A POEM A DAY

I'm just happy to be here.

Tag: love

17/30: LOVE BETTER

“Therefore, dear sir, love your solitude
and bear with sweet-sounding lamentation
the suffering it causes you.”

-Rainer Maria Rilke, Letters to a Young Poet

Dear Zachary, sir—I need you to love better.
Dear sir, I need you to love better and mean it.
You can start with me, and all the sweet-sounding
suffering I cause you. This isn’t advice.
I love watching you try, but what good is
showing up, if you do not follow through
with who you wish to become?
Apart from me, you are another and I am other.
As if we exist in separate dimensions.
Am I a place you go but do not mention?
Dear Zachary, together, have we not walked
through shame like confetti and cascarones
underneath pink evenings? Have you forgot
the wilderness of your childhood, the backwards
deliverance of our innocence? We passed the time
like a jar of fireflies at dusk, opening the closed
jar to see how far we could see trace the fading
light. Each time you proposed an exit strategy to
get out of your head, who was your canary?
What if I told you it is not possible to love
someone until you love me? All the pain
in our heart is instructive. Isn’t that what
you call precedent. Would it please you
if I gave my argument with authority?
Because I know how you hate the past,
And yet, you protect your agony, unequivocally
too stubborn to learn the errors of your ways
And I know this weighs on you. I can feel
the slow puddle of your blood form when
you refuse to participate. Dear sir, please,
I am not an exit strategy. I am an invitation.
My only wish for you is to receive what
I give without leaving me behind. Remember
how it feels to stumble through the unfinished
plot of what is lost and what is gained? I know
you need me most when it rains and the air
changes instantly, announcing to the world
what is here and what is to come, the same way
you wish you could change back into the man
you wrote about once before you became an
island, stranded in the sand of your fears.
I hear you talk to yourself when you refuse
to use your voice. I know all your tricks.
In the mirror, when we visit each other,
Your eyes trace our body in the dim light.
Dear sir, don’t you see the space I give
is empty for a reason?

4/30: THE ANSWER

Will my niece ever love a man like me?

If I think about
the answer
If I hope
the answer
is no—then I want her to know why.

Jessi, mija, I am your uncle but before I am a man
I am a boy I am a mistake I am untrue I am a lie
I am a forgery I am a horror story I am a sorry
sorry man, a forged boy, a museum of memories
spoiling in the corner like stories stuck in time-out

I am a mistake
I keep making.

In the sixth grade, puberty arrived. So did desire.
So, so, so
many fires forged this foolish faith,
and mija, I cannot apologize
for the stubborn smoke of my secrets. But I will
explain myself
to you.

I did not
want to be a Mexican boy with the Spanish name
but Mexican girls,
like you, wanted me the way I was.
Knowing this, I hid
this new affection for soft cajeta eyes.
I lied about my longing. I did not give
it a name. I grew secrets in silence.
Intimacy did not speak unless spoken to.
Eleven years old, under the wooden desks
of my world geography class,
I sit next to a girl with eyes like yours
She speaks Spanish to me like a secret
She knows I cannot keep
When no one is looking,
my right hand storms
the unfamiliar shores of her new world skin,
and this new land does not feel new,
Because our blood flows from the same running river of remembering
Because our grandmothers speak Spanish in their kitchens when cooking
Because our mothers threw chanclas in the backseat to beat us
Because our skin jumped at the sun like the gritos of our tios
Because my name told them I was a lit saint candle in their hallway—

Weeks later, when confronted by my peers
All I can do is lie
about the first time
a Mexican girl
held me wordlessly
in the dark, pretending
our
hands never melted
like honey
across hot sopapillas.

As a rule, I learned,
to be a cruel boy,
you must deny what you feel.
I trapped the truth in me like a dead tree.
Years later, when other men ask me
if I would ever date a Latina,
I’d say, I don’t date Mexican women.
I’d say, have you met my mother?
I’d say, I only stay for the food.
I’d say, does it look like I want to wake up with a knife in my back?
I thought, is this not what Mexican men do?
Disguising vulnerability
is a disgusting disease
I am trying to transfuse
out of my blood by talking
to you,

Jessi—
don’t let
any man hide his hands
when he holds you.

Do not love a man
who believes
he is blameless
for failing to name
the monsters he created.

Do not love a man
who preserves the past
into a personal legend
but acts like the lessons
are lost on him.

Mija, I did not mean
to be so mean.
Please,
do not love
a man like me.

