A POEM A DAY

I'm just happy to be here.

Tag: writing

5/30: ODE TO SELF DOUBT

I hear you
talking shit.
I see you
in the comment section
of my greatness
Taking up all the space in the room
of my possibilities
As a person
As a poet
As a lawyer
As a husband
As a son.
You never want me to become.
Every day
I see your face
imitating my own,
wearing a crown
of What ifs
Doubt, your majesty,
You are the King of What Ifs!
The opposite of optimism
The opposite of me
Yet you only exist because of me.

But you know,
your voice is the loudest
only because I let it be?
You’re a failed plot, fool.
I’m the proof
Regina Spektor
sang it best
I’m the hero of this story /
Don’t need to be saved

Doubt you’d understand.
This story is mine.
I do the saving,
The swooping in,
The super hero landing!
Like any good antagonist,
you are the reason
I never quit
Arch-nemesis,
I will take every opportunity
to prove you wrong in this old song-and-dance.
Shit-talking self-doubt,
I hear you yammerin’
I know what you’re about.
But if this were show and tell?
I’d be the hammer,
and you’d be the nail.

1/30: Spirit of My Silence

I wrote more e-mails than poems in the last year.
Now, before the first day of April,
My wife runs her fingers through my hair
Like a rosary
and the spirit of my silence
leaves my body like a phantom
Outside my window,
A single wind chime makes the kind of music
With its body
that I’ve been searching for my whole life

Listen here.

Every sound on Sidney street is a revival
of more reasons to live
Light pools somewhere and everywhere
Stairways to forgiveness
I forget the fate of human kind for one second
A Houston sun cracks every tree
free from darkness
Laughter falls like pollen
The sidewalk
asks me to read another poem
by Ross Gay
and before the end of the day,
I am alight and awestruck
at my luck
at my love
blasting from the speakers
the sound system of spring
a karaoke of divine timing
I mean so many things when I say
I am looking for joy
today and always
The latest and last map of my heart starts with
my 4 year old niece coming to visit me,
Jessi demands we sit outside and take in
the beautiful view
Outside my front door
Where the black cats I’ve come to love run
Faster than the neighborhood
Children can rake the leaves
of their youth
Come on, let’s go.
And so we do
And so it goes
A blue-jay swoops and the train whizzes
Into action
Tejano music grooves
fuses with the smoke
from oak or mesquite
I want to speak the commotion
into a sentence or a lyric
And tell you this is all I know.
The locomotion is a promise made
for giving my attention
to something else besides my e-mail.
This poem is an engine
loud enough
to drown the things I lost
and remind me what I found
I invite the wind of a moment
Into my home
The horizon is a stone’s throw away
from who I was yesterday
By now, I know what I’m here on earth for:

The consequence of living is clear
Time rewinds every time a poem appears.

30/30: I EXIST NOT TO BE BROKEN

I make a promise to myself, and like a law, I exist not to be broken.
Though I know breaking. Whatever the reason you have for going
where you are going, I think it’s best you leave an hour before sunset.
Time the drive home with the sun’s low descent towards the horizon.
Keep going into the sky. Take the long way home like an oath to remember
how far you have come. I’m running out of time. I’m trying to show myself
the meaning behind all my tiny moments. I’m in love with the miracle of detail.
With the way I tell a story. With the way a story begins with a voice and a purpose. Keep going if you can. I’m here at the end, and I’m miles and miles past worthless.

29/30: A POEM FOR JESSI

Jessi,
bird of my heart,
monkey in my bed,
giraffe of my dreams,
you sing to me in your
baby-talk, in your
gimme-dat clap, in your
nap-time nuh-uh cry,
oh my Jessi, you are everything
you are supposed to be. Right now,
you are shouting for the sky as the
swing-set in the park down the street
from my house brings you closer to the
moon, the stars, the sun, each one: all shining
for you. This is what the light does: it tells us
to reach, to look up, to swing into our shadows
so that darkness will not ask for this dance.
Even now, the Oak trees see you becoming one
with yourself, and I am helplessly in awe at the
call of your voice, the raw power of your smile,
and how I wish you could stay a little while longer.
In this swing, your joy sings me a song. I watch you
rejoice in the shade, alive and singing, here with me.

