A POEM A DAY

I'm just happy to be here.

Tag: write about now

7/30: HOW MAKING A ROUX IS LIKE LEARNING TO LOVING YOURSELF

Over the stove,
I stir the pot of what I hope
will become the foundation
of something beautiful

It takes time
for the fire
to travel through
every particle
of flour and oil

I give thanks to my wrist
for the gift of
consistent movement

My mind’s eye
mesmerized by the
merry-go-round
of sounds and colors

The roux changes
by the second
evolving into
who it’s supposed to be—

And what about me?

I’m afraid of my own alchemy.

Who knows how much time
it takes to change
The roux asks me to wait,
says it’s on its way
And somehow
I find the patience I refused to give myself
Yesterday.

When the roux doesn’t burn,
when the color of my imagination
paints itself across the Dutch oven,
I smile to myself, proud with purpose
In love with who I just was,
telling myself,
all this time was worth it—

and that has to be enough.

5/30: ODE TO SELF DOUBT

I hear you
talking shit.
I see you
in the comment section
of my greatness
Taking up all the space in the room
of my possibilities
As a person
As a poet
As a lawyer
As a husband
As a son.
You never want me to become.
Every day
I see your face
imitating my own,
wearing a crown
of What ifs
Doubt, your majesty,
You are the King of What Ifs!
The opposite of optimism
The opposite of me
Yet you only exist because of me.

But you know,
your voice is the loudest
only because I let it be?
You’re a failed plot, fool.
I’m the proof
Regina Spektor
sang it best
I’m the hero of this story /
Don’t need to be saved

Doubt you’d understand.
This story is mine.
I do the saving,
The swooping in,
The super hero landing!
Like any good antagonist,
you are the reason
I never quit
Arch-nemesis,
I will take every opportunity
to prove you wrong in this old song-and-dance.
Shit-talking self-doubt,
I hear you yammerin’
I know what you’re about.
But if this were show and tell?
I’d be the hammer,
and you’d be the nail.

4/30: I NEVER WANT TO SAY GOODBYE

Easter Sunday
in Red Oak, Texas
A family celebrates
its faith

Cascarones
contain a congregation
of confetti

My grandparents
are also my godparents
Adela and I are blessed
in the Sunday shade
of Pine and Oak alters

The sun swims
across the
Blue stained glass
windows
holding life
under the sea

Red dirt and
green grass
surround us
like the past.
The bloom of
a bluebonnet
reminds us all
where we come from.

Without a word
I offer
a thousand smiles
to the sky
in between
slices
of pecan pie—

I never want
to say goodbye.

3/30 – THE CATS MEOW

For the 4 stray black cats Adela and I take care of, Shado, Rogue, Lil Mama, and Chicago

We listen to the sounds of morning
before our coffee
brews the momentum we need to
leap out of bed
The morning storms our senses
Fine-tuning our attention
that always seems divided between
our dreams and newsfeeds

We listen  
Through the windows
over the morning train
over the growl of the neighbor’s leaf blower
over the chirping birds
over the howl of too many alarms
for the cats’ meow—
the simple plea of feed me, human—
has now become the call of duty
I answer.
Ah, nothing like a day that begins
with responsibility
But is love really any different?

Adela opens the backdoor in a sing-song
Her audience sings back
A gentle harmony
A little chorus
composed by
The memory of trust
and
The permission of touch
The cats rush towards the hand that feeds,
Their bright eyes in the soft morning light
Impatient but adorable
And this is how it is
for now.
We listen for the cats to meow
It’s no secret really
Just a fraction of a second
A tiny crevice of a moment
A little pause in this play of life
Where there is a need
and we meet it.

2/30: IF YOU CAN BELIEVE IT, IT’S FRIDAY, AGAIN (A BIRTHDAY POEM)

I feel it now: there’s a power in me
to grasp and give shape to my world

I know that nothing has ever been real
without my beholding it
All my becoming has needed me
My looking ripens things
And they come toward me, to meet and be met.

- Rainer Maria Rilke, The Book of a Monastic Life

I write a poem every year for my birthday
I never know what I’m going to say until I say it
I never know who I’m going to be until I see him
I read between the lines like meaning has a mirror
but it changes every year. 
The art of explaining myself to myself 
is never what it seems to be.
I’m not losing or changing my definitions 
There’s just more meaning to give
the longer I live. 

I know nothing has ever been real without my beholding it


Someone
behold this poem 
until it is real and becoming
like the first days of Spring.

I feel it now, 

the power that slept like a seed
between the wild roots of my being.
It takes time to become who you said you’d be.
There’s a birthday candle on the table
A small fire, my breath, and wishing for what’s next,
My big brother Brent writes in my annual birthday text
	
	You’re as vital as a plant providing oxygen 
	during photosynthesis

One day they will study the biology of a brother’s love.
Oh brother. Oh words—
the gifts that give shape to my world.