30/30: FAITH IS A DARING EXPERIENCE

We had a catholic service
for my Uncle Jesse’s funeral.
And I was a pall bearer,
which means I carried his body
which means I carried his casket
which means he really did kill himself
which means he really did want to leave
and I felt weak in my strength.
But the priest who spoke at the ceremony,
did so about the soul, about its longings,
how death perplexes, but faith persists.
Actually, I believe his exact words were,
“Faith is a daring experience.”

16/30: IF YOU DON’T KNOW THE ANSWER, PLEASE DON’T GUESS.

Outside,
Lightning is all the sky talks about
Houston has a clapping chatter mouth,
bayou tongue, thundering teeth.
I drive by a series of buildings all dark
except the dance studio second-story window
where I see an elderly couple
waltzing
alone
together—
so this
is the face of love’s
rhythm after it has grown?
I am almost crash the car
in a flash of grace.
I’ll never be the same.
The rain makes it so easy to fall apart.
Stay inside of yourself.
The trees flurry with reason
Weather is all about rhythm
Nothing trembles for trembling’s sake
I can sleep through thunder
I can dream through thrashing
Why is nobody impressed?
What’s left of my body besides
the crumbs of love?
If you don’t know the answer,
please,
Don’t guess.

6/30: REJECTAMENTA

6/30: REJECTAMENTA

“The poem that is merely painful revelations:
my impulse to tell you everything –
which may destroy everything”
– Theodore Roetheke

I know how it feels
when you trick your heart
into being someone else’s treat.
But smiling alone
with you
is how the blood
in my body
refused to rot,
rejected deceit,
rose like a wave &
now the mystery is
who wants to swim
in the mud of love?
who wants to break
the cycle of breaking?
No, I do not know all
my hauntings by name,
but a history of hurt is here,
constant presence, always relevant
but this
is not a poem about defeat.
This is merely pain revealing itself.
This is a monsoon of magnolias
against the grey blanket of morning.
This tired legacy of failed reciprocity
does not bewilder me, the promise of new joy
is a gentle riddle lust cannot solve,
if my heart is knotted, don’t let love resolve,
untie or cut the twist, I just need you to
show up and mean it.
I’ll forget the history of hurt
if you just keep showing up,
turn this historic loneliness
into something we can both fix
the both of us,
your arrival,
the beginning,
apotheosis—
finally, all my fear
furnace bound &
lovemaking
is the quiet smoldering,
which may destroy
everything.

29/30

I am singing Usher’s U Got it Bad
under my breath
past midnight
at a coffee shop
when the table I sit at
suddenly becomes the cafeteria
at my middle school which
on some Friday nights
became the dance floors
I would find myself wearing
a Ralph Lauren polo
and shoes that are not built for dancing,
but my sixth grade body don’t know that.

I am looking at a picture of my eleven year old brother
before his first middle school dance alone in my room
when suddenly my heart forgets its
hard promise, pours clean from my chest
like a punch bowl drunk with fresh fruit,
bodies ripe with sugar and the want to spill
everywhere.
I imagine the celebration that becomes of the cafeteria
as soon as he enters.
Wearing a striped Ralph Lauren Polo
with dark denim jeans, his hairstyle so slick
He smiles like he’s trying to earn his first kiss.
I imagine his ankles turning to air before all his friends
find their hips, and the girl he loves to tell me about
laughs at how he knows every lyric
to every Bruno Mars song that comes on
and I have already lost myself
thinking about how he tries to shake
the linoleum off the floor. In fact
I have already wept twice while writing this
but that’s okay cause my boy Kyler,
oh he is a King of loving things
even at eleven,
a boy believes in his body enough
to watch it burn down one night
only to have it back by morning—
That is my favorite part .

 

28/30

I burned my throat while looking for you this morning
but that isn’t fair to say
because I was drinking coffee too.

On both sides of my coffee mug is a typewriter
with the words Just My Type beneath the brim
and before I can smile at the wordplay, I open my mouth
for a kiss. My lips slobber sleep, my tongue sits still
a tired ribbon pretends to do the same, as it stays
wrapped up in picturesque porcelain until it is
ink free and all my teeth are stained with something
remarkable to say.
But your name taps out before I can even say
good morning.
I type your name out, each letter lost keys,
turning into me, a jagged memory,
a picked lock, a space bar struck by a thumb
over and over again, the distance within
being without you
will always be a burning bridge
a fresh brew that caffeine chews the type
of silence you wish to remain so,
but even the rot rises, like it too
wants to be forgot,
a lock turning into a chimney,
lost love learning itself in these
letters of mine,
I have let my tongue bear the mark of brimstone
because my coffee mug is a typewriter and
I burned my throat when I tried to spill the stories like steam
because I wanted to say what mattered the most
and then watch it leave
but nobody knows how to do that
and how is that so?
That is, how do you speak the very thing that swallows
you whole?
 

