A POEM A DAY

I'm just happy to be here.

13/30: SO ME AND JEREMY ARE STUCK IN TRAFFIC AWESTRUCK AT THE WILDFLOWERS WE COULD NOT NAME, OR PINK EVENING PRIMROSE

It’s spring in Texas and I want to name the flowers I see
whenever I’m stuck in traffic on I-10 on the way to Austin.
Me and Jeremy are two men stuck in traffic on the way to Austin,
two men awestruck at the pink evening primrose, though neither
of us can tell the other the name until we look it up on our phones.
Pink evenings are burning in every room of my mind. Everything
I remember is set against a pink evening. Even when dreaming,
I adjust the rearview mirror of my memories, altering endings until
the dark thoughts turn to alternative facts. Never look back.
I change the wild past with each flower we pass, laughing
at the new name,
we both now know.

Nobody has ever asked me why,
I believe in myself with such certainty—
And who wants the truth?

12/30: WITH THE UNIVERSE AS MY WITNESS

After Anis Mojgani

I am invincible
Look at my eyes on no sleep.
My eyes on no sleep still look
you in the eyes 
My eyes on no sleep are so perfect
I’m actually never going to sleep again.
I am invincible. 

Today while walking through the hall,
me and my no sleep eyes
are seen by a pair of kind eyes. 
I am told I am always so smiley. 
I think on it: true. 
Before walking away, 
I say back: It is my gift. 
When I think of my gift, 
I no longer feel cursed.
With the universe as my witness,
I am invincible. 

When I make sweet tea, nothing goes wrong.
One morning, I woke before being told. 
When I am too tired to move
I lay my heavy legs against the floor like
a crested wave reaching the shore
after a long-traveled journey. 
I am invincible. 

Have you ever seen my butt?
It’s organic, makes all my pants panic.
It shoots for the moon and reaches for the stars
because my butt is basically a sky.
Your sky.
I am invincible.

I can make my no sleep eyes cry
if the moment means enough.
I can make any moment mean
enough, just give me the wind, 
or a line in a song, like this one:
your love belongs to everyone 
(Jose Gonzales, Open Book)
or I can look at pictures of my niece
whose cheeks look like Fredericksburg
peaches I would eat with her daddy 
both our sticky hands steady 
through the summers of our childhood
when the two of us would chase 
each other around til our sweat boiled
in the backyard of grandma’s garden
and grandpa’s shed. 
I am invincible. 
Even if my no sleep eyes are small
almonds missing their shot to blossom,
I choose this act, this scene, this line
I thought of without even thinking 
keeps my fingers moving, if I were a bird
you’d call this flying. 

I am invincible.
But I am not invulnerable
Look at the armor around my heart
Look at how many pathways a knife
like guilt could take to prove
I am not invulnerable. When I heal,
I move much too fast. Doctors don’t know
what to do, on account of, I hide the truth.

And the truth is, sometime ago,
I began to preface what I say with 
it’s okay, before the sentence could 
even begin. I reach conclusions in
which I give acceptance I did not ask
for but with reasons I now must defend.
I want to sing, I’ll do anything to be happy
(Noah and the Whales- Blue Skies)
But anything is lazy and I cannot know
the sum of my strength unless I weigh
my weaknesses. 

When I look at who I am in the mirror, I smile
before sorrow can say hello.
This is my gift. With the universe as my witness, 
I am invincible. 

11/30: OBJECTS OF MY AFFECTION

ol’ hereditary hoarder
ol’ bargain-buyer baller
ol’ dress for less loyalist
ol’ king of keepsakes

when will what I hold be
enough? If I comb
the knots out of my closet,
and I do not give an answer
to each questionable relic
wondering where my
eyes have been,
is the object
wrong to expect
my affection?

of course, i’m a sorry warden.
each object of my affection
only knows desire
as a lie in the eyes
only knows attention
as a glimpse of light—

In the dark spaces of my past
I am an awful oracle.

each object of my affection
remains a portable miracle:
not the thing itself, but
the king of the thing
two tricks
short of sainthood.
Yes, I kept something
I kept something alive
though I did not care about its life.
Isn’t this enough?