I’m reading all the words
coming towards me, to meet and be met
like the words of a song. 

Every year, I’m awestruck
at my unprecedented luck 
in knowing I am loved.
The language of this love puts the poems in my blood.
Oh, the words in my blood are brave and here to stay.

On the day I came into this earth,
I ask the universe with all my earthly yearning
Give me more love than my body can stand.
When the lovebirds sing, tell them I’m listening and singing too.
I’m singing a prayer like a birthday wish, 
the only one I know 
the only I say every year:
Gratitude is the only face of god I know.
If there’s still time, I’ll show you.

1/30: Spirit of My Silence

I wrote more e-mails than poems in the last year.
Now, before the first day of April,
My wife runs her fingers through my hair
Like a rosary
and the spirit of my silence
leaves my body like a phantom
Outside my window,
A single wind chime makes the kind of music
With its body
that I’ve been searching for my whole life

Listen here.

Every sound on Sidney street is a revival
of more reasons to live
Light pools somewhere and everywhere
Stairways to forgiveness
I forget the fate of human kind for one second
A Houston sun cracks every tree
free from darkness
Laughter falls like pollen
The sidewalk
asks me to read another poem
by Ross Gay
and before the end of the day,
I am alight and awestruck
at my luck
at my love
blasting from the speakers
the sound system of spring
a karaoke of divine timing
I mean so many things when I say
I am looking for joy
today and always
The latest and last map of my heart starts with
my 4 year old niece coming to visit me,
Jessi demands we sit outside and take in
the beautiful view
Outside my front door
Where the black cats I’ve come to love run
Faster than the neighborhood
Children can rake the leaves
of their youth
Come on, let’s go.
And so we do
And so it goes
A blue-jay swoops and the train whizzes
Into action
Tejano music grooves
fuses with the smoke
from oak or mesquite
I want to speak the commotion
into a sentence or a lyric
And tell you this is all I know.
The locomotion is a promise made
for giving my attention
to something else besides my e-mail.
This poem is an engine
loud enough
to drown the things I lost
and remind me what I found
I invite the wind of a moment
Into my home
The horizon is a stone’s throw away
from who I was yesterday
By now, I know what I’m here on earth for:

The consequence of living is clear
Time rewinds every time a poem appears.

5/30: ON SLOWING DOWN

i.

On test days, mom’s hands
woke up early enough
to build a meal

for me, three chorizo & egg tacos
tucked in foil,
please.
the foil kept the heat
alive long enough inside
our backpacks to eat on the bus.
Mom cooks in her robe,
spoon in hand,
pan on stove,
scrambled yolk.

The spoon yearns for movement,
but speed kills the scramble so mom
goes slow, her wrist
works like visible wind
moving so slow, the moment
is almost a secret. But
I see it.

ii.

it’s been said, I sprint through sentences
with a vicious lack of precision
like my speech is a track meet
except the audience
is the one out of breath
and somehow, I have no feet

it’s been said my voice is a vacuum
where syllables go missing,
where meaning is missed
mostly due to my quicksand
quips, the quivering lips I get
when the words I find are too
heavy to lift

it’s been said, I talk too fast
like my voice is reckless behind the wheel
like my thought-to-talk process
is a banana peel slip!
Witness every listener
hurt their hip against
the cautionary wind behind
each sentence I tea-cup spin.
I remember,
a woman who judged
my poem when I was 18
told me
that if I slowed down,
articulated my words
with the worth
they deserve, then
I’d be heard.
It hurt my
feelings
so I did not listen.

iii.

when I choose to read the poem in Spanish
my voice does not know how to move.
I freeze in the aisles between the letters
Just as I did as a kid, when my cousins
spoke Spanish as fast as light vanished
All I could hear was the dark shadow
Of sound I could not summon.

when I choose to read the poem in Spanish
I sit on the floor of my room with the windows open.
I call for my voice,
the slow breath rises,
not so much pronouncing
the word, but searching
for the light switch
the one my mom turns on
when she’s cooking
eggs in the morning.

