A POEM A DAY

I'm just happy to be here.

Month: April, 2017

9/30: the last refuge

patriotism is the last refuge for the scoundrel and if angels were to govern men, government wouldn’t be necessary because no men are above the law but the law is in limbo or the law is a game of limbo, or the law is limbo, i dunno, I mean i can’t tell you why i bought a paperback copy of the Federalists or why our founding documents are nothing more than a series of serious lists but after watching this season of Homeland, I feel like I’m surrounded by scoundrels, sour sailors swimming in this sovereign sea; the deep structure of any good government is disguised as a promise we call balance but break because sorrow is the only reason we believe in going any further.

8/30: SHOWTIME

word of mouth is law unless you lose your jaw // ignore the instinct to speak like a dance // every rule has an exception // every exception has a rule // but does it apply? // please don’t watch my crooked feet // all my life I never learned to lead // on principle I ask to take a hand I know it isn’t there // people disappear like smoke but stay like cologne // in the shadow of the sun I spectate the spectacular // revisiting vulnerability as vernacular // who wants to sit and talk about their crooked constitution? // our teeth leave footprints in the words we speak// a monster of joy stomps through the puddles of my past // the terror of my joy is new // it is scary without scope // without borders // this wild conflict convulses within me like a chore I forgot to tend // this is a labor long after love // looks itself in the mirror after the longest night // most of the time my smile is a smirk // but when thinking about work // I am weak in the knees lucky // lovestruck in the legs // I lie in a lazy joy // just as the music fades // and this is where a lost jaw joins the mouth // where my red smile drops // a heavy curtain calling // to be picked up // because someone put my name on the marquee // I sing I want to see the movies of my dreams // unless the show is over //

7/30: PEOPLE MAKE THE WORLD GO ROUND

“Now the oft parade
has soon began.
Cool pools
from a tired land
sink now
in the peace of evening”

-Jim Morrison, Venice Beach Poet’s Monument

I learn more about myself on the days I do not speak than the days I do. Catching the unspoken flow of life is a boat I often miss. Though, this goes against the first principle of paying attention: nothing truly ends. Even the cycle of waves running to the shore still crash against the sand like an angel in the snow during sunset. What I want to last has not even begun. People Make The World Go Round by the Stylistics is a song I never sang before but the point is I’m listening to the car stereo as my uber driver performs the song of his youth, breath by breath, like he wrote he lyrics himself, like the words were born in his mouth. All I do is smile. My tongue is a crowded beachside boardwalk breeze rising like a blue phoenix. I tell my tongue, go underground, young man. But the pink beast barely leaves his station. If it feels good lost, then I still do not want to find myself. How can I return to who I am when the world is an open invitation? I cast a wide net when I should cast a line with a tiny hook: look, without being sad, I want to walk away from my shadow. I yield my yearning like a tired land I never want to escape into. People always want explanations and never want to listen pass the question. But that’s what makes the world go round. And surely, this is true. Grandkids are eating blue coconut snow cones with their grandparents and when their mouths open up, what I see is a stained sky. A man on the pier shares his spare bread. A homeless man hugs a dog he hasn’t seen in days. One moment after the next. Lifetimes linger on the tips of my fingers—is it any wonder I’m hesitant to pick up the pen?

6/30: TEN TWEETS FROM 2016

Lastly, I ask the universe for this: Let forgiveness return without wondering where I’ve been.

If you want to understand me, do me a favor: recognize and accept the inherent misunderstanding perpetuating my sense of self. Start here:

I want to give more of myself than ever before. But who holds their hands open long enough to touch the sum of you?

Get me out of my head please.

I cannot escape away the depth of feeling I feel at every moment of every day, cannot explain away thoughts that separate me from my body

I guess, I just wish, for once, for once, I could be blameless when naming my own hurt

every day, i’m navigating complex ass systems of emotion, tied to a traumatic past, linked by a persistent need to be present, and i am lost

i am lost even after knowing the exit strategy, and the exit strategy is always the same: to forget, to pretend, to give in by staying still

And it’s not easy to be who I am

For all the love I choose to carry, it is painfully funny about what chooses to carry me, and how the two are often at odds with each other.