10/30: PROTECT YO HEART

Protect Yo Heart but do not think less of love’s failures (your own failures)

Protect Yo Heart but do not pretend a cage is the same thing as a window 

Protect Yo Heart but do not go to war with kindness 

ii 

Protect Yo Heart or disrespect the irresistible past and crash the castle (like a kiss)

Protect Yo Heart or choose stuffed French toast over forgiveness (syrup is sweet work)

Protect Yo Heart or repeat the same thing over like a stubborn general (count the sad battles as blessings)

iii

Protect Yo Heart and raise your right hand, pledge allegiance to the responsibility of joy (what lies in the husk of morning is a trifling tyranny)

Protect Yo Heart and think of the body’s troubled history (still living in the skin sin-like)

Protect Yo Heart and do not think less of love’s failures.

9/30: the last refuge

patriotism is the last refuge for the scoundrel and if angels were to govern men, government wouldn’t be necessary because no men are above the law but the law is in limbo or the law is a game of limbo, or the law is limbo, i dunno, I mean i can’t tell you why i bought a paperback copy of the Federalists or why our founding documents are nothing more than a series of serious lists but after watching this season of Homeland, I feel like I’m surrounded by scoundrels, sour sailors swimming in this sovereign sea; the deep structure of any good government is disguised as a promise we call balance but break because sorrow is the only reason we believe in going any further.

8/30: SHOWTIME

word of mouth is law unless you lose your jaw // ignore the instinct to speak like a dance // every rule has an exception // every exception has a rule // but does it apply? // please don’t watch my crooked feet // all my life I never learned to lead // on principle I ask to take a hand I know it isn’t there // people disappear like smoke but stay like cologne // in the shadow of the sun I spectate the spectacular // revisiting vulnerability as vernacular // who wants to sit and talk about their crooked constitution? // our teeth leave footprints in the words we speak// a monster of joy stomps through the puddles of my past // the terror of my joy is new // it is scary without scope // without borders // this wild conflict convulses within me like a chore I forgot to tend // this is a labor long after love // looks itself in the mirror after the longest night // most of the time my smile is a smirk // but when thinking about work // I am weak in the knees lucky // lovestruck in the legs // I lie in a lazy joy // just as the music fades // and this is where a lost jaw joins the mouth // where my red smile drops // a heavy curtain calling // to be picked up // because someone put my name on the marquee // I sing I want to see the movies of my dreams // unless the show is over //

7/30: PEOPLE MAKE THE WORLD GO ROUND

“Now the oft parade
has soon began.
Cool pools
from a tired land
sink now
in the peace of evening”

-Jim Morrison, Venice Beach Poet’s Monument

I learn more about myself on the days I do not speak than the days I do. Catching the unspoken flow of life is a boat I often miss. Though, this goes against the first principle of paying attention: nothing truly ends. Even the cycle of waves running to the shore still crash against the sand like an angel in the snow during sunset. What I want to last has not even begun. People Make The World Go Round by the Stylistics is a song I never sang before but the point is I’m listening to the car stereo as my uber driver performs the song of his youth, breath by breath, like he wrote he lyrics himself, like the words were born in his mouth. All I do is smile. My tongue is a crowded beachside boardwalk breeze rising like a blue phoenix. I tell my tongue, go underground, young man. But the pink beast barely leaves his station. If it feels good lost, then I still do not want to find myself. How can I return to who I am when the world is an open invitation? I cast a wide net when I should cast a line with a tiny hook: look, without being sad, I want to walk away from my shadow. I yield my yearning like a tired land I never want to escape into. People always want explanations and never want to listen pass the question. But that’s what makes the world go round. And surely, this is true. Grandkids are eating blue coconut snow cones with their grandparents and when their mouths open up, what I see is a stained sky. A man on the pier shares his spare bread. A homeless man hugs a dog he hasn’t seen in days. One moment after the next. Lifetimes linger on the tips of my fingers—is it any wonder I’m hesitant to pick up the pen?

6/30: TEN TWEETS FROM 2016

Lastly, I ask the universe for this: Let forgiveness return without wondering where I’ve been.

If you want to understand me, do me a favor: recognize and accept the inherent misunderstanding perpetuating my sense of self. Start here:

I want to give more of myself than ever before. But who holds their hands open long enough to touch the sum of you?

Get me out of my head please.

I cannot escape away the depth of feeling I feel at every moment of every day, cannot explain away thoughts that separate me from my body

I guess, I just wish, for once, for once, I could be blameless when naming my own hurt

every day, i’m navigating complex ass systems of emotion, tied to a traumatic past, linked by a persistent need to be present, and i am lost

i am lost even after knowing the exit strategy, and the exit strategy is always the same: to forget, to pretend, to give in by staying still

And it’s not easy to be who I am

For all the love I choose to carry, it is painfully funny about what chooses to carry me, and how the two are often at odds with each other.

