A POEM A DAY

I'm just happy to be here.

Tag: poetry

17/30

THANKSGIVING
or
How I Let You Go On The Most Depressing Day of the Year
and Feel Pretty Good About it

I burned all the leftovers. The pie too.
It is as horrible as I am making it seem and
more. I am used to more but there is no stuffing left,
nothing left to stuff but silence.
When stuffing is the love you shove
into your mouth, what happens when you
run out?

It was the Sunday after Thanksgiving
when I last saw you and when everything
didn’t happen like it was supposed to.
When asked what you are grateful for
all anyone hears is hesitation, air taken by teeth
and you leave a silence so grand I bow
at the base of it. Is that what giving
is?
No, thanks.
The rain came like it was supposed to
and I am still smothered in mud, my
god.

Driving home, I am my own soundtrack
Words like why, again, why, again, why, me
again, why is there always an again
are lyrics
the speakers are familiar with.
Driving home, I am my own carwreck.
I exit the highway onto a country road
which then turns into a mouth of mud
and I am stuck and sad and so oh very
sad at being stuck.

If I count all the times I asked you to come back
I could not trace my way back and oh to be stuck like that—

All it does is take and that is a terrible
and true fact.

A stranger tells me a fact I go home to Google to make sure it’s true.
The first Monday of the New Year is considered
the most depressing day of the year. Something about
having to begin again but this time with follow through. Something about
having to show up and mean it, on a Monday
no less.

Driving home, we are on the phone. Most of the talking
is by me and I forget what I said but most assuredly
it rang to the tune of me promising a safe place to crash
or fall or call home, even if we are all bones or blown to
little bits of I told you so, oh don’t you know
I would have showed up and meant it
every Monday?

Driving home, we are on the phone when I run out of gas.
A stranger helps me push my car to the side of the road.
It is the coldest day of the year, which means it is the first
day we felt our skin sting and suddenly I cannot help but
count the coincidences. This same stranger brings me hot tea
and tells me
Waiting all alone is the worst.
Tells me today is the most depressing day of the year, and how he hopes
how much that isn’t true.

I call you later on the phone, and you showed up but
we both know you didn’t mean it, and so I tell you then
like I tell you now, the last words I will say to you are
I love you and goodbye.

It always ends the same.

16/30

“Mama. What’s vacation?


Vacations when you go somewhere…and you never come back.

-Forrest Gump

TO THE WOMAN I LOVE, WHO IS STILL ON VACATION

I changed my mailing address, but I don’t think that matters.
You can forget about the refrigerator magnets. Something tells me
the magnet wouldn’t attract anything anyway.

What is left of yours remains in the lost and found of who
we once were. I rummage through it at least once a week
to keep the dust a dance away from deluge.
I went weeks deluded, convinced the months would
run out of ways to move forward, pretended my bedroom
would become baggage claim, and you would see me convulsing
on the conveyor belt like being yours made my blood
want to leave too, so perhaps I can’t blame you
or perhaps I just wanted nothing more than your touch
to topple me to pieces, for your hand to burn through the wreckage
and wake up a bird perched against the worst of it.

I am a coward when it comes to claiming
But still bury myself with so much baggage. This body
has blackened into a fisted ballast, a broken knuckled
ballad that probably sounds like elevator music
repeating forever, the pieces picked apart, a part
of me is still wishing you were here a part of me
still wants to be the place where you go even if it
is only to take what is left of yours

I can’t be in a room with an open door anymore.
Ajar. I know what a jar is. It’s where I pretend our love preserves itself
only the lid is always open and you are always going
bad, or back, or ahead.
Ahead. I know what a head is. It’s where I hear myself
raise the worry into bread. Our love,
a spoiled loaf, an oath that tore like a one-way ticket
stub that said everything but stay, or sorry, or
I’ll be back for you.

I don’t know where people go when they leave a place
or a person they never want to return to, but I hope the exit
wound is clean. I cannot keep caring about maps and the lines
they leave for me to follow. As far as I am concerned, they all end
the same. 

15/30

ARGUMENTS AGAINST MYSELF II.

Again, with this?

You go to bed gnarled by how long it has taken to see what is not there.
You sleep quiet, ignore the other half of the bed, and this pretending is
now a lullaby. The brim reach of solitude has spilled, flooded and
and now everything you own, occupied by lonely, a piece of driftwood
refusing to go to anywhere and what do you do?