5/30: ON SLOWING DOWN

i.

On test days, mom’s hands
woke up early enough
to build a meal

for me, three chorizo & egg tacos
tucked in foil,
please.
the foil kept the heat
alive long enough inside
our backpacks to eat on the bus.
Mom cooks in her robe,
spoon in hand,
pan on stove,
scrambled yolk.

The spoon yearns for movement,
but speed kills the scramble so mom
goes slow, her wrist
works like visible wind
moving so slow, the moment
is almost a secret. But
I see it.

ii.

it’s been said, I sprint through sentences
with a vicious lack of precision
like my speech is a track meet
except the audience
is the one out of breath
and somehow, I have no feet

it’s been said my voice is a vacuum
where syllables go missing,
where meaning is missed
mostly due to my quicksand
quips, the quivering lips I get
when the words I find are too
heavy to lift

it’s been said, I talk too fast
like my voice is reckless behind the wheel
like my thought-to-talk process
is a banana peel slip!
Witness every listener
hurt their hip against
the cautionary wind behind
each sentence I tea-cup spin.
I remember,
a woman who judged
my poem when I was 18
told me
that if I slowed down,
articulated my words
with the worth
they deserve, then
I’d be heard.
It hurt my
feelings
so I did not listen.

iii.

when I choose to read the poem in Spanish
my voice does not know how to move.
I freeze in the aisles between the letters
Just as I did as a kid, when my cousins
spoke Spanish as fast as light vanished
All I could hear was the dark shadow
Of sound I could not summon.

when I choose to read the poem in Spanish
I sit on the floor of my room with the windows open.
I call for my voice,
the slow breath rises,
not so much pronouncing
the word, but searching
for the light switch
the one my mom turns on
when she’s cooking
eggs in the morning.

4/30: THE ANSWER

Will my niece ever love a man like me?

If I think about
the answer
If I hope
the answer
is no—then I want her to know why.

Jessi, mija, I am your uncle but before I am a man
I am a boy I am a mistake I am untrue I am a lie
I am a forgery I am a horror story I am a sorry
sorry man, a forged boy, a museum of memories
spoiling in the corner like stories stuck in time-out

I am a mistake
I keep making.

In the sixth grade, puberty arrived. So did desire.
So, so, so
many fires forged this foolish faith,
and mija, I cannot apologize
for the stubborn smoke of my secrets. But I will
explain myself
to you.

I did not
want to be a Mexican boy with the Spanish name
but Mexican girls,
like you, wanted me the way I was.
Knowing this, I hid
this new affection for soft cajeta eyes.
I lied about my longing. I did not give
it a name. I grew secrets in silence.
Intimacy did not speak unless spoken to.
Eleven years old, under the wooden desks
of my world geography class,
I sit next to a girl with eyes like yours
She speaks Spanish to me like a secret
She knows I cannot keep
When no one is looking,
my right hand storms
the unfamiliar shores of her new world skin,
and this new land does not feel new,
Because our blood flows from the same running river of remembering
Because our grandmothers speak Spanish in their kitchens when cooking
Because our mothers threw chanclas in the backseat to beat us
Because our skin jumped at the sun like the gritos of our tios
Because my name told them I was a lit saint candle in their hallway—

Weeks later, when confronted by my peers
All I can do is lie
about the first time
a Mexican girl
held me wordlessly
in the dark, pretending
our
hands never melted
like honey
across hot sopapillas.