28/30: HOPE IS THE FIRST NAIL IN THE WALL

For Habitat for Humanity in Houston, Texas, who is partnering with the Houston Bar Association to build 22 homes that were destroyed from Hurricane Harvey. 

Under the sun, there is work to be done
and more work to do after that.
I know no word better than love
to describe the labor inside of the hands
that build and create. Just this morning,
I carried a hammer and held the bones
of a house cry out in joy, in love, in pain,
for what is left
to finish before
it becomes.

I can never join the legacy of my ancestors
who spent their days in the Texas sun
Sweat running down their face, hands
worn and blistered, skin turning to sand
as the minutes grow into a mountain
of moments. Not everyone knows how
to build a life.

I come from the
hands of nails and hammer,
I come from the
hands of hard work and hot cement,
I come from
the hands of if not me, then who?
I come from the
hands that need to fix the broken
In this life we build, hope is the first
nail in the wall.
 

26/30: ARS POETICA OR IF YOU ARE HUNGRY, HERE IS A POEM

Surrounded by cedar, magnolia, and oak trees
I’m standing inside a library
explaining myself to strangers, again
asking folks to walk into my poems
and sit down in the middle of
any sentence they like,
asking folks to dig in to my
heart of disaster with knife and fork,
and see how I still taste like joy.

How did I get here? Mostly?
By listening
By asking questions
By showing up
By staying
By writing
By trying
By writing
By trying

A poem isn’t a prop, a ploy, or a toy
It is a bridge
It is a seed
A poem begins and once it’s over,
it still never ends

Words, precious words, please
remember me as I am:
Lying among the tall-grass
of language
as the fire flies
ignite the next word
I am going to write
Every night
I am blinded by so much flickering light
I chase a poem across a page and
suddenly I hear my voice on stage,
or in my kitchen, or in my car,
or in the living room, or this library
where all I do is carry
the story of my life,
and ask if you’d like
a bite.

25/30: K.I.A. OR THE FORGOTTEN WAR

For Pedro Caballero, my great-uncle, who served in the Army as a Corporal in the 23rd Infantry Regiment, 2nd Infantry Division, and was killed in action on March 9, 1951 in the Korean War.

I want to talk about the flag, but first,
I want to talk about the wall,
about walls,
about the way a wall
is a curious structure that defines an area
by telling me what is not allowed in.
There is a wall no longer standing
A wall that once stood in Lockhart, Texas
This is the wall of my Childhood
The wall in my grandparent’s living room
that carried the portraits of Mexican Men
in their military service uniforms and
when I speak about this wall, I mean,
these men defined the pride in my family

In Washington D.C., the Korean War Veteran Memorial is a wall
less than 2 miles away from the White House,
the same White House that wants to build a wall between the borders of my blood
History lesson: On March 9, 1951,
My great uncle Pedro Caballero was KIA
Killed-in-Action
in the war with two names:
The Korean War
and
The Forgotten War
And from what I know,
his remains were recovered
which means his body
was not forgotten
even if the war was

They say dying for your country
is the most American thing you can do
so I ask you,
If a citizen is part of their country,
does that include the blood in the soil?
If a citizen is a part of their country,
and a flag is a symbol of our country,
then every citizen is a symbol.

History lesson: On February 1946,
my great grandfather applied for, and was granted
the suspension of his deportation at the Immigration office in
Brownsville, Texas
which means: he did not break the law,
which means, my great grandfather gained a flag, but not his citizenship
which means, he gained a country, then lost his son to that same country’s war, a war nobody remembers.

Did you know the colors of the American flag have a special meaning?
Red is for courage. White is for Truth. Blue is for justice.

I want to talk about the flag
as a symbol
as an object
as a pallbearer
that carries
the coffin
that carried my Uncle Pedro’s killed in action body
back into a country that does not love him.