Why we all know you sink, precious. By morning you surface possessed
by love, more porous and less afraid of blisters, more aware of bursting
than ever and oh this means you are a shipwreck, or a ghost, or simply
a remainder of what the world forgets the most. But the sea is yours to
suffer with or against, and sleep drifts like a quiet anchor, afraid to choose
whose heart to sink its teeth into.

Oh, alluva sudden you undid your faults. Just done, like that.
You make yourself joy
sink your teeth into displeasure
drag your mouth in the mud
And this makes a meal?
How many words have you made a meal with
before you washed your hands?
You want to be the river but know nothing of clean water.
Is this why you boil so gently?

 

14/30

I am drinking Vietnamese coffee
Iced, cream heavy
As the night
I need to drink
Up.

It is easy this time.
The girl across from me
nods the night through the
roof of her voice box.
Fills her mouth with hot air and fire.
Reaches into me by keeping the heat
off her hands. Skins me by the teeth of her
smile so now I am as thin as
her hair galloping by
on a breeze, either leaving or returning
or both. Either way I am exquisite at the
fickle way her lips fissure.

Above her an EXIT
recommends itself, but the night
and the moment is too heavy to leave
just yet. The coffee
is sweating against my palm,
I cannot help but let go of
what is already melting. Besides
I have my hands hung in neon,
my palms forever glowing
OPEN and I don’t think she notices.
but oh, I hope she knows.

13/30

 

ARGUMENTS AGAINST MYSELF

You busy yourself with the trouble of translating disaster
as if there is something dear to dismantle besides
yourself. This does not make you a writer. It makes you a
chump, another darling calamity caught. You have hooked
the raw of your jaw against a silent cat call. Only you know the phone number
to every ringing heart and you still long for everything. The longing calls
and the answer lasts. This makes you question your own warranty.

Now you are worrying.
For what? You cannot collapse the loudness belonging
to a body born a boom box. The volume knob gnaws like a
crappy chorus I cannot help but swallow along to. Since most of me
is made of tremble, I cannot help but scatters decibels when
someone spits a licking so loud I lash from the way happiness
and sound both open my mouth, how sloppy song step out
in suit and tie my tongue into a tune.

This does not make you a harmonica. I tell myself again.
It makes you a hoarder. Yes. People are plentiful creatures,
but they only distract. With all they profess, their plenteous
confessions come in waves and sometimes they stay
too long, sometimes they hover in the air
the hot air of a lost lover or was it leaver?
The hot air of a lost leaver now porous
now a perfume performing overhead using the headboard as a stage,
your bed head is heavy with what you keep losing. Aren’t you
listening?

I overheard you complain about who’s in your head
and how it is impossible to get over her, and you cursed
your body for being a river instead of a bridge. You lose
yourself in relationships already lost, convince your tired heart
that loving is alive because you remember it. But don’t you remember
the night time? How you forgot love, and washed whatever you had left
in the dirt water of what you remember. Is this what you meant by
giving yourself to tremble? Boy, you are so in your head, you haven’t
heard any of this, have you? Aren’t you
listening at all?

 

12/30

There is nothing in my stomach and the only thing unusual about this is my surprise at the growling. What meaty emptiness I provide for myself. What myth of fullness I cannot help but cavil against. It’s not that I abstain from consumption, but that I confuse how much force I must use when I am swallowing food and people, so I withdrew my tongue because I still have a hard time choosing. This is nothing new. I am history, repeating itself. Have I said that before?

Whenever I ran out of lunch money, I refused to tell my mother. I feared the things my mouth might say when I tried to tell her I am empty today. Thought hunger could be helped if I kept it to myself, so the boy in me became a king of self-consumption. Craving kept me royal. How majestic must one pretend his breaking is? I eat, sure. I do. But don’t you know I can’t always stop myself?

There is nothing in my stomach, but this stopped being strange. It has become something like familiar, or was it similar? I guess it is both, or either, or neither, or even now as I dive deeper into my belly, I am biting my tongue at all the terrible, even now it is dinner and I am still appalled at all the room left in my mouth. Have I said that before?

6/30

Texting the girl who I once
drowned all the blood in my body
for, I type into my phone
my dear but the damn machine
puts my dead instead
and my stupid thumb hits send
confuses enter
professes epitaph and
now my bones tap
nail in coffin without knowing so
even my mouth begins
breaths impossible to cough gone
so many things
born to exit, is this what
makes love turn
my insides into
water slides?
because it remains
even when the river
tells it not to stay?