5/30: ON SLOWING DOWN

i.

On test days, mom’s hands
woke up early enough
to build a meal

for me, three chorizo & egg tacos
tucked in foil,
please.
the foil kept the heat
alive long enough inside
our backpacks to eat on the bus.
Mom cooks in her robe,
spoon in hand,
pan on stove,
scrambled yolk.

The spoon yearns for movement,
but speed kills the scramble so mom
goes slow, her wrist
works like visible wind
moving so slow, the moment
is almost a secret. But
I see it.

ii.

it’s been said, I sprint through sentences
with a vicious lack of precision
like my speech is a track meet
except the audience
is the one out of breath
and somehow, I have no feet

it’s been said my voice is a vacuum
where syllables go missing,
where meaning is missed
mostly due to my quicksand
quips, the quivering lips I get
when the words I find are too
heavy to lift

it’s been said, I talk too fast
like my voice is reckless behind the wheel
like my thought-to-talk process
is a banana peel slip!
Witness every listener
hurt their hip against
the cautionary wind behind
each sentence I tea-cup spin.
I remember,
a woman who judged
my poem when I was 18
told me
that if I slowed down,
articulated my words
with the worth
they deserve, then
I’d be heard.
It hurt my
feelings
so I did not listen.

iii.

when I choose to read the poem in Spanish
my voice does not know how to move.
I freeze in the aisles between the letters
Just as I did as a kid, when my cousins
spoke Spanish as fast as light vanished
All I could hear was the dark shadow
Of sound I could not summon.

when I choose to read the poem in Spanish
I sit on the floor of my room with the windows open.
I call for my voice,
the slow breath rises,
not so much pronouncing
the word, but searching
for the light switch
the one my mom turns on
when she’s cooking
eggs in the morning.

4/30: THE ANSWER

Will my niece ever love a man like me?

If I think about
the answer
If I hope
the answer
is no—then I want her to know why.

Jessi, mija, I am your uncle but before I am a man
I am a boy I am a mistake I am untrue I am a lie
I am a forgery I am a horror story I am a sorry
sorry man, a forged boy, a museum of memories
spoiling in the corner like stories stuck in time-out

I am a mistake
I keep making.

In the sixth grade, puberty arrived. So did desire.
So, so, so
many fires forged this foolish faith,
and mija, I cannot apologize
for the stubborn smoke of my secrets. But I will
explain myself
to you.

I did not
want to be a Mexican boy with the Spanish name
but Mexican girls,
like you, wanted me the way I was.
Knowing this, I hid
this new affection for soft cajeta eyes.
I lied about my longing. I did not give
it a name. I grew secrets in silence.
Intimacy did not speak unless spoken to.
Eleven years old, under the wooden desks
of my world geography class,
I sit next to a girl with eyes like yours
She speaks Spanish to me like a secret
She knows I cannot keep
When no one is looking,
my right hand storms
the unfamiliar shores of her new world skin,
and this new land does not feel new,
Because our blood flows from the same running river of remembering
Because our grandmothers speak Spanish in their kitchens when cooking
Because our mothers threw chanclas in the backseat to beat us
Because our skin jumped at the sun like the gritos of our tios
Because my name told them I was a lit saint candle in their hallway—

Weeks later, when confronted by my peers
All I can do is lie
about the first time
a Mexican girl
held me wordlessly
in the dark, pretending
our
hands never melted
like honey
across hot sopapillas.

As a rule, I learned,
to be a cruel boy,
you must deny what you feel.
I trapped the truth in me like a dead tree.
Years later, when other men ask me
if I would ever date a Latina,
I’d say, I don’t date Mexican women.
I’d say, have you met my mother?
I’d say, I only stay for the food.
I’d say, does it look like I want to wake up with a knife in my back?
I thought, is this not what Mexican men do?
Disguising vulnerability
is a disgusting disease
I am trying to transfuse
out of my blood by talking
to you,

Jessi—
don’t let
any man hide his hands
when he holds you.

Do not love a man
who believes
he is blameless
for failing to name
the monsters he created.

Do not love a man
who preserves the past
into a personal legend
but acts like the lessons
are lost on him.

Mija, I did not mean
to be so mean.
Please,
do not love
a man like me.