22/30

 

Waiting for the bus in the rain
sounds like a sentence that belongs
in a story about nostalgia, you know.
Trying to remember, as if the mere
mention of memory does not make us a history book?
This doesn’t take that much work, though.

I am waiting for the bus in the rain.
With little effort, everyone avoids drowning.

Except me, and that exception applies to the entire
previous sentence.

With much effort, I am still no one avoiding nothing
which to say today is Thursday and I am waiting for the bus
in the rain.

Goodness, now it sounds like I’m trying to remember
but memory for me doesn’t work like that. What happened
is still happening, as always with me, an unhappenable being
and this mostly gets confusing due to the speed at which
I speak and that has to do with memory, too.

I’m afraid if I forget what I want to say, I will lose my tongue one day.
Once the letters and words begin to pinball I don’t want them to drop
like jaws. I want to say everything all at once.
Oh, my mouth is my mistress
and I want to make love like teeth
and fresh banana bread. Have you ever had fresh banana bread?
Well if it’s a no, you haven’t made love with your teeth like I know
and let me tell you, that’s a love you have to show. What’s the point
of being able to speak if you ain’t gonna sing? What’s the point
of being able to eat if you ain’t gonna make the food sing to you?

Goodness, now it sounds like I forgot what made me remember
which I didn’t because I don’t have to remember,

I was waiting for the bus in the rain and nobody drowned
except me but that’s mostly because I was born next to the ocean
and my father was a sailor and you know there’s something about apples
falling from the shipdeck and boys getting apple flesh
caught in his anchors, well that’s me.
The only brown boy who made himself a ballast and still drowns
in spite of it. In spite of the buoyancy he was built with.

I am waiting for the bus in the rain when the bus stops
like I don’t know how to do and now I am
on the bus with the rain outside when I look up and see a poem
by Jill Wiggins. The ending it went something like this,
“Into dark water—
I could drown
in words”

 

17/30

THANKSGIVING
or
How I Let You Go On The Most Depressing Day of the Year
and Feel Pretty Good About it

I burned all the leftovers. The pie too.
It is as horrible as I am making it seem and
more. I am used to more but there is no stuffing left,
nothing left to stuff but silence.
When stuffing is the love you shove
into your mouth, what happens when you
run out?

It was the Sunday after Thanksgiving
when I last saw you and when everything
didn’t happen like it was supposed to.
When asked what you are grateful for
all anyone hears is hesitation, air taken by teeth
and you leave a silence so grand I bow
at the base of it. Is that what giving
is?
No, thanks.
The rain came like it was supposed to
and I am still smothered in mud, my
god.

Driving home, I am my own soundtrack
Words like why, again, why, again, why, me
again, why is there always an again
are lyrics
the speakers are familiar with.
Driving home, I am my own carwreck.
I exit the highway onto a country road
which then turns into a mouth of mud
and I am stuck and sad and so oh very
sad at being stuck.

If I count all the times I asked you to come back
I could not trace my way back and oh to be stuck like that—

All it does is take and that is a terrible
and true fact.

A stranger tells me a fact I go home to Google to make sure it’s true.
The first Monday of the New Year is considered
the most depressing day of the year. Something about
having to begin again but this time with follow through. Something about
having to show up and mean it, on a Monday
no less.

Driving home, we are on the phone. Most of the talking
is by me and I forget what I said but most assuredly
it rang to the tune of me promising a safe place to crash
or fall or call home, even if we are all bones or blown to
little bits of I told you so, oh don’t you know
I would have showed up and meant it
every Monday?

Driving home, we are on the phone when I run out of gas.
A stranger helps me push my car to the side of the road.
It is the coldest day of the year, which means it is the first
day we felt our skin sting and suddenly I cannot help but
count the coincidences. This same stranger brings me hot tea
and tells me
Waiting all alone is the worst.
Tells me today is the most depressing day of the year, and how he hopes
how much that isn’t true.

I call you later on the phone, and you showed up but
we both know you didn’t mean it, and so I tell you then
like I tell you now, the last words I will say to you are
I love you and goodbye.

It always ends the same.