I want to talk about the flag, and how,
in the 5th grade, I was in the Color Guard,
which means, I guarded the courage, I guarded truth, I guarded justice
Every Friday, I carried the flag like an ode to democracy
I held my head, raised my voice like a flag,
left, left, left right left,
Picture it! A Mexican boy presents the flag
before he pledges himself to America
until he would become the perfect citizen,
or at least,
a part of this country

I am a citizen of this country
but a glimpse at recent American history
will tell you,
citizenship is divisive, but I don’t want to be divided.
This poem is where I cross back into myself,
where I praise the history of my people, my family,
If I stopped writing poems about Mexican people
I’d probably vanish, like a war we forget we lost
like the blood in Pedro’s body,
Red as the republic
For which it stands
One Nation’s wall
between justice
and liberty
for all.

24/30: WHO OPENED THE DOOR?

When we speak of medicine, what we mean is
we are waiting for a miracle to open the door

But before: let us address the Despair carried everywhere we go
Who told your hurt to come home and open the door?

On the radio, I hear if you don’t transform your pain, you will transmit it,
And what better way to explain pain than something that opens the door?

The best thing any of us can do is anticipate the eyes of our lover
when we hand over our dark, deserving hearts, and ask them to open the door.

Lead me into a room full of mirrors and I know I’ll find a way to hide
myself from the side of myself because I refuse to open the door.

I know the opposite of shame, the opposite of fear, the opposite of violence
all depends on the listener. Isn’t meaning the key we use to open the door?

When I lost my innocence, I ran out one room and into another.
My god, the child in me wants to know: who opened the door?

23/30: the laundry is still not done

It is almost midnight and the laundry is still not done. After another day of law, of living, of language, I am speechless in the twilight of my room. Shuffling across the hardwood in bare feet and flat feet, I grab my phone and choose Miles Davis’ Kind of Blue to fill my room. I sit on my bed and breathe in the Jasmine on yesterday’s wind. I open up a memory like a file folder. Pick up my dirty clothes and put them in a basket. Around my room, I feel the gentle reminder of belonging. Everything has a space or place to call home. Even my dirty socks. Even my dirty thoughts. What I lose in a day is not lost. I am practicing the art of returning. Understanding is a process. Understanding myself is a process. And what is a process but the steps we take forward? The steps we take out of the dark and into the light. I want to walk out of the mirror and hold he who does not like what he sees. In the jazz-filled cathedral that is my room I surrender to you, I surrender all my remarkable pain, I surrender grudges and grief, I surrender the habits that wreak havoc to everyone I love. Self-included. I surrender the guilt that runs like silk through my veins. I surrender this spoiled spool that loves to make a fool of me. Y’all hear that? Bill Evans on the piano. Each key is a soft prayer playing over the speaker. It is almost midnight and the laundry is still not done. I run my fingers through my hair and hang my head in the half-light. I want to get this right. Separating my laundry is a task directly linked to the past, or, the passage of time, or traveling back to the time you wore something else other than skin. All around me lies the evidence of my existence, where I’ve been and what I chose to be seen in. Of course, both me and the laundry are unfinished for a reason. It is almost midnight when I begin to write this poem in my mind. I take my time. I take every line and string it up across the paper sky. I pin word after word against the sun-shined lines. I’m trying to finish what I started, even if the laundry is still not done.

21/30: POETRY AT ROUND TOP

Bless this communion of poets who are here, alive, and listening.
As I speak, lightning writes a poem in the sky and thunder applauses.
If I am at a loss for words, it is because I found new ones, here.
A chorus of voices in the air form every step up the staircase of meaning,
and I walk into a sentence
hoping to become the darling line that defies possibility.
I am remembering the grief that guides us and the joy that binds us.
Not every poem we leave behind is a sacrifice. Some poems
are gifts meant to find a place outside the page to call home.
This I know. I am listening to the rain fall off the roof
and back to the ground, back to the roots, back to the seeds,
back to where it needs to go. But first, it must fall. Oh,
Let my poems follow the same path as the rain. Oh,
Let my poems find a home everywhere they go. Oh,
Let my poems be mine, and let my poems be yours.