2/30: LESSONS FROM THE SAGA OF LIGHT

God bless my bluebonnet heart opening Sunday morning
Like the last laugh of wildflowers in my grandmother’s garden—
God bless the by-lines of beauty multiplying in the dark, growing
overnight, springing from everlasting ash like a blunt wrapped
in phoenix feathers. I found I do not fear what I cannot learn
and I cannot learn what I do not witness. The lesson is this:
We’re still learning to love the lessons, no matter the teacher.
I once wrote, if you lose hope, try forgiveness. But I did not
Trust the teacher, so I chose neither. In the interest of justice,
I ask that the universe reverse the grid-lock of my grief.
Though, I know this is not possible. My brother taught
me how to box-out. This was the first time I learned
to put a perimeter around the pain. As a creature who craves
the hunt of the heart, I ask for hands to hold the slippery
silver fish of suffering. Remember the rebound. In the interests of joy,
I ask the voice of vulnerability to self-govern. In every poem,
a crossing collapses and another bridge begins. Please,
despite the dark doom of destruction, accept this invitation.
Wander into the wilderness. Witness what work it is to stay.
Though, I know this is not possible. In the interest of Self-
Preservation, I ask the secretkeeper to switch to bees.
Why does what I keep never feel like honey?
The lesson is this: I cannot define what is unfinished.
“If I lead you through the fury, will you call to me?”
I sing fleet foxes in red boxers when no one is watching.
Last spring, I spent all my love making time, just like
The Eagles taught me. But what happens when I run out?
Imagine the eye of the storm. Now imagine your eyes.
Whose eyes are lying? If I want the answer to my question,
I’d give it. The lesson is this: the wood in me is not for building.
I used to borrow the best parts of my boyhood to understand
the misunderstandings, wishing, I did not know what I know now.
I used to ask for forgiveness instead of permission. Though, I know,
This was not possible. After offering my body into the wrong church’s
collection plates, my lover tells me, I am no longer a safe-space.
The teacher taught me: whatever I gave, I took away. Like a carousel
of untold truths, I spun my tongue away from the end. In the interests
of time, I ask that the clock restart. I ask for one hand to join my hand
and hold whatever part of my heart is most bruised. Though, I know,
this was not possible. The lesson is this: even pain has limits.
For years, all I wanted as a boy was to be loved. The world gave
me many things, but I still wanted more. First, desire, then lust,
Then greed. At twenty-five, I ask each dark seed to leave. Though,
this is not possible. The earth is strong and I am not ready yet.
For a while, I forget most terrible things I’ve done or did.
Then I remember the wild foe of my woe, guilty as green grass.
I try to mow the misery growing into a sanctuary city.
Do not pity the fool forever failing to find the spark in the dark.
Though, I know this is not possible, I still bless my bluebonnet
heart opening up, like a faucet I fixed in the dark. God bless
The lessons I am still alive to live through. At twenty-five,
I have lived through one-hundred seasons. Through every season,
I have left what I cannot forgive in the fury of the past. Is anyone
Left to call to me? Though, I may not always answer.

1/30: IT IS WHAT IT IS

This line is late. Weeks overdue. None of my thoughts are new. It is what it is.
The laws of loneliness are fixed stars in my constitutional constellation.
I am most free in a dream where I outdo death. Sleeping, the dreamy version of me drags his feet across the tops of the peculiar pine trees pissing off the power lines. When I say I am most free, I hope you hear how little I hold. I was told to put a pot on the past, Wait, then laugh at the steam. Levitate, levitate, levitate. This earthbound body comes dressed in stubborn smoke. In this song of hope, every lyric is moonbound. Name a scar the sky cannot solve. Spring has sprung on schedule but no one is here to smell the jasmine breeze with me. The moral of this moment missed its deadline.
Whether or not my faith blossoms, the season to show up has arrived. April can be the cruelest of dance floors, but today I abandon the rules of gravity-disguised-grief. For the sake of my ankles, do not ask me about anchors. Give me balloon bravery. Can I be a kite the sky keeps? I wish I had more to give than just my body. To date, Ask any woman I loved if I’m down to earth. They’ll tell you how I write poems for, to, or about the sky, but never for, to, or about them. I wish I had more than hurt to hem for them, but to tailor the terror of my affection is a lesson I left behind in the grinds of midnight. Reading Robert Bly aloud, I say, is there enough left of me to be honest now?
I’m afraid the answer lies, inside my body, scraping the paint off my walls.
Nobody but me can fix the hollow frames of the rooms I groom my shame in.
Hesitate. Hesitate. Hesitate. I place the sky back inside myself. Like a Magritte brush stroke, I am most free when I break all the rules of my body. In a dream, I raise my arms like wings though I do not move them. What happens if I never wake? The word I’m looking for is transcend. Yes, watch me transcend into some moonbound mystic meant to illuminate the intricate energy of the universe with every poem I visit. If love asked me to say her name, I’d say I am not ready. No, I haven’t failed at love. I haven’t succeeded either. If love asked me to let go, I’d hesitate. Inside my head, Ghosts of lovers leave their names in my throat like an anchor I didn’t ask for.
It is what it is.

28/30: AND ONE FINE MORNING—

In front of me is a poster of Gatsby’s silhouette,
reaching for love’s green light lost across the bay,
and this image is made with every word
from his most famous novel,
and I can feel the
length of my own famous longing curl with my spine
each morning I rise, tomorrow is already
showing in the way my ribs do after I
turn to the other side of myself, after I
breathe deeply, the way April does with the rain.
It’s funny how every motion forward takes me
both further and closer to what I am.
Listen,
love’s green light across my own stormy bay,
the moment you see my outstretched arms,
know,
it will not last.