to be here.

Tag: poetry is not dead

30/30: THE SONG OF THE SEASON

One day, I want to float in endless blue
and wait for the music of a whale song.
Take me across the sea and teach me
how the water vibrates with the
song of the season. Let me listen
to the chorus of a wave break
and let the sound take my breath away.
The bellow below the water resonates
and reverberates, traveling across
an ocean of time and changing currents.
A humpback whale bends its tune
through a coral reef like an amphitheater
before the deep blue world. But haven’t I
bent my voice too? Haven’t I
stepped in front of a thousand microphones
with a poem to take my breath across
the room, across an ocean of time
and changing currents too?
One day, I want to float in the endless
blue of a mystery. Call it a song. Call it the sea.
Just let me listen. Let it call to me.

29/30: MY BODY IS A TUNNEL AND ALL I SEE IS LIGHT

My body is a tunnel and all I see is light.
I trace the breath that moves through
the lungs to the chest to the space
around me. All around me, something
moves. The blood runs loose anytime
I choose to show up for myself. The
weight I carry is bravery by another name.
My body is a tunnel and all I see is light.
I listen to what my bones have to say.
My heart is the strongest muscle in my body.
When my body is on fire, I remind
myself, there’s a spark in my soul, and
light is everywhere I go.

28/30: TWO HAIKUS ON SLEEP

Lightning in darkness
The sky is heavy with rain
All morning, we dream.

Abandon alarms.
Silence is the first song heard
Listen deeply now.

27/30: CYCLES OF JOY

Eventually, we laugh
until the oxygen runs out.
The sound of your voice
disrupts the silence
of the afternoon and grows like thunder.
By the time you catch your breath,
you and I are
breathless again.

Laughter is the language
we speak in between
looks across the room.
I read your eyes
between the lines.

Cycles of joy
move through
the atmosphere
and your laughter
repeating like a record
is all I ever want to hear.


26/30: MESSAGE IN A BOTTLE

I am a source of sound
a loud blend of Zen
and quiet chaos
A witness of what happened
I make a wave with what I say
My words reach the
green shore of gratitude
My throat is a treasure chest
that survived the storm
I open my mouth
like a message in the bottle
with dry words
long traveled.



25/30: INVITATIONS TO LOVE

Invitations to love come in small packages.
Think of the earned cat nuzzle against the leg
first thing in the morning. Think of the gentle steam
rising off the coffee leaving the palm of the
woman who chose to rise early enough to
make you coffee in the first place. Think of
the sky overflowing with light. Think of the
morning wind bending the trees into
music notes. Think of the day like a jukebox.
Think of the small truths. Think of the
hundreds of roots that live in the soil
of the soul. Think of the thousands
of invitations arriving every day, in small
and simple ways, each with your name,
waiting to be opened.

21/30: FOUND STICKY NOTE POEM

For my wife, Adela

Adela sings Spanish love songs to me
in the passenger seat
on a Saturday night.
She plays the air
with her voice,
lingering
like the shadow of the moon
and I look at her
knowing I cannot translate
the music she makes,
but when I hear her voice,
I wish to sing too.

           

20/30: BEYOND A REASONABLE DOUBT

A Minnesota jury found a man guilty of murder
That man was a cop
I won’t say his name. This poem isn’t for him.
The cop is a murderer, beyond a reasonable doubt.
The whole world watched this
cop kill an unarmed black man
George Floyd was his name.
Some people prayed the cop would see
something called Justice,
which in America, means more than one thing.
Tuesday April 20, 2021
I sat in my house, eyes glued to the TV screen
after days of putting this cop on trial.
The Judge read the verdict
Guilty, Guilty, Guilty.
Where to go from here? It’s not my place to say.
I just made a promise to myself
not to keep quiet
when history is being made.

17/30: LOVE BETTER

“Therefore, dear sir, love your solitude
and bear with sweet-sounding lamentation
the suffering it causes you.”

-Rainer Maria Rilke, Letters to a Young Poet

Dear Zachary, sir—I need you to love better.
Dear sir, I need you to love better and mean it.
You can start with me, and all the sweet-sounding
suffering I cause you. This isn’t advice.
I love watching you try, but what good is
showing up, if you do not follow through
with who you wish to become?
Apart from me, you are another and I am other.
As if we exist in separate dimensions.
Am I a place you go but do not mention?
Dear Zachary, together, have we not walked
through shame like confetti and cascarones
underneath pink evenings? Have you forgot
the wilderness of your childhood, the backwards
deliverance of our innocence? We passed the time
like a jar of fireflies at dusk, opening the closed
jar to see how far we could see trace the fading
light. Each time you proposed an exit strategy to
get out of your head, who was your canary?
What if I told you it is not possible to love
someone until you love me? All the pain
in our heart is instructive. Isn’t that what
you call precedent. Would it please you
if I gave my argument with authority?
Because I know how you hate the past,
And yet, you protect your agony, unequivocally
too stubborn to learn the errors of your ways
And I know this weighs on you. I can feel
the slow puddle of your blood form when
you refuse to participate. Dear sir, please,
I am not an exit strategy. I am an invitation.
My only wish for you is to receive what
I give without leaving me behind. Remember
how it feels to stumble through the unfinished
plot of what is lost and what is gained? I know
you need me most when it rains and the air
changes instantly, announcing to the world
what is here and what is to come, the same way
you wish you could change back into the man
you wrote about once before you became an
island, stranded in the sand of your fears.
I hear you talk to yourself when you refuse
to use your voice. I know all your tricks.
In the mirror, when we visit each other,
Your eyes trace our body in the dim light.
Dear sir, don’t you see the space I give
is empty for a reason?

23/30: PART ONE

At first,
You don’t cook out of love.

You cook out of necessity.
If the body is a temple,
The gospel is grocery shopping.
You cook what you can
depending on what you have
but mostly you cook
for hunger
because you are hungry
because none of your brothers are home
you are six and alone
the apartment is dark
like the false concept of manhood
Your mom is working late
Your mom has a date
with a man
and your brothers fight
like men
but you are six with nothing in your stomach.

The expression
“Close mouths don’t get fed”
assumes food is on the table
Ready to eat
You want to cook, to take
something fresh and
turn it anew with purpose.
Or maybe it’s more simple.
The free lunch at school was too predictable
but at least it’s breakfast, at least it’s lunch.

You cook
because your hands have the tendency
to create, the repeated history of
obnoxious disobedience runs
through your bones but
have you ever trusted
a cast-iron skillet
with all your might,
ever felt the quiet organization
of what you want turn soft like
onions sautéed in slow sugar
like the moon moments before total darkness
ever felt the pang of craving
turn you into a creature caught
in the ritual of rising steam,
ever put a plate
in front of a room full of people
feel the silence boil over brilliant
ever see the meal disappear
along with the legacy of growling,
which chooses
to crawl through bodies without apology
as if the mouth is no place for forgiveness.