As a rule, I learned,
to be a cruel boy,
you must deny what you feel.
I trapped the truth in me like a dead tree.
Years later, when other men ask me
if I would ever date a Latina,
I’d say, I don’t date Mexican women.
I’d say, have you met my mother?
I’d say, I only stay for the food.
I’d say, does it look like I want to wake up with a knife in my back?
I thought, is this not what Mexican men do?
Disguising vulnerability
is a disgusting disease
I am trying to transfuse
out of my blood by talking
to you,

Jessi—
don’t let
any man hide his hands
when he holds you.

Do not love a man
who believes
he is blameless
for failing to name
the monsters he created.

Do not love a man
who preserves the past
into a personal legend
but acts like the lessons
are lost on him.

Mija, I did not mean
to be so mean.
Please,
do not love
a man like me.

3/30: SHOUT OUT

shout out to the businessmen buying broken gold
shout out to the folks who kept gold after it broke
shout out to the men who hug me in public
shout out to my pops who texts me recipes
shout out to the cast iron feeding the cast of my life
shout out of your driver side window at the top of your lungs
shout out to the crescent moons marooned under my eyes
shout out to voicemails
shout out to wanting to talk to someone so much,
you call to hear their voice, only to leave your voice behind
shout out to green lights and Monday morning traffic
shout out to black tea, honey steam, and hand heat
shout out to the voice in my head and the voice in my throat
shout out to buttermilk pie breath
shout out to my lonely homies
shout out to the play station four encouraging my solitude
shout out to the service industry
shout out to the industrious servers who laugh at my jokes
shout out to my niece, Jessi Diane Caballero, J3, JD, valentine’s day baby
shout out to the bridges I did not brave
shout out to the turtles picking up shifts for Atlas
shout out to the bargain shopping hustle I inherited
shout out to the out of reach future
shout out to Sufjan Stevens curing my sorrow
shout out to the lady bugs who trust the touch of my hands
shout out to stick in the mud that is my tongue
shout out to the generous ticket stubs of love
shout out to the depressed, us champions of effortless sadness
shout out to the sunsets stunting like Shakespearean sonnets
shout out to man behind the manuscript
shout out to the mighty pens of my friends
shout out to my left palm dividing the wind like a pretend god
shout out to my students who fish their voices from the river
shout out to the promises I will die to deliver
shout out to the verdicts I reach about myself in silence
shout out to the endless shouting of shame
shout out to the dark passenger shouting to get out
shout out to the dark side of the wiry moon
shout out to the dark bark of peppered brisket
shout out to unrequited love’s lesson on risk
shout out to my happy flintstone feet, flat as a flag
shout out to the poems put on plates
shout out to complete feasts
shout out to inescapable refuge of regret
shout out to the mouth, the pink soundboard of speech
shouting out loud what I refuse to whisper.