Anyway, I misname love
death and kiss the both
of them like family
because they are
because familiar is a fever
this brown boy boils to remember.
Even in the spring when
frustration falls pretty
out of blossom and the wind
wins your heart by
blowing the broken away,
even then,
the harvest will seem unremarkable
when what’s inside of all I do
are the seeds of rotten fruit,
listen.
I don’t need to be reminded
of the ruin. even when I make
it a habit to have it for breakfast,
I don’t always taste the disappearing
merely notice it the way it complements
everything my mouth has to say.

My dear, the way I die every day
is by loving this way and my dear,
death is the next best thing to
snapping
these sappy-ass
heart strings
which was inevitable,
of course, the earnest in me
like the rest of me
is a product of eventually,
like the all of us
who will not last
but love like we do,
and oh that is my favorite part
to love something to death,
you put a breath to both
and lose yourself in the
afterglow.

2/30

Gratitude is the only face
of God
I know.
I know God.
God I know.
I am twenty-two
I am twenty-two and everything is new again.
To be a side-effect of spring
to be brought by spring
is this why the bloom greets me
pretty on my knees?

It is Sunday and it is Spring in Austin
and I am on my knees,
pretty. 
I sit under a tree and share the shade with three men
with three dogs,one each. 
Rocket, Charlie, Sonic.
Their names were
appropriate.
When, they all ran too fast and too far
these men would not scream, or shout, or shatter
but instead, would whistle with wonder and ask, Sweetheart, where are you?
And I think that’s significant.

The most beautiful woman I have ever known
or seen…Okay. Maybe it’s the most beautiful woman
I have seen today. But oh,
isn’t that the same? And oh
now she is smiling and feeding me cupcakes and now I am caving
like my grandfather’s veins that diatribe 
insulin, cause the sugar don’t wanna stay inside.

So, these days I swallow honey. I remember a poster
in my elementary school saying “Beauty is in the eye of the beholder.”
Or was it bee holder? I am twenty-two now and decide it is bee-holder.

It is still Sunday, and me and Rocket
share a spot in the shade because we
get it. Oh we get it. 

When I get up to leave, he looks at me
as if he were to ask, sweetheart, where are you going?
I look back at him and smile, as if I were to say,
I am going weightless.
And suddenly I can’t feel my body
Suddenly I am weightless.
Wait. I spoke too soon (sometimes,
the tongue is a trick I have to trace back
to get.) I feel my body encouraging
itself. I feel my body beginning again
so now I am worryless. The funny thing is,
I wrote that that into my phone and even it
tries to correct the word to worthless.

I feel my body now so now I am worthless?
What an absurd sentence.

I am the 22nd
edition of myself and still feel vintage.
That isn’t an absurd sentence, it’s
just a privilege to say. When
Gratitude is the only face of God 
you know, and it is Sunday and you 
are your mother’s son and your mother
is her mother, you know it’s
just a privilege to pray like you do. Like everything you do
has allowed you to make the spring of yourself 
true, and why don’t you swallow that for a bit.
Trace the tongue back, so you can get it. 

Most people do not know how to eat
and therefore cannot pray like this.
They assume it’s in the chew
and not
the cherish.

1/30

Every day is a poem when you smile at strangers.

I am a poem today, tomorrow too, and suddenly
smiling is to sun is to Texas is to sweat. Lip
sweat means I’ve been speaking or singing
or confusing the two, and that is a poem
too.

Every place is your shower 
as soon as you start to sing
too. 
I hate that when people are asked if they like to sing,
they say only in the shower. When they really mean
only when I control the drowning
only when the bathwater is listening
only when the water is my own wonderful
as if this world did not weep seventy percent
of its life. 
as if our bodies were not stifled with the sea
the moment our mothers saw our fathers sweat
in the Texas heat, which is a smile, which is
proof that the body does not sing when it
is supposed to, but when the water in us
sets and we feel the sweat announce itself
as surrender. 

Every day is a poem when you smile a song
in the shower of South Congress and Riverside.
I am sweating and not sorry because
it has to happen like this. 

Water went through me
Wet me with the wonder
that was my own. Oh it’s happening again.
The songs are smiling, I am sweating
surrender. The day, which is a poem,
is asunder with symphony. Are you
listening?
Tell me,
What stone sunk before me
and what self came up
after?