2/30: LESSONS FROM THE SAGA OF LIGHT

God bless my bluebonnet heart opening Sunday morning
Like the last laugh of wildflowers in my grandmother’s garden—
God bless the by-lines of beauty multiplying in the dark, growing
overnight, springing from everlasting ash like a blunt wrapped
in phoenix feathers. I found I do not fear what I cannot learn
and I cannot learn what I do not witness. The lesson is this:
We’re still learning to love the lessons, no matter the teacher.
I once wrote, if you lose hope, try forgiveness. But I did not
Trust the teacher, so I chose neither. In the interest of justice,
I ask that the universe reverse the grid-lock of my grief.
Though, I know this is not possible. My brother taught
me how to box-out. This was the first time I learned
to put a perimeter around the pain. As a creature who craves
the hunt of the heart, I ask for hands to hold the slippery
silver fish of suffering. Remember the rebound. In the interests of joy,
I ask the voice of vulnerability to self-govern. In every poem,
a crossing collapses and another bridge begins. Please,
despite the dark doom of destruction, accept this invitation.
Wander into the wilderness. Witness what work it is to stay.
Though, I know this is not possible. In the interest of Self-
Preservation, I ask the secretkeeper to switch to bees.
Why does what I keep never feel like honey?
The lesson is this: I cannot define what is unfinished.
“If I lead you through the fury, will you call to me?”
I sing fleet foxes in red boxers when no one is watching.
Last spring, I spent all my love making time, just like
The Eagles taught me. But what happens when I run out?
Imagine the eye of the storm. Now imagine your eyes.
Whose eyes are lying? If I want the answer to my question,
I’d give it. The lesson is this: the wood in me is not for building.
I used to borrow the best parts of my boyhood to understand
the misunderstandings, wishing, I did not know what I know now.
I used to ask for forgiveness instead of permission. Though, I know,
This was not possible. After offering my body into the wrong church’s
collection plates, my lover tells me, I am no longer a safe-space.
The teacher taught me: whatever I gave, I took away. Like a carousel
of untold truths, I spun my tongue away from the end. In the interests
of time, I ask that the clock restart. I ask for one hand to join my hand
and hold whatever part of my heart is most bruised. Though, I know,
this was not possible. The lesson is this: even pain has limits.
For years, all I wanted as a boy was to be loved. The world gave
me many things, but I still wanted more. First, desire, then lust,
Then greed. At twenty-five, I ask each dark seed to leave. Though,
this is not possible. The earth is strong and I am not ready yet.
For a while, I forget most terrible things I’ve done or did.
Then I remember the wild foe of my woe, guilty as green grass.
I try to mow the misery growing into a sanctuary city.
Do not pity the fool forever failing to find the spark in the dark.
Though, I know this is not possible, I still bless my bluebonnet
heart opening up, like a faucet I fixed in the dark. God bless
The lessons I am still alive to live through. At twenty-five,
I have lived through one-hundred seasons. Through every season,
I have left what I cannot forgive in the fury of the past. Is anyone
Left to call to me? Though, I may not always answer.

1/30: IT IS WHAT IT IS

This line is late. Weeks overdue. None of my thoughts are new. It is what it is.
The laws of loneliness are fixed stars in my constitutional constellation.
I am most free in a dream where I outdo death. Sleeping, the dreamy version of me drags his feet across the tops of the peculiar pine trees pissing off the power lines. When I say I am most free, I hope you hear how little I hold. I was told to put a pot on the past, Wait, then laugh at the steam. Levitate, levitate, levitate. This earthbound body comes dressed in stubborn smoke. In this song of hope, every lyric is moonbound. Name a scar the sky cannot solve. Spring has sprung on schedule but no one is here to smell the jasmine breeze with me. The moral of this moment missed its deadline.
Whether or not my faith blossoms, the season to show up has arrived. April can be the cruelest of dance floors, but today I abandon the rules of gravity-disguised-grief. For the sake of my ankles, do not ask me about anchors. Give me balloon bravery. Can I be a kite the sky keeps? I wish I had more to give than just my body. To date, Ask any woman I loved if I’m down to earth. They’ll tell you how I write poems for, to, or about the sky, but never for, to, or about them. I wish I had more than hurt to hem for them, but to tailor the terror of my affection is a lesson I left behind in the grinds of midnight. Reading Robert Bly aloud, I say, is there enough left of me to be honest now?
I’m afraid the answer lies, inside my body, scraping the paint off my walls.
Nobody but me can fix the hollow frames of the rooms I groom my shame in.
Hesitate. Hesitate. Hesitate. I place the sky back inside myself. Like a Magritte brush stroke, I am most free when I break all the rules of my body. In a dream, I raise my arms like wings though I do not move them. What happens if I never wake? The word I’m looking for is transcend. Yes, watch me transcend into some moonbound mystic meant to illuminate the intricate energy of the universe with every poem I visit. If love asked me to say her name, I’d say I am not ready. No, I haven’t failed at love. I haven’t succeeded either. If love asked me to let go, I’d hesitate. Inside my head, Ghosts of lovers leave their names in my throat like an anchor I didn’t ask for.
It